2024-03-29T13:32:11Z
https://ecozona.eu/oai
oai:ojs.revistas.proeditio.com:article/311
2020-03-30T10:10:51Z
ecozona:EDIT
Editorial
Flys Junquera, Carmen
Goodbody, Axel
Editorial
Universidad de Alcalá
2010-04-25
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
https://ecozona.eu/article/view/311
10.37536/ECOZONA.2010.1.1.311
Ecozon@: European Journal of Literature, Culture and Environment; Bd. 1 Nr. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 No. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 Núm. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 No. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; V. 1 N. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
2171-9594
2171-9594
10.37536/ECOZONA.2010.1.1
eng
https://ecozona.eu/article/view/311/282
Copyright (c) 2016 Ecozon@: European Journal of Literature, Culture and Environment
oai:ojs.revistas.proeditio.com:article/312
2020-03-30T10:22:19Z
ecozona:ART1
The Third Wave of Ecocriticism: North American Reflections on the Current Phase of the Discipline
Slovic, Scott
third wave ecocriticism
first wave ecocriticism
second wave ecocriticism
comparative
transnational
eco-cosmopolitanism
material ecofeminism
green queer theory
animality
commitment
Ecocriticism
Keywords: third wave ecocriticism, first wave ecocriticism, second wave ecocriticism, comparative, transnational, eco-cosmopolitanism, material ecofeminism, green queer theory, animality, commitment'Third Wave Ecocriticism' has become accepted as the label for a new form of critical writing which transcends national and ethnic boundaries and compares human experience across cultures. This focus distinguishes it equally from first wave ecocriticism in the 1980s (which dealt mainly with nature writing, wilderness and women's special affinity with nature), and the second wave, which began in the mid 1990s (and turned its attention to other literary genres and media, environmental justice, and urban ecology). Critics adopting the transcultural approach are exploring tensions between the global and the local, new varieties of ecofeminism, conceptions of animality, and ways of integrating literature in environmental activism. Palabras clave: tercera oleada de la ecocritica, primera oleada de la ecocritica, segunda oleada de la ecocritica “La Tercera oleada de la ecocrítica” se ha aceptado como etiqueta para una nueva forma de escritura crítica que trasciende las barreras nacionales y étnicas y que compara la experiencia humana de diferentes culturas. Este enfoque también la distingue de la primera oleada ecocrítica de los años 80, que se centraba sobre todo en la escritura de la naturaleza, sobre la tierra salvaje y en la afinidad de las mujeres con la naturaleza; y de la segunda oleada, que comenzó a mediados de los 90 y dirigió su atención hacia otros géneros literarios y los medios de comunicación, la justicia medioambiental y la ecología urbana. Los críticos que adoptan el enfoque transcultural exploran las tensiones entre lo global y lo local, las nuevas variedades del ecofeminismo, las nociones de animalidad y las formas de integrar la literatura en el activismo medioambiental. .
Universidad de Alcalá
2010-04-17
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
https://ecozona.eu/article/view/312
10.37536/ECOZONA.2010.1.1.312
Ecozon@: European Journal of Literature, Culture and Environment; Bd. 1 Nr. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 No. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 Núm. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 No. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; V. 1 N. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
2171-9594
2171-9594
10.37536/ECOZONA.2010.1.1
eng
https://ecozona.eu/article/view/312/283
Copyright (c) 2016 Ecozon@: European Journal of Literature, Culture and Environment
oai:ojs.revistas.proeditio.com:article/313
2020-03-30T09:29:21Z
ecozona:ART1
Environmental Justice and Third Wave Ecocritical Approaches to Literature and Film
Adamson, Joni
environmental justice
globalization
indigenous peoples
third wave ecocriticism
Environmental Justice
Key words: environmental justice, globalization, indigenous peoples, third wave ecocriticism Using films such as Babel directed by Alejandro Gonzalez Iñartu, or novels such as Almanac of the Dead by Leslie Marmon Silko can raise consciousness on environmental justice issues and the consequences of globalization and free trade agreements for different communities around the world. Both works illustrate quite poignantly the meaning of such landmark manifestos such as the United Nations Declaration on the the Rights of Indigenous Peoples, the 17 Principles of Environmental Justice or the Earth Charter. Likewise these approaches constitute the third wave of ecocriticism whose interests lie in exploring human experience from eco-global perspectives which transcend ethnic and national borders in research. Palabras clave: justicia medioambiental, globalización, pueblos indígenas, tercera oleada de la ecocríticaIncorporar al aula largometrajes como Babel de Alejandro Gonzalez Iñartu o novelas como Almanac of the Dead de Leslie Marmon Silko puede redundar en un aumento de la concienciación sobre la justicia medioambiental y fomentar la reflexión sobre las consecuencias de la globalización y del comercio libre en distintas comunidades que coexisten en el planeta. Ambos documentos resultan útiles para ilustrar el significado de otros tan importantes como la Declaración de las Naciones Unidas sobre los derechos de los pueblos indígenas, los 17 principios para la justicia ambiental y la Carta de la Tierra, al mismo tiempo que se inscriben en la tercera oleada de la ecocrítica cuyos intereses se centran en explorar la experiencia humana desde perspectivas ecoglobales y trascender las fronteras étnicas y nacionales en la investigación.
Universidad de Alcalá
2010-04-28
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
https://ecozona.eu/article/view/313
10.37536/ECOZONA.2010.1.1.313
Ecozon@: European Journal of Literature, Culture and Environment; Bd. 1 Nr. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 No. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 Núm. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 No. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; V. 1 N. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
2171-9594
2171-9594
10.37536/ECOZONA.2010.1.1
eng
https://ecozona.eu/article/view/313/284
Copyright (c) 2016 Ecozon@: European Journal of Literature, Culture and Environment
oai:ojs.revistas.proeditio.com:article/314
2020-03-30T10:21:51Z
ecozona:ART1
The Rhizomatic Trajectory of Ecocriticism
Oppermann, Serpil
rhizomatic trajectory
third wave
postmodern ecocriticism
Deleuze and Guattari
interconnected approaches
ecocritical heterogeneity
multiplicity of theories
Ecocriticism
Key words: rhizomatic trajectory, third wave, postmodern ecocriticism, Deleuze and Guattari, interconnected approaches, ecocritical heterogeneity, multiplicity of theories In its third wave, ecocriticism has become multicultural and transnational, and expanded rapidly in terms of epistemological positions and interpretive methods. Its very multiple directions and methodological and theoretical plurality may appear problematic. However, ecocritical theory and practice are not arbitrary or ‘ambivalently open’, but rather pursue a trajectory summed up by Deleuze and Guattari in the image of the rhizome. The quintessentially postmodern concept of the rhizome as an acentred, non-hierarchical system operating by variation and alliance permits us to recognise a cultivated kind of growth where others have seen only disciplinary crisis. Palabras clave: trayectoria rizomática, tercera oleada, ecocrítica posmoderna, Deleuze y Guattari, enfoques interconectados, heterogeneidad ecocrítica, multiplicidad de teorías En esta tercera oleada, la ecocrítica se ha vuelto multicultural y transnacional, y se ha expandido rápidamente en lo que respecta a posiciones epistemológicas y a métodos interpretativos. Sus múltiples direcciones y su pluralidad metodológica y teórica pueden parecer problemáticas. Sin embargo, la teoría y prácticas ecocríticas no son arbitrarias o “abiertas de forma ambivalente”, sino que más bien continúan una trayectoria que Deleuze y Guattari han resumido en la imagen del rizoma. El concepto postmodernista por excelencia del rizoma es un sistema no-jerárquico y sin centro que se rige por la variedad y la alianza y que nos permite reconocer un tipo de crecimiento cultivado donde otros sólo han visto una crisis disciplinaria.
Universidad de Alcalá
2010-04-17
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
https://ecozona.eu/article/view/314
10.37536/ECOZONA.2010.1.1.314
Ecozon@: European Journal of Literature, Culture and Environment; Bd. 1 Nr. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 No. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 Núm. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 No. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; V. 1 N. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
2171-9594
2171-9594
10.37536/ECOZONA.2010.1.1
eng
https://ecozona.eu/article/view/314/285
Copyright (c) 2016 Ecozon@: European Journal of Literature, Culture and Environment
oai:ojs.revistas.proeditio.com:article/315
2020-03-30T10:14:10Z
ecozona:ART1
Ecocriticism as a Contribution to Consilient Knowledge
Garrard, Greg
consilience
ecology
re-enchantment
niches
Weber
Darwinism
Ecocriticism
Key words: consilience, ecology, re-enchantment, niches, Weber, Darwinism Rather than seeking to expose anthropocentrism, insisting on mutually reinforcing parallels between the discrimination of nature and mechanisms of gender, race and class, or pursuing a goal of anti-Enlightenment re-enchantment, ecocritics must engage in a programme of bridge-building between literary criticism and the empirically grounded sciences. Contextualisation of works in terms of environmental history, and a philosophy of biology critically examining its key concepts are currently among the most promising construction programmes of this kind. The time has come for ecocriticism to cease to be a romantic discourse of value or a priestly pursuit, and become a principled, professional, empirico-philosophical critique. Palabras clave: consiliencia, ecología, encantamiento, nichos, Wever, darwinismo En lugar de empeñarse en exponer el ecocentrismo, con insistencia en paralelismos entre la discriminación de la naturaleza y mecanismos de género, raza y clase que se refuerzan de manera mutua o de salir a la caza de un objetivo de encantamiento anti Ilustración, los ecocríticos deben dedicarse a tender puentes entre la crítica literaria y las ciencias empíricas. La contextualización de obras en términos de historia medioambiental y una filosofía de la biología que examina de forma crítica sus conceptos clave se encuentran actualmente entre las iniciativas constructivas más prometedoras de su clase. Ha llegado la hora de que la ecocrítica deje de ser un discurso romántico de valor o una aspiración sacerdotal y se convierta en una crítica de principios, profesional y empirico-filosofica.
Universidad de Alcalá
2010-04-22
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
https://ecozona.eu/article/view/315
10.37536/ECOZONA.2010.1.1.315
Ecozon@: European Journal of Literature, Culture and Environment; Bd. 1 Nr. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 No. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 Núm. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 No. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; V. 1 N. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
2171-9594
2171-9594
10.37536/ECOZONA.2010.1.1
eng
https://ecozona.eu/article/view/315/286
Copyright (c) 2016 Ecozon@: European Journal of Literature, Culture and Environment
oai:ojs.revistas.proeditio.com:article/316
2020-03-30T09:28:52Z
ecozona:ART1
Remapping English
Heise, Ursula K.
topography
literary canon
environmental writing
visual media
Digital Humanities
Ecocriticism
Key words: topography, literary canon, environmental writing, visual media, Digital Humanities Ecocriticism to date has not changed the basic method of inquiry in literary studies nor has it remapped the canon in terms of genre. Rather than focus on the canonical literary genres, ecocriticism could have emphasized research on popular scientific texts and travel narratives that have generated far more public attention and debate. Likewise, relatively little research is devoted to other visual media such as film and photography which have also received large public attention. Moreover, there are many biological and ecological concepts which remain ill-defined in science and offer the possibility of exploration in terms of what cultural assumptions contribute to their definitions, uses, translations and reception. Thus ecocriticism needs a re-engagement with biological and ecological sciences which would challenge the conventions of literary and cultural studies. Palabras clave: topografía, canon literario, literatura medioambiental, medios audiovisuales, humanidades digitales Hasta ahora la ecocrítica no ha cambiado el método básico de investigación de los estudios literarios, ni ha re-dibujado el canon en cuestión de género literario. En vez de centrarse en los géneros literarios canónicos, la ecocrítica podía haber hecho hincapié en la investigación de textos científicos y narrativas de viaje populares que han generado mucha más atención pública y debate. De la misma forma, se ha dedicado relativamente poca investigación a otros medios visuales como el cine o la fotografía, que también han recibido gran atención del público. Además, hay muchos conceptos biológicos y ecológicos que permanecen mal definidos en ciencias y ofrecen la posibilidad de exploración en cuestión de los supuestos que contribuyen a sus definiciones, usos, traducciones y recepción. Por ello, la ecocrítica necesita re-comprometerse con las ciencias biológicas y ecológicas, lo que desafiaría las convenciones de los estudios literarios y culturales.
Universidad de Alcalá
2010-04-28
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
https://ecozona.eu/article/view/316
10.37536/ECOZONA.2010.1.1.316
Ecozon@: European Journal of Literature, Culture and Environment; Bd. 1 Nr. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 No. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 Núm. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 No. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; V. 1 N. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
2171-9594
2171-9594
10.37536/ECOZONA.2010.1.1
eng
https://ecozona.eu/article/view/316/287
Copyright (c) 2016 Ecozon@: European Journal of Literature, Culture and Environment
oai:ojs.revistas.proeditio.com:article/317
2020-03-30T10:19:25Z
ecozona:ART1
Tilting for Windmills: Climate Change, Websites, and Ecocritical Pedagogy
Murphy, Patrick D
digital media
multimedia technology
climate change
cyber ecocriticism
pedagogy
Ecocriticism
Key words: digital media, multimedia technology, climate change, cyber ecocriticism, pedagogy Ecocriticism in general has concentrated on literary texts and has relegated other types of texts, particularly digital and interactive texts which are those which arguably have the greatest influence and readership in the 21st century. Thus, the need for ecocritical study of digital media, which would combine the investigation of the rhetorical and narrative features both of websites as a totality and of their specific content, as well as reception and reader response analyses. Using the experience of a graduate course, the multiple benefits of this approach illustrates how the ecocritique of digital media can achieve numerous objectives in a variety of pedagogical situations and provide a way to integrate environmental issues into skill dominant courses. Palabras clave: medios audiovisuales y digitales, tecnología multimedia, cambio climático, ecocritica cibernética, pedagogía La ecocrítica en general se ha centrado en textos literarios y ha relegado otros tipos de textos, en particular textos digitales e interactivos que podría decirse que son los de mayor influencia y mayor número de lectores del siglo XXI. Por ello es necesario el estudio ecocrítico de los medios de comunicación digitales, que combinaría la investigación de las características retóricas y narrativas de tanto las páginas web en su totalidad como de su contenido específico, así como de los análisis de la recepción y de la respuesta del lector. Usando la experiencia de un curso de postgrado, los múltiples beneficios de este enfoque ilustran cómo la ecocrítica de los medios de comunicación digitales pueden conseguir numerosos objetivos en una variedad de situaciones pedagógicas y proporcionar una manera de integrar los temas medioambientales en cursos predominantemente centrados en la adquisición de destrezas.
Universidad de Alcalá
2010-04-21
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
https://ecozona.eu/article/view/317
10.37536/ECOZONA.2010.1.1.317
Ecozon@: European Journal of Literature, Culture and Environment; Bd. 1 Nr. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 No. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 Núm. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 No. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; V. 1 N. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
2171-9594
2171-9594
10.37536/ECOZONA.2010.1.1
eng
https://ecozona.eu/article/view/317/288
Copyright (c) 2016 Ecozon@: European Journal of Literature, Culture and Environment
oai:ojs.revistas.proeditio.com:article/318
2020-03-30T10:21:23Z
ecozona:ART1
Ecozon@ with love
Glotfelty, Cheryll
new directions in ecocriticism
regional literature
regional studies
literary Nevada
place
caring for the environment
eco-cosmopolitanism
sense of place
sense of planet
Ecocriticism
Key words: new directions in ecocriticism, regional literature, regional studies, literary Nevada, place, caring for the environment, eco-cosmopolitanism, sense of place, sense of planet Regional studies and literary regionalism continue to fulfil important functions in the era of globalisation. Educating people (particularly those in parts of the world with a “self-image problem”) in the richness of local literary tradition can help them identify more strongly, through story, with the place they live in, and take care of it. Ecocritics must learn to work together with the curators of local history museums, people running community arts centres, and the members of writing circles. World citizenship and eco-cosmopolitanism do not obviate the need for a local sense of place. Palabras clave: nuevas tendencias de la ecocritica, literature regional, studios regionales, el Estado literario de Nevada, lugar, cuidado del medioambiente, eco-cosmopolitanismo, sentido de lugar, sentido de planeta Los estudios regionales y el regionalismo literario continúan realizando importantes funciones en la era de la globalización. Educar a la gente – en especial aquella en lugares del mundo con un “problema de imagen de sí mismo” – en la riqueza de la tradición literaria local puede ayudarles a identificarse más sólidamente, a través de historias, con el lugar en el que viven y a cuidar de él. Los/as ecocríticos/as deben aprender a trabajar con los conservadores de los museos de historia local, con la gente que dirige centros de arte comunitarios y con los miembros de los círculos de escritura. La ciudadanía mundial y el eco-cosmopolitanismo no obvian la necesidad de un sentido de lugar local.
Universidad de Alcalá
2010-04-17
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
https://ecozona.eu/article/view/318
10.37536/ECOZONA.2010.1.1.318
Ecozon@: European Journal of Literature, Culture and Environment; Bd. 1 Nr. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 No. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 Núm. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 No. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; V. 1 N. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
2171-9594
2171-9594
10.37536/ECOZONA.2010.1.1
eng
https://ecozona.eu/article/view/318/289
Copyright (c) 2016 Ecozon@: European Journal of Literature, Culture and Environment
oai:ojs.revistas.proeditio.com:article/319
2020-03-30T10:20:26Z
ecozona:ART1
Strategies for a Cross-Cultural Ecofeminist Literary Criticism
Gaard, Greta
empirico-philosophical ecocriticism
consilience
E.O. Wilson
biosemiotics
risk theory
philosophy of biology
environmental historicism
consilient ecocritical theory
Ecocriticism
ecofeminism
Key words: empirico-philosophical ecocriticism, consilience, E.O. Wilson, biosemiotics, risk theory, philosophy of biology, environmental historicism, consilient ecocritical theory To what extent can ecofeminist literary criticism developed in western countries be applied to other cultures? Several considerations are needed: foremost, the limitation of language as a symbol system contextually inflected make interpretation of literary and critical texts very difficult, a difficulty compounded by the need of translation into another symbol system with its own context. Moreover, differences of power and subject positions of the authors, translators, critics and readers also influence the product and reception of texts. A western critic becomes an outsider in interpreting literature in another language and culture. One possible strategy to effectively bridge the cross-cultural gap is to work together in solidarity with women critics of the other culture in order to both interpret texts and increase understanding and visibility. Palabras clave: ecocrítica empírico-filosófica, consiliencia, E.O. Wilson, biosemiótica, teoría del riesgo, filosofía de la biología, historicismo medioambiental, teoría ecocrítica de la consiliencia. ¿Hasta qué punto la crítica literaria ecofeminista desarrollada en los países occidentales puede aplicarse a otras culturas? Son necesarias varias consideraciones: en primer lugar, la limitación del lenguaje como sistema de símbolos influido por el contexto hace muy difícil la interpretación de textos críticos y literarios, una dificultad que se incrementa por la necesidad de traducción a otro sistema de símbolos con contexto propio. Además, las diferencias de poder y del posicionamiento del sujeto como autores, traductores, críticos y lectores, también influyen la producción y recepción de los textos. Un crítico occidental se convierte en un foráneo al interpretar la literatura de otra lengua y cultura. Una posible estrategia para salvar las diferencias culturales es trabajar en solidaridad con mujeres críticas de la otra cultura con el fin de tanto interpretar textos como de aumentar la comprensión y la visibilidad de textos y labor crítica.
Universidad de Alcalá
2010-04-20
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
https://ecozona.eu/article/view/319
10.37536/ECOZONA.2010.1.1.319
Ecozon@: European Journal of Literature, Culture and Environment; Bd. 1 Nr. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 No. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 Núm. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 No. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; V. 1 N. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
2171-9594
2171-9594
10.37536/ECOZONA.2010.1.1
eng
https://ecozona.eu/article/view/319/290
Copyright (c) 2016 Ecozon@: European Journal of Literature, Culture and Environment
oai:ojs.revistas.proeditio.com:article/320
2020-03-30T09:28:24Z
ecozona:ART1
The Human Alien. Otherness, Humanism, and The Future Of Ecocriticism
Iovino, Serenella
ecocritical theory
humanism
disability studies.
Ecocriticism
Keywords: ecocritical theory, humanism, disability studies. In a time when the “palimpsest” of ecocriticism is being constantly enriched, and that a “third wave” (Slovic & Adamson, Opperman) is largely consolidating, it is more and more compelling to re-address the question about the human. Issues such as madness or disability, for example, both radically challenge and provoke the very idea of human, regardless of social contexts, of race, religion or ethnic group. Madness and disability create in fact a “wilderness zone,” inside the tamed area of normality, of humanity-as-normality, of human as a norm and a measure of itself. Placing the question of otherness within the taxonomy of the human subject, madness and disability introduce a radical fracture in this taxonomy, showing that “the other” is not only nature (as the other-than-human), but it can be the human itself. Trying to trace the theoretical and literary coordinates of this reflection, this short essay discusses the current trends of ecocriticism and its possible developments into an ecological form of humanism. Palabras clave: teoría ecocrítica, humanism, estudios sobre discapacidad. En una época en la que el “palimpsesto” de la ecocrítica se enriquece constantemente, y en la que una “tercera oleada” (Slovic & Adamson, Opperman) se está consolidando en gran medida, resulta más y más necesario volver a tratar la cuestión del ser humano. Temas como la locura o la incapacidad, por ejemplo, desafían y provocan radicalmente la idea misma del humano, sin tener en cuenta contextos sociales, raza, religión o grupo étnico. La locura y la incapacidad crean de hecho una “zona virgen”, dentro de la región de normalidad domesticada, de humanidad-como-normalidad, de lo humano como norma y medida de sí mismo. Planteando la cuestión de la alteridad dentro de la taxonomía del sujeto humano, la locura y la incapacidad introducen una fractura radical en esta taxonomía, mostrando que “el otro” no es sólo naturaleza (como el “no-humano”), sino que puede ser el humano mismo. Intentado trazar las coordinadas teoréticas y literarias de esta reflexión, este breve ensayo trata las tendencias actuales de la ecocrítica y su desarrollo en una forma ecológica de humanismo.
Universidad de Alcalá
2010-04-28
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
https://ecozona.eu/article/view/320
10.37536/ECOZONA.2010.1.1.320
Ecozon@: European Journal of Literature, Culture and Environment; Bd. 1 Nr. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 No. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 Núm. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 No. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; V. 1 N. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
2171-9594
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10.37536/ECOZONA.2010.1.1
eng
https://ecozona.eu/article/view/320/291
Copyright (c) 2016 Ecozon@: European Journal of Literature, Culture and Environment
oai:ojs.revistas.proeditio.com:article/321
2020-03-30T09:27:54Z
ecozona:ART1
Whose there is there, there? Queer Directions and Ecocritical Orientations
Mortimer-Sandilands, Catriona
queer ecocriticism
environmental justice
ecophobia
performativity
normative heterosexuality
Ecocriticism
queer theory
environmental justice
Key words: queer ecocriticism, environmental justice, ecophobia, performativity, normative heterosexuality This essay outlines the necessary role of queer ecocriticism as one of unsettling normative thinking about environmental issues and defamiliarizing some ecocritical practices. In particular, a queer ecocritic can propose a rethinking of what our reinhabitation of the world should be like. Other questions as the implications of the intersection between sex and nature or the rethinking of nature itself as queerly performative in the fact that species become themselves over and over again through a process of evolutionary “satisficing” according to the demands of their environment should also be addresssed. Likewise, queer ecocriticism can question the role of the senses and corporeal relations in experiencing place. Palabras clave: ecocritica queer, justicia medioambiental, ecofobia, performatividad, heterosexualidad normativa Este ensayo esboza el papel necesario de la ecocrítica queer para cuestionar el pensamiento normativo sobre temas medioambientales y como defamiliarización de algunas prácticas ecocríticas. En particular, un/a ecocrítico/a queer puede proponer un nuevo planteamiento de cómo debería ser nuestra re-habitación del mundo. Otras cuestiones son las implicaciones de los cruces entre sexo y naturaleza o el volver a pensar en la naturaleza como “performativa” desde una perspectiva queer en el sentido de que las especies se convierten en sí mismas una y otra vez a través de un proceso evolucionario de satisfacer en grado suficiente según las demandas de su entorno. De la misma manera, la ecocrítica queer puede cuestionar el papel de los sentidos y de las relaciones corporales al experimentar el lugar.
Universidad de Alcalá
2010-04-28
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
https://ecozona.eu/article/view/321
10.37536/ECOZONA.2010.1.1.321
Ecozon@: European Journal of Literature, Culture and Environment; Bd. 1 Nr. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 No. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 Núm. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 No. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; V. 1 N. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
2171-9594
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10.37536/ECOZONA.2010.1.1
eng
https://ecozona.eu/article/view/321/292
Copyright (c) 2016 Ecozon@: European Journal of Literature, Culture and Environment
oai:ojs.revistas.proeditio.com:article/322
2020-03-30T09:27:27Z
ecozona:ART1
Material Engagements: Science Studies and the Environmental Humanities
Alaimo, Stacy
materiality
natural world
humanities
ethical ecocriticism
agency
Ecocriticism
Key words: materiality, natural world, humanities, ethical ecocriticism, agency In the twentieth century the principle tendency has been to denigrate the value of non-human nature. In this sense, scientific studies can help recover the materiality of the natural world for research in the humanities, especially when dealing with ecocriticism. Our current image of the environment has been deprived of its living beings and turned into an empty space at the disposal of humans. Natural sciences can provide theoretical and methodological models which can advance ethical and political projects of ecocriticism and encourage research that would consider the materiality of the non-human world, thereby restoring entity to the natural world. Twenty-first century environmental movements need to view the material and natural world as subjects with agency and not take for granted that these exist “somewhere out there.” Palabras clave: materia, naturaleza no humana, humanidades, ética ecocrítica, agencia En el siglo XX la tendencia fundamental hacia el medioambiente fue la de menospreciar el valor de la naturaleza no humana. En este sentido, los estudios científicos pueden ayudar a recuperar la materialidad del mundo natural para la investigación de las humanidades, especialmente en lo que concierne a la ecocrítica. El medioambiente actual ha sido privado de sus seres vivos y convertido en un espacio vacío a disposición del ser humano. Las ciencias naturales pueden aportar modelos teóricos y metodológicos que hagan avanzar los proyectos éticos y políticos de la ecocrítica, en definitiva, crear una investigación que considere la materialidad del mundo no humano: que devuelva entidad al mundo natural. Los movimientos medioambientalistas del siglo XXI deben contemplar el mundo material y natural como sujeto agente, pues no se puede dar por sentado que éstos existen “por ahí, en alguna parte.”
Universidad de Alcalá
2010-04-28
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
https://ecozona.eu/article/view/322
10.37536/ECOZONA.2010.1.1.322
Ecozon@: European Journal of Literature, Culture and Environment; Bd. 1 Nr. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 No. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 Núm. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 No. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; V. 1 N. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
2171-9594
2171-9594
10.37536/ECOZONA.2010.1.1
eng
https://ecozona.eu/article/view/322/293
Copyright (c) 2016 Ecozon@: European Journal of Literature, Culture and Environment
oai:ojs.revistas.proeditio.com:article/323
2020-03-30T09:26:59Z
ecozona:ART1
Reading Ecophobia: a Manifesto
Estok, Simon C.
ecophobia
speciesism
ecocritical theory
ecocritical ethics
Andrew Battista
Lawrence Buell
Ecocriticism
Key words: ecophobia, speciesism, ecocritical theory, ecocritical ethics, Andrew Battista, Lawrence Buell To a large extent, ecocriticism has not developed its own body of critical theory, largely so because many prominent ecocritics deliberately shy away from theoretical entanglements. Reading ecophobia is an attempt to theorize ecocriticism and reach a kind of methodological and structural definition of the field. Reading ecophobia consists of uncovering and seeing unassumed connections in our thinking and in our conceptual links that would recognize the interweaving of racism, misogyny, homophobia, speciesism and ecophobia. It would imply acknowledging biases in our analyses of cultural products and their representations of nature. Thus, it becomes a necessary step for the discipline. Palabras clave: ecofobia, especiesismo, teoría ecocrítica, ética ecocrítica, Andrew Battista, Lawrence Buell En gran medida la ecocrítica no ha desarrollado su propio cuerpo de teoría crítica, en parte debido a que muchos ecocríticos destacados rehúyen deliberadamente los enredos teóricos. Una lectura de la ecofobia constituye un intento de teorizar la ecocrítica y alcanzar una especie de definición metodológica y estructural del campo. Esta lectura consiste en revelar y ver conexiones no aparentes en nuestro pensamiento y en nuestros vínculos conceptuales, lo que reconocería la unión inextricable entre racismo, misoginia, homofobia, especiesismo y ecofobia. Esto implicaría reconocer los prejuicios en nuestros análisis de productos culturales y sus representaciones de la naturaleza. Por lo tanto, se convierte en un paso necesario para la disciplina.
Universidad de Alcalá
2010-04-28
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
https://ecozona.eu/article/view/323
10.37536/ECOZONA.2010.1.1.323
Ecozon@: European Journal of Literature, Culture and Environment; Bd. 1 Nr. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 No. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 Núm. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 No. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; V. 1 N. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
2171-9594
2171-9594
10.37536/ECOZONA.2010.1.1
eng
https://ecozona.eu/article/view/323/294
Copyright (c) 2016 Ecozon@: European Journal of Literature, Culture and Environment
oai:ojs.revistas.proeditio.com:article/324
2020-03-30T10:19:56Z
ecozona:ART1
L’Errore di Cartesio
Re, Anna
Dualism
Réné Descartes
Antonio Damasio
body
mind
nature
Ecocriticism
Keywords: Dualism, Réné Descartes, Antonio Damasio, body, mind, nature The article aims at discussing and overcoming traditional dualisms which consider the body inferior to mind. According to Antonio Damasio nature appears to have built the apparatus of rationality not just on top of the apparatus of biological regulation, but also from it and with it. Failure to see this is Descartes’ error. Far from there being a separation, sharp or ragged, between mind and body, mind cannot exist or operate at all without body. The idea that the body’s needs set the pace and indirectly drive the brain’s decisions is not new, but Damasio makes a more interesting proposal out of it. In particular, he shows how this intimate body-involvement plays important roles in explaining some of the juicier and more mysterious facts of “phenomenology”. Moreover, this new dialectical relation between nature and mind gives nature a new value and a new role in our interpretation of the world. Palabras clave: Dualismo, Réné Descartes, Antonio Damasio, cuerpo, mente, naturaleza. El artículo pretende tratar y superar los dualismos que consideran el cuerpo inferior a la mente. Según Antonio Damasio, la naturaleza parece haber construido el aparato de racionalidad no sólo sobre el aparato de regulación biológica, sino también desde él y con él. El error de Descartes fue no verlo. Lejos de haber separación, aguda o irregular, entre mente y cuerpo, la mente no puede para nada existir o funcionar sin el cuerpo. La idea de que las necesidades corporales marcan el paso y dirigen indirectamente las decisiones del cerebro no es nueva, pero de ella Damasio saca una propuesta más interesante. En particular, muestra cómo esta íntima participación del cuerpo desempeña un papel importante a la hora de explicar algunos de los hechos más jugosos y misteriosos de la “fenomenología”. Además, esta nueva relación dialéctica entre naturaleza y mente da un nuevo valor a la naturaleza y un nuevo papel en nuestra interpretación del mundo.
Universidad de Alcalá
2010-04-20
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
application/pdf
https://ecozona.eu/article/view/324
10.37536/ECOZONA.2010.1.1.324
Ecozon@: European Journal of Literature, Culture and Environment; Bd. 1 Nr. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 No. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 Núm. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 No. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; V. 1 N. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
2171-9594
2171-9594
10.37536/ECOZONA.2010.1.1
ita
eng
https://ecozona.eu/article/view/324/295
https://ecozona.eu/article/view/324/296
Copyright (c) 2016 Ecozon@: European Journal of Literature, Culture and Environment
oai:ojs.revistas.proeditio.com:article/325
2020-03-30T09:26:31Z
ecozona:ART1
Repräsentationen der Ökologie
Bühler, Benjamin
politische Ökologie
Michel Foucault
Gouvernementalität
Repräsentation
narrative Verfahren
rhetorische Strategie
Regulationsmechanismen
Diskursformation
Poetologie ökologischen Wissens
kulturwissenschaftlich ausgerichtete Literaturwissenschaft
Ecocriticim
Key words: politische Ökologie, Michel Foucault, Gouvernementalität, Repräsentation, narrative Verfahren, rhetorische Strategie, Regulationsmechanismen, Diskursformation, Poetologie ökologischen Wissens, kulturwissenschaftlich ausgerichtete Literaturwissenschaft ‘Political ecology’ has emerged since the 1970s as a powerful discursive formation embracing science, economy and politics. The key concepts with which it operates are System, Equilibrium and Regulation. Modelling, simulation, visual representation, narrative shaping and rhetorical strategies play a key role: dystopian visions of the future are for instance frequently used to justify the imposition of a more authoritarian social order. Literary ecocriticism possesses the necessary methodology for critical analysis of the discourse of political ecology, in practices combining historical contextualisation of representations of environmental problems with investigation of the ‘poetology of ecological knowledge’, examining lead metaphors, narratives and representational techniques. Palabras clave: ecología política, Michel Foucault, mentalidad gubernamental, representación, métodos narrativos, estrategias retóricas, mecanismos reguladores, formación del discurso, conocimiento de la poética ecológica, ciencias culturales frente a ciencias literarias. “La ecología política” apareció en los años 70 como una poderosa formación discursiva que abarca ciencia, economía y política. Los conceptos clave en los que se basa son Sistema, Equilibrio y Regulación. El modelismo, la simulación, la representación visual, la forma narrativa y las estrategias retóricas desempeñan un papel clave: por ejemplo las visiones distópicas del futuro suelen usarse para justificar la imposición de un orden social más autoritario. La ecocrítica literaria posee la metodología necesaria para el análisis crítico del discurso de la ecología poética, en las prácticas que combinan la contextualización histórica de las representaciones de problemas medioambientales con la investigación de la “poetología del conocimiento ecológico”, examinando las metáforas principales y las técnicas narrativa y de representación.
Universidad de Alcalá
2010-04-28
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
application/pdf
https://ecozona.eu/article/view/325
10.37536/ECOZONA.2010.1.1.325
Ecozon@: European Journal of Literature, Culture and Environment; Bd. 1 Nr. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 No. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 Núm. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 No. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; V. 1 N. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
2171-9594
2171-9594
10.37536/ECOZONA.2010.1.1
deu
eng
https://ecozona.eu/article/view/325/297
https://ecozona.eu/article/view/325/298
Copyright (c) 2016 Ecozon@: European Journal of Literature, Culture and Environment
oai:ojs.revistas.proeditio.com:article/326
2020-03-30T10:13:42Z
ecozona:ART1
Soziales System statt Ökosystem: Für eine gesellschaftstheoretische Grundierung des Ecocriticism
Hofer, Stefan
ökologisch orientierte Literatur- und Kulturwissenschaft
gesellschaftstheoretische Grundierung
ökologische Kommunikation
diskurstheoretischer Ansatz
Niklas Luhmann
prekäre Erkenntnismöglichkeiten
Ecocriticism
Keywords: ökologisch orientierte Literatur- und Kulturwissenschaft, gesellschaftstheoretische Grundierung, ökologische Kommunikation, diskurstheoretischer Ansatz, Niklas Luhmann, prekäre Erkenntnismöglichkeiten. Why has ecocriticism yet to gain recognition in German literature departments? One reason is that fundamental questions about literature as a form of ecological communication and its function in society have yet to be satisfactorily answered. Even significant recent developments in ecocritical theory like Zapf’s “Cultural Ecology” are problematic, inasmuch as they are based on an over-simplified conception of ecology and the harmony of ecosystems. A more robust theoretical grounding for ecocriticism can be found in social theory. Niklas Luhmann’s systems theory provides the theoretical framework for an adequate understanding of ecological crisis and of the role of literature and literary criticism in addressing it. Palabras clave: literatura ecológica y ciencias culturales, fundamentos de la teoría social, comunicación ecológica, principios de la teoría discursiva, Niklas Luhmann, precario descubrimiento de posibilidades ¿Por qué la ecocrítica todavía tiene que obtener reconocimiento en los departamentos de literatura Germánica? Una razón es que las preguntas fundamentales sobre la literatura como forma de comunicación ecológica y su función en la sociedad aún no han obtenido una respuesta satisfactoria. Incluso los desarrollos recientes en teoría ecocrítica como la “Ecología Cultural” de Zapf son problemáticos en tanto que se basan en un concepto de ecología y en una armonía de los ecosistemas excesivamente simplificado. Puede encontrarse una base teórica más consistente para la ecocrítica en la teoría social. La teoría de sistemas de Niklas Luhmann proporciona el marco teórico para una interpretación adecuada de la crisis ecológica y del papel de la literatura y de la crítica literaria en su tratamiento de ésta
Universidad de Alcalá
2010-04-22
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
application/pdf
https://ecozona.eu/article/view/326
10.37536/ECOZONA.2010.1.1.326
Ecozon@: European Journal of Literature, Culture and Environment; Bd. 1 Nr. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 No. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 Núm. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 No. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; V. 1 N. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
2171-9594
2171-9594
10.37536/ECOZONA.2010.1.1
deu
eng
https://ecozona.eu/article/view/326/299
https://ecozona.eu/article/view/326/300
Copyright (c) 2016 Ecozon@: European Journal of Literature, Culture and Environment
oai:ojs.revistas.proeditio.com:article/327
2020-03-30T09:24:50Z
ecozona:ART1
Notes toward an Ecological Conception of Bakhtin’s ‘Chronotope’
Müller, Timo
Bakhtin
chronotope
road
nature poetry
American novel
Robert Frost
Jack Kerouac
poetic interconnection
Ecocriticism
Key words: Bakhtin, chronotope, road, nature poetry, American novel, Robert Frost, Jack Kerouac, poetic interconnection Mikhail Bakhtin’s concept of the ‘chronotope’ as a set of space-time relations characterising a particular genre, motif or period deserves the special attention of ecocritics. Bakhtin believed that literary texts help to sustain the vitality of their discursive, social and even natural environment: chronotopic motifs reflect, negotiate and emphasize the status of the environment in contemporary discourse. The ‘road’ illustrates how rivalling space-time configurations play out in twentieth-century literature. Typically imagined as a means of overcoming space and time in the novel, it has been for poets a site of awareness of the subject’s connections with the environment, and of reflections on their own past and future. Palabras clave: Bakhtin, cronotopo, carretera, poesía de la naturaleza, novela norteamericana, Robert Frost, Jack Kerouac, interconexión poetica. El concepto de “cronotopo” de Mikhail Bakhtin como un conjunto de relaciones espacio-tiempo que caracterizan un género, motivo o periodo en concreto, merece especial atención de la ecocrítica. Bakhtin creía que los textos literarios contribuyen a preservar la vitalidad de su ambiente discursivo, social e incluso del natural: los motivos cronotópicos reflejan, negocian y ponen de relieve la situación del medio ambiente en el discurso contemporáneo. La “carretera” ilustra cómo las configuraciones rivales de espacio-tiempo se agotan en la literatura del siglo veinte. Imaginada típicamente como una forma de superar el espacio y el tiempo en la novela, la carretera ha sido para los poetas un lugar de concienciación de las conexiones del sujeto con el entorno, y de reflexiones sobre sus propios pasados y futuros.
Universidad de Alcalá
2010-04-28
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
https://ecozona.eu/article/view/327
10.37536/ECOZONA.2010.1.1.327
Ecozon@: European Journal of Literature, Culture and Environment; Bd. 1 Nr. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 No. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 Núm. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 No. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; V. 1 N. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
2171-9594
2171-9594
10.37536/ECOZONA.2010.1.1
eng
https://ecozona.eu/article/view/327/301
Copyright (c) 2016 Ecozon@: European Journal of Literature, Culture and Environment
oai:ojs.revistas.proeditio.com:article/328
2020-03-30T10:15:07Z
ecozona:ART1
Sexual/Environmental Justice and Ecocriticism of the New Century
Stein, Rachel
environmental justice
sexuality
reproductivity
food industry
queer ecology
Environmental Justice
queer ecology
Key words: environmental justice, sexuality, reproductivity, food industry, queer ecology Environmental justice in the 21st century should advance in the exploration, both theoretical and practical, of aspects of identity such as sexuality and reproductivity, which up to the present have been less analyzed than aspects of race, class and gender. The novels of Ruth Ozeki illustrate brilliantly the intersection between justice related to the food industry and sexual justice. Moreover, queer environmental justice has largely benefited from the theoretical framework established by Cate Sandilands for queer ecology. Palabras clave: justicia medioambiental, sexualidad, reproducción, industria alimentaria, ecología queer La justicia medioambiental del siglo XXI debe avanzar hacia la exploración, tanto teórica como práctica, de aspectos de la identidad del individuo tales como la sexualidad y la reproductividad, menos analizadas hasta la fecha desde este punto de vista, que las variables de raza, clase o género. Las novelas de Ruth Ozeki ilustran de manera excelente la intersección entre la justicia relacionada con la industria alimentaria y la justicia sexual. Al mismo tiempo, la justicia medioambiental de carácter queer se ha beneficiado en gran medida de los marcos teóricos establecidos por Cate Sandilands para atender cuestiones de ecología queer.
Universidad de Alcalá
2010-04-21
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
https://ecozona.eu/article/view/328
10.37536/ECOZONA.2010.1.1.328
Ecozon@: European Journal of Literature, Culture and Environment; Bd. 1 Nr. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 No. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 Núm. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 No. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; V. 1 N. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
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https://ecozona.eu/article/view/328/302
Copyright (c) 2016 Ecozon@: European Journal of Literature, Culture and Environment
oai:ojs.revistas.proeditio.com:article/329
2020-03-30T10:13:13Z
ecozona:ART2
The State of Ecocriticism in Europe: Panel Discussion
Flys Junquera, Carmen
European ecocriticism
third wave
nature writing
Ecocriticism
The following pages are a digest of the opinions and ideas expressed in a panel discussion held at the conference "New Grounds: Ecocriticism, Globalization and Cultural Memory” at Radboud University, Nijmegen, in January 2010.
Universidad de Alcalá
2010-04-23
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https://ecozona.eu/article/view/329
10.37536/ECOZONA.2010.1.1.329
Ecozon@: European Journal of Literature, Culture and Environment; Bd. 1 Nr. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 No. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 Núm. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 No. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; V. 1 N. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
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https://ecozona.eu/article/view/329/303
Copyright (c) 2016 Ecozon@: European Journal of Literature, Culture and Environment
oai:ojs.revistas.proeditio.com:article/330
2020-03-30T09:24:24Z
ecozona:ART2
European Ecocriticism: Negotiating the Challenges of Fragmentation?
Bellarsi, Franca
European ecocriticism
Canadian ecological identity
federation
European nature
European identity
diversity
fragmentation
bioregional network
eco-comparatist
multilingual ecocriticism
Ecocriticism
Key words: European ecocriticism, Canadian ecological identity, federation, European nature, European identity, diversity, fragmentation, bioregional network, eco-comparatist, multilingual ecocriticism European ecocriticism is distinguished from ‘ecocriticism made in USA’ by geo-physical fragmentation, the absence of shared encounters of the human with the non-human, and linguistic and political heterogeneity. There is no unitary continental consciousness. However, linguistic and cultural diversity can be an asset rather than a disadvantage, if it is allowed to steer European ecocriticism in a new direction. The European terrain invites ecocritics to become multilingual eco-comparatists, paying special attention to how linguistic representation aids and hampers environmental consciousness. Palabras clave: eco crítica europea, identidad ecológica canadiense, federación, naturaleza europea, identidad europea, diversidad, fragmentación, red bioregional, eco-comparatista, eco crítica multilingüe. La ecocrítica europea se distingue de la ecocrítica ‘made in USA’ por la fragmentación geofísica, la ausencia de encuentros compartidos de lo humano con lo no-humano y por la heterogeneidad lingüística y política. No hay una conciencia continental unitaria. Sin embargo, la diversidad cultural y lingüística puede ser una ventaja más que una desventaja si se la permite dirigir la ecocrítica europea en una nueva dirección. El terreno europeo invita a los ecocríticos a convertirse en eco-comparatistas multilingües, prestando especial atención a cómo la representación lingüística ayuda y obstaculiza a la conciencia medioambiental.
Universidad de Alcalá
2010-04-28
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https://ecozona.eu/article/view/330
10.37536/ECOZONA.2010.1.1.330
Ecozon@: European Journal of Literature, Culture and Environment; Bd. 1 Nr. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 No. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 Núm. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 No. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; V. 1 N. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
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eng
https://ecozona.eu/article/view/330/304
Copyright (c) 2016 Ecozon@: European Journal of Literature, Culture and Environment
oai:ojs.revistas.proeditio.com:article/331
2020-03-30T09:23:57Z
ecozona:ART2
Ecocrítica en España e Hispanoamérica
Binns, Niall
environment
environmental awareness
ecological commitment
ecological disasters
Spanish America
Ecocriticism
Key words: environment, environmental awareness, ecological commitment, ecological disasters, Spanish America Despite repeated efforts to introduce environmental consciousness in the Humanities in Spain, there is still a significant gap between ecocriticism in Spain and Latin America. Latin American literature has always been tied to the historical ecological disasters which have taken place in America while it is surprising to see the few Spanish poets committed to the environment. In Latin America, there is a flowering of both poetry and criticism which analyzes the consequences of urbanization and industrialization of the landscape which contrasts with the neglect of Spanish poets for environmental issues. Palabras claves: entorno, concienciación medioambiental, compromiso ecológico, desastre ecológico, Hispanoamérica A pesar de repetidos intentos de introducir la concienciación por la conservación del mundo natural en las facultades de Letras en España, aun existe gran disparidad entre la ecocrítica en España y en Hispanoamérica. La literatura hispanoamericana ha estado desde siempre ligada al desastre ecológico histórico que ha tenido lugar en América mientras que sorprende el reducido número de poetas españoles comprometidos con el entorno y la conservación del medioambiente. En Hispanoamérica, sin embargo, florecen las producciones poéticas y críticas que analizan las consecuencias de la urbanización e industrialización del entorno al mismo ritmo que los poetas españoles muestran su despreocupación por los desastres ecológicos.
Universidad de Alcalá
2010-04-28
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https://ecozona.eu/article/view/331
10.37536/ECOZONA.2010.1.1.331
Ecozon@: European Journal of Literature, Culture and Environment; Bd. 1 Nr. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 No. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 Núm. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 No. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; V. 1 N. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
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spa
eng
https://ecozona.eu/article/view/331/305
https://ecozona.eu/article/view/331/306
Copyright (c) 2016 Ecozon@: European Journal of Literature, Culture and Environment
oai:ojs.revistas.proeditio.com:article/332
2020-03-30T09:23:31Z
ecozona:ART2
Ecocriticism, Cultural Ecology, and Literary Studies
Zapf, Hubert
German ecocriticism
cultural ecology
Peter Finke
Gregory Bateson
cultural ecosystem
cultural self-renewal
Turkish ecocriticism
discursive representation.
Ecocriticism
Key words: German ecocriticism, cultural ecology, Peter Finke, Gregory Bateson, cultural ecosystem, cultural self-renewal, Turkish ecocriticism, discursive representation Ecocriticism is gaining increasing international recognition as a field of research that opens up new perspectives reaffirming the relevance and responsibility of the humanities, in an age of pressing social and political problems seemingly incapable of purely technological and economic solutions. Many of its most significant practitioners in Germany subscribe to the theory of Cultural Ecology. Drawing on the ideas of Gregory Bateson, Peter Finke and others, Cultural Ecology presents a new framework for understanding the particular contribution of literature and art to our general social knowledge, including knowledge about our relationship with the natural environment. Palabras clave: ecocrítica alemana, ecología cultural, Peter Finke, Gregory Bateson, ecosistema cultural, renacimiento cultural, ecocrítica turca, representación discursiva La ecocrítica está obteniendo cada vez más reconocimiento internacional como un campo de investigación que establece nuevas perspectivas que reafirman la relevancia y la responsabilidad de las humanidades en una era de problemas políticos y sociales urgentes que, aparentemente, no encuentran solución puramente tecnológica ni económica. Muchos de sus profesionales más importantes en Alemania se adhieren a la teoría de la Ecología Cultural. Valiéndose de las ideas de Gregory Bateson, Peter Finke y otros, se ha desarrollado un nuevo marco para entender la contribución particular de la literatura y del arte a nuestro conocimiento social general, incluyendo el conocimiento sobre nuestra relación con el entorno natural.
Universidad de Alcalá
2010-04-28
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https://ecozona.eu/article/view/332
10.37536/ECOZONA.2010.1.1.332
Ecozon@: European Journal of Literature, Culture and Environment; Bd. 1 Nr. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 No. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 Núm. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 No. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; V. 1 N. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
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eng
https://ecozona.eu/article/view/332/307
Copyright (c) 2016 Ecozon@: European Journal of Literature, Culture and Environment
oai:ojs.revistas.proeditio.com:article/333
2020-03-30T09:23:04Z
ecozona:ART2
État des lieux de la pensée écocritique française
Posthumus, Stephanie
écocritique française
littérature et écologie
représentation littéraire du paysage
Nathalie Blanc
éthique animale
Ecocriticism
Key words: écocritique française, littérature et écologie, représentation littéraire du paysage, Nathalie Blanc, éthique animale Ecocriticism may be in its infancy in France, yet it has the potential to make a distinctive contribution. The few current French members of ASLE generally work in American Studies. However, their focus on narrative strategy and poetic structures suggests a difference in approach which parallels that between French political ecology and Anglo-American thinking on the environment. The editors of a recent ecocritical publication identified the central question for their compatriots as one of literary aesthetics. Current research in France includes work on literary landscapes, animals and the aesthetics of urban environments. There are, of course, also ecocritics writing in French outside France. Palabras clave: ecocrítica francesa, literatura y ecología, representación literaria del paisaje, Nathalie Blanc, ética animal Puede que la ecocrítica en Francia aún esté en su infancia, pero tiene el potencial para hacer una contribución distintiva. Los pocos miembros franceses de ASLE en la actualidad trabajan generalmente Estudios Norteamericanos. Sin embargo, su foco en la estrategia narrativa y en las estructuras poéticas sugiere una diferencia en el enfoque paralela a la que hay entre la ecología política francesa y el pensamiento medioambiental anglo-americano. Los editores de una reciente publicación ecocrítica identificaron para sus compatriotas la cuestión central como una de estética literaria. La investigación actual en Francia incluye el trabajo sobre paisajes literarios, sobre animales, y sobre la estética de entornos urbanos. Por supuesto, también hay fuera de Francia ecocríticos/as que escriben en francés.
Universidad de Alcalá
2010-04-28
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https://ecozona.eu/article/view/333
10.37536/ECOZONA.2010.1.1.333
Ecozon@: European Journal of Literature, Culture and Environment; Bd. 1 Nr. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 No. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 Núm. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 No. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; V. 1 N. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
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eng
https://ecozona.eu/article/view/333/308
https://ecozona.eu/article/view/333/309
Copyright (c) 2016 Ecozon@: European Journal of Literature, Culture and Environment
oai:ojs.revistas.proeditio.com:article/334
2020-03-30T10:14:38Z
ecozona:ART2
The Single Source
Kerridge, Richard
Solar
global warming
ecocriticism
mock-heroic
literary realism.
Ecocriticism
Key words: Solar, global warming, ecocriticism, mock-heroic, literary realism.In this article I read Ian McEwan's new novel Solar and reflect on what its inclusions and omissions tell us about present concerns and developing projects in ecocriticism. I assess the novel as a literary response to global warming, placing it in a tradition of mock-heroic representations of bodily desire and vulnerability that is ambivalent for ecocriticism. In this connection, I look also at Joseph Meeker's The Comedy of Survival. I contrast the ecocritical mock-heroic with literary realism, and make some suggestions as to what the latter can contribute - criticising a reductiveness in what McEwan has done.Palabras clave: Solar, calentamiento global, ecocrítica, tradición del héroe cómico, realismo literario. Este ensayo es una lectura de la nueva novela de Ian McEwan, Solar, y una reflexión sobre lo que implican sus inclusiones y omisiones para el desarrollo de teorías ecocríticas. La novela constituye una respuesta literaria al calentamiento global, dentro de la tradición literaria del héroe cómico, en el sentido que le da la obra clásica de Joseph Meeker, The Comedy of Survival, y que presenta unas actitudes que resultan muy ambivalentes para la ecocrítica. Asimismo, se contrasta esta tradición literaria con el realismo, abogando por la validez de la última y criticando la tendencia reduccionista de la novela de McEwan.
Universidad de Alcalá
2010-04-21
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https://ecozona.eu/article/view/334
10.37536/ECOZONA.2010.1.1.334
Ecozon@: European Journal of Literature, Culture and Environment; Bd. 1 Nr. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 No. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 Núm. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 No. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; V. 1 N. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
2171-9594
2171-9594
10.37536/ECOZONA.2010.1.1
eng
https://ecozona.eu/article/view/334/310
Copyright (c) 2016 Ecozon@: European Journal of Literature, Culture and Environment
oai:ojs.revistas.proeditio.com:article/335
2020-03-30T10:20:54Z
ecozona:ART2
Une Lecture Écocritique de Marguerite Yourcenar
Sanz, Teo
Marguerite Yourcenar
engagement écologique littéraire
Agrippa d'Aubigné
sensibilité vis-à-vis de la nature
dissolution dans la nature
fragilité des forêts
éthique se l'environnement non anthropocentrée.
Ecocriticism
Key words: Marguerite Yourcenar, engagement écologique littéraire, Agrippa d'Aubigné, sensibilité vis-à-vis de la nature, dissolution dans la nature, fragilité des forêts, éthique se l'environnement non anthropocentrée The Belgian-French novelist Marguerite Yourcenar is a rare example of an established literary figure whose writing in French cries out for ecocritical attention. Discovering environmental pollution and destruction as an issue in the late 1950s, when she went to live in the USA, Yourcenar became an active supporter of conservationist and animal rights initiatives, and began to express her commitment to reconciliation between humans, non-human life and the inanimate environment in her fiction and critical essays on French literature. A fascination with pristine wilderness speaks from her last novel, published in 1982, whose protagonist relinquishes human individuality to become one with sublime nature. Palabras clave: Marguerite Yourcenar, compromiso ecológico literario, Agrippa d'Aubigné, sensibilidad con la naturaleza, disolución en la naturaleza, fragilidad de los bosques, ética del medioambiente no antropocéntrico. La novelista franco belga Marguerite Yourcenar es un raro ejemplo de figura literaria de reconocido prestigio cuyos escritos en francés claman atención ecocrítica. Cuando emigró a Estados Unidos a finales de los años 1950 descubrió el problema de la contaminación y destrucción medioambiental y se convirtió en colaboradora activa en iniciativas conservacionistas y pro derechos de los animales. Comenzó a expresar su compromiso con la reconciliación entre los seres humanos, los seres vivos no humanos y el medioambiente inanimado en su literatura y en ensayos críticos sobre literatura francesa. De su última novela, publicada en 1982, en la que la protagonista abandona la individualidad humana para fundirse con la naturaleza sublime emana una fascinación con la prístina naturaleza salvaje.
Universidad de Alcalá
2010-04-17
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https://ecozona.eu/article/view/335
10.37536/ECOZONA.2010.1.1.335
Ecozon@: European Journal of Literature, Culture and Environment; Bd. 1 Nr. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 No. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 Núm. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 No. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; V. 1 N. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
2171-9594
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10.37536/ECOZONA.2010.1.1
fra
eng
https://ecozona.eu/article/view/335/311
https://ecozona.eu/article/view/335/312
Copyright (c) 2016 Ecozon@: European Journal of Literature, Culture and Environment
oai:ojs.revistas.proeditio.com:article/336
2020-03-30T09:22:37Z
ecozona:ART2
On the Absence of Nature: Writing on Nature and Ecocriticism in the Netherlands
Hoving, Isabel
Dutch literature
absence of nature
Dutch ecocriticism
Frederik van Eeden
Ton Lemaire
dwelling
tourism
sublime
materiality
multicultural landscape.
Ecocriticism
Key words: Dutch literature, absence of nature, Dutch ecocriticism, Frederik van Eeden, Ton Lemaire, dwelling, tourism, sublime, materiality, multicultural landscape. The traditional Dutch self-understanding is one of a nation of sober, pragmatic city-dwellers, indifferent towards Romantic nature. Their very landscapes have been seen to reflect an absence of ‘nature’. Yet a body of writing worthy of study can be found, in literature, theory and journalistic writing on Dutch landscapes, plants and animals. Pastoralism has dominated historically – promoting a bleak sense that nature has virtually been destroyed in the Netherlands. Recent interventions have included efforts to reinscribe cultural and historical meaning into the landscape, a renewed interest in life’s materiality, and the evocation of nature by immigrant writers as an indomitable site of vitality. Palabras clave: literatura holandesa, ausencia de naturaleza, ecocritica holandesa, Frederik van Eeden, Ton Lemaire, hogar, turismo, sublime, materialidad, paisaje multicultural. La imagen tradicional que los holeadandeses tienen de sí mismos es la de una nación de urbanitas sobrios y pragmáticos, indiferentes hacia la naturaleza romántica. Se ha visto en sus propios paisajes un reflejo de la ausencia de “naturaleza”. Pero puede encontrarse un conjunto de obras que merecen ser estudiadas, obras literarias, teóricas y periodísticas sobre paisajes holeadandeses, así como sobre plantas y animales. Lo pastoral ha dominado históricamente, promoviendo un sentido sombrío de que en los Países Bajos la naturaleza ha sido virtualmente destruida. Intervenciones recientes han incluido esfuerzos por volver a inscribir significado cultural e histórico al paisaje, un interés renovado en la materialidad de la vida, y cómo los escritores inmigrantes evocan la naturaleza como lugar indómito de vitalidad.
Universidad de Alcalá
2010-04-28
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info:eu-repo/semantics/publishedVersion
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https://ecozona.eu/article/view/336
10.37536/ECOZONA.2010.1.1.336
Ecozon@: European Journal of Literature, Culture and Environment; Bd. 1 Nr. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 No. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 Núm. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 No. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; V. 1 N. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
2171-9594
2171-9594
10.37536/ECOZONA.2010.1.1
eng
https://ecozona.eu/article/view/336/313
Copyright (c) 2016 Ecozon@: European Journal of Literature, Culture and Environment
oai:ojs.revistas.proeditio.com:article/337
2020-03-30T09:22:10Z
ecozona:ART2
Ecocrítica y ecoantropología
Ecocriticism and ecoanthropology / Ecocrítica y ecoantropología
Pedrosa Bartolome, Jose Manuel
interdisciplinariness
humanistic sciences
philology
anthropology
ecocriticism.
Ecocriticism
Key words: interdisciplinariness, humanistic sciences, philology, anthropology, ecocriticism The supposed interdisciplinariness which humanistic sciences, such as philology and anthropology, often claim remains, as often as not, in simple wordiness, particularly in the area of ecocriticism. Most specialists tend to ignore the techniques and methods of other disciplines, and therefore researchers lack the benefit which could come out of their intersection. The Spanish case is clear; despite the fact that the Americanist anthropology which is practiced in Spain is clearly of an ecocritical bent, one does not perceive in debate forums or publications any encounters between philology and anthropology, whereas it seems to be increasingly necessary to bridge the gap between both. Palabras clave: interdisciplinariedad, ciencias humanas, filología, antropología, ecocritica La supuesta interdisciplinariedad de la que alardean ciencias humanas como la filología y antropología queda en muchas ocasiones en simple palabrería, particularmente lo que concierne a la ecocrítica. Los especialistas tienden a ignorar técnicas y métodos de otras disciplinas, de forma que las investigaciones carecen del beneficio que aporta la intersección de las mismas. El caso español es claro en este sentido: a pesar de que la antropología americanista que se cultiva en España es claramente de orientación ecocrítica, no se observa ni en foros ni en publicaciones que hayan existido muchos encuentros entre la filología y la antropología y parece cada vez más urgente crear lazos y puentes entre ambas.
Key words: interdisciplinariness, humanistic sciences, philology, anthropology, ecocriticism. The supposed interdisciplinariness which humanistic sciences, such as philology and anthropology, often claim remains, as often as not, in simple wordiness, particularly in the area of ecocriticism. Most specialists tend to ignore the techniques and methods of other disciplines, and therefore researchers lack the benefit which could come out of their intersection. The Spanish case is clear; despite the fact that the Americanist anthropology which is practiced in Spain is clearly of an ecocritical bent, one does not perceive in debate forums or publications any encounters between philology and anthropology, whereas it seems to be increasingly necessary to bridge the gap between both. Palabras clave: interdisciplinariedad, ciencias humanas, filología, antropología, ecocritica La supuesta interdisciplinariedad de la que alardean ciencias humanas como la filología y antropología queda en muchas ocasiones en simple palabrería, particularmente lo que concierne a la ecocrítica. Los especialistas tienden a ignorar técnicas y métodos de otras disciplinas, de forma que las investigaciones carecen del beneficio que aporta la intersección de las mismas. El caso español es claro en este sentido: a pesar de que la antropología americanista que se cultiva en España es claramente de orientación ecocrítica, no se observa ni en foros ni en publicaciones que hayan existido muchos encuentros entre la filología y la antropología y parece cada vez más urgente crear lazos y puentes entre ambas.
Universidad de Alcalá
2010-04-28
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
application/pdf
https://ecozona.eu/article/view/337
10.37536/ECOZONA.2010.1.1.337
Ecozon@: European Journal of Literature, Culture and Environment; Bd. 1 Nr. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 No. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 Núm. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 No. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; V. 1 N. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
2171-9594
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10.37536/ECOZONA.2010.1.1
spa
eng
https://ecozona.eu/article/view/337/314
https://ecozona.eu/article/view/337/315
Copyright (c) 2016 Ecozon@: European Journal of Literature, Culture and Environment
oai:ojs.revistas.proeditio.com:article/338
2020-03-30T09:21:43Z
ecozona:ART2
Ecocriticism in Switzerland
Weik, Alexa
environmental ethics
acoustic ecology
environmental risk
interdisciplinarity
Ecocriticism
Key words: environmental ethics, acoustic ecology, environmental risk, interdisciplinarity While from a formal perspective, ecocriticism barely exists in Swiss literature departments, there is significant interest and publications on environmental approaches to literature and culture, under different guises. Research on concepts of landscape, nature and place are multiple in English, German and Spanish departments. There is significant activity in the field of environmental ethics and human-animal relations. Moreover, some innovative research such as cultural representations of acoustic ecology, environmental risk, or changing perceptions and attitudes towards nature in scientific texts, letters and autobiography as well as art work, signal a growing trend of ecocriticism in Switzerland. Palabras clave: ética medioambiental, ecología acústica, riesgo medioambiental, interdisciplinariedad Mientras que desde una perspectiva formal, la ecocrítica apenas existe en los departamentos de literatura suiza, existe un interés significativo y hay publicaciones sobre diferentes perspectivas medioambientales aplicadas a la literatura y a la cultura bajo distintas apariencias. También hay múltiples investigaciones sobre conceptos como paisaje, naturaleza y lugar en los departamentos de inglés, alemán y español, aparte de una actividad significativa en el campo de la ética medioambiental y de las relaciones entre seres humanos y animales. Además, una investigación innovadora como son representaciones culturales de ecología acústica, riesgo medioambiental o percepciones actitudes de cambio hacia la naturaleza en textos científicos, cartas y autobiografías, así como en obras de arte, señalan una tendencia creciente hacia la ecocrítica en Suiza.
Universidad de Alcalá
2010-04-28
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
https://ecozona.eu/article/view/338
10.37536/ECOZONA.2010.1.1.338
Ecozon@: European Journal of Literature, Culture and Environment; Bd. 1 Nr. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 No. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 Núm. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 No. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; V. 1 N. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
2171-9594
2171-9594
10.37536/ECOZONA.2010.1.1
eng
https://ecozona.eu/article/view/338/316
Copyright (c) 2016 Ecozon@: European Journal of Literature, Culture and Environment
oai:ojs.revistas.proeditio.com:article/339
2020-03-30T09:21:16Z
ecozona:ART2
Ecocriticism in Taiwan
Huang, Peter
sustainable development
globalization
environmental justice
environmental disasters
Ecocriticism
Key words: sustainable development, globalization, environmental justice, environmental disasters This brief article provides an overview of the recently established chapter of ASLE-Taiwan, the result of efforts and contributions made by scholars from leading universities interested in environmental issues and specializing in ecocriticism and environmental literature for more than a decade. Worthy of my special mentioning is the contributions made by the English Department of Tamkang University, one of the leading institutions focusing on ecocriticism in its PhD program. Tamkang University has held four international conferences on ecocriticism since 2000. The fifth international conference is scheduled to be held in December 2010. Many world-renowned ecocritics have been invited to attend the conferences and their papers are published in the Tamkang Review. Moreover, I’ll introduce some of the prominent ecocritics in Taiwan and their achievements in ecocriticism. Finally, I’ll deal with the impact of globalization on Taiwan and the conflict between a sustainable economy and a market-oriented economy currently confronting Taiwan. Many eco-scholars call attention to the devastating effects of the long-time pursuit of a market economy on the environment and try to push for the adoption of sustainable development as an alternative. In the wake of the tragic disaster caused by Typhoon Morakot in 2009, environmental issues are being taken more seriously in the press and are more widely debated in Taiwanese society in general. Environmental justice thus is beginning to play a more important role in ecocriticism in Taiwan right now. Palabras clave: desarrollo sostenible, globalización, justicia medioambiental, desastres medioambientales Este breve artículo proporciona una visión general del grupo de ASLE Taiwán creado recientemente, resultado de esfuerzos y contribuciones de investigadores de universidades punteras, interesados en cuestiones medioambientales y especializados en ecocrítica y literatura medioambiental desde hace mas de una década. Merecen mención especial las contribuciones del departamento de inglés de la Universidad de Tamkang, una de las instituciones punteras que centran sus programas de doctorado en la ecocrítica. La Universidad de Tamkang ha organizado cuatro congresos internacionales de ecocrítica desde el año 2000. El quinto congreso internacional tendrá lugar en diciembre del 2010. Se ha invitado a muchos ecocríticos reconocidos mundialmente a participar y sus ponencias se publicarán en el Tamkang Review. Además, presentaré a algunos de los ecocríticos más importantes en Taiwan y sus logros en ecocrítica. Finalmente, trataré del impacto de la globalización en Taiwán y del conflicto entre una economía sostenible y una economía de mercado que Taiwán está afrontando actualmente. Muchos eco investigadores están llamando la atención sobre los efectos devastadores de la extensa búsqueda de una economía de mercado como alternativa. Tras el trágico desastre causado por el tifón Morakot en 2009, las cuestiones medioambientales están siendo tomadas más en serio en la prensa y se están debatiendo más ampliamente en la sociedad taiwanesa en general. Así, la justicia medioambiental está comenzando a representar un papel más importante en la ecocrítica de Taiwán en estos momentos.
Universidad de Alcalá
2010-04-28
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
https://ecozona.eu/article/view/339
10.37536/ECOZONA.2010.1.1.339
Ecozon@: European Journal of Literature, Culture and Environment; Bd. 1 Nr. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 No. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 Núm. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 No. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; V. 1 N. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
2171-9594
2171-9594
10.37536/ECOZONA.2010.1.1
eng
https://ecozona.eu/article/view/339/317
Copyright (c) 2016 Ecozon@: European Journal of Literature, Culture and Environment
oai:ojs.revistas.proeditio.com:article/340
2020-03-30T10:08:00Z
ecozona:CRA
The Storks of Alcalá
Gifford, Terry
Terry Gifford is the author of six collections of poetry, including The Unreliable Mushrooms: New and Selected Poems (Redbeck Press, 2003). Green Voices: Understanding Contemporary Nature Poetry (Manchester University Press, 1995; second edition due in 2010) was acclaimed as ‘the first comprehensive British study of contemporary ecopoetry’. Co-author of Ted Hughes: A Critical Study (Faber and Faber, 1981), his ecocritical study of Ted Hughes (2009) was recently published by Routledge. Also author of Reconnecting With John Muir: Essays in Post-Pastoral Practice (University of Georgia Press, 2006) and Pastoral (Routledge, 1999) and he is Visiting Professor at the University of Chichester, UK and Profesor Honorario at the University of Alicante, Spain.
Universidad de Alcalá
2010-04-25
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
https://ecozona.eu/article/view/340
10.37536/ECOZONA.2010.1.1.340
Ecozon@: European Journal of Literature, Culture and Environment; Bd. 1 Nr. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 No. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 Núm. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 No. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; V. 1 N. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
2171-9594
2171-9594
10.37536/ECOZONA.2010.1.1
eng
https://ecozona.eu/article/view/340/318
Copyright (c) 2016 Ecozon@: European Journal of Literature, Culture and Environment
oai:ojs.revistas.proeditio.com:article/341
2020-03-30T10:06:36Z
ecozona:CRA
Explaining the Circumstances
North, Christopher
Christopher North with his wife Marisa run the Almassera Vella Arts Centre in a mountain village near Alicante, Spain (www,oldolivepress.com).He facilitates poetry readings , writing workshops and 7 day residential courses in the Spring and Autumn. His pamphlet collection 'A Mesh of Wires '(Smith Doorstop 1999) was shortlisted for the Forward Prize, he had a third place in the National (1995) and recently won the Silver Wyvern at the ‘Poetry on the Lake' Festival in Italy. His first full collection ‘Explaining the Circumstances’ was published by Oversteps Books in February 2010 (www.overstepsbooks.com). The poem he has gracefully allowed us to include in this issue, is the title poem in this collection. A planned bi-lingual joint collection with the poet Terry Gifford ‘The Other Side of Aguilar’ is due for publication later this year.
Universidad de Alcalá
2010-04-26
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
application/pdf
https://ecozona.eu/article/view/341
10.37536/ECOZONA.2010.1.1.341
Ecozon@: European Journal of Literature, Culture and Environment; Bd. 1 Nr. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 No. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 Núm. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 No. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; V. 1 N. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
2171-9594
2171-9594
10.37536/ECOZONA.2010.1.1
eng
https://ecozona.eu/article/view/341/319
https://ecozona.eu/article/view/341/3344
Copyright (c) 2016 Ecozon@: European Journal of Literature, Culture and Environment
oai:ojs.revistas.proeditio.com:article/342
2020-03-30T10:06:07Z
ecozona:CRA
Praderas de posidonia
Barella, Julia
Julia Barella Julia Barella es Titular de Literatura Española, Directora de la Escuela de Escritura de la Universidad de Alcalá, y poeta. Ha investigado sobre la prosa barroca, la poesía del siglo XX, las relaciones entre literatura y cine, y la ecocrítica. Ha editado obras de Lope de Vega, Antonio de Eslava, Unamuno y Pere Gimferrer. Su interés por la poesía del siglo XX se centra, actualmente, en la representación de la naturaleza y en la conciencia del paisaje como patrimonio cultural en la actual poesía.En el campo de la creación poética ha publicado: CCJ en las ciudades (Madrid, 2002). Hacia Esmeralda (Almería, 2004). Esmeralda (Madrid, 2005). Aguas profundas (Madrid, 2008). Praderas de posidonia (en prensa). Julia Barella is Associate Professor of Spanish Literature and Director of the Writing Workshop at the University of Alcalá, and she is a poet. Her research concerns Baroque prose, 20th century poets, literature and film, and ecocriticism. She has edited works on Lope de Vega, Antonio de Eslava, Unamuno and Pere Gimferrer. Her interest in 20th century poetry is centered on the representation of nature and, in contemporary poetry, the awareness of landscape as part of the cultural heritage.Her poetic publications include CCJ en las ciudades (Madrid, 2002). Hacia Esmeralda (Almería, 2004). Esmeralda (Madrid, 2005). Aguas profundas (Madrid, 2008). Praderas de posidonia (en prensa).
Universidad de Alcalá
2010-04-26
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
application/pdf
application/pdf
https://ecozona.eu/article/view/342
10.37536/ECOZONA.2010.1.1.342
Ecozon@: European Journal of Literature, Culture and Environment; Bd. 1 Nr. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 No. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 Núm. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 No. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; V. 1 N. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
2171-9594
2171-9594
10.37536/ECOZONA.2010.1.1
spa
eng
https://ecozona.eu/article/view/342/320
https://ecozona.eu/article/view/342/321
https://ecozona.eu/article/view/342/3345
Copyright (c) 2016 Ecozon@: European Journal of Literature, Culture and Environment
oai:ojs.revistas.proeditio.com:article/343
2020-03-30T10:05:40Z
ecozona:CRA
Fragmento del libro inédito Historias del señor W.
Riechmann, Jorge
Jorge Fernandez Riechmann Jorge Riechmann (1962) es profesor Titular de Filosofía Moral en la UAM y uno de los poetas más respetado por su compromiso con el movimiento ecologista. Es miembro del Consejo de Greenpeace España y está afiliado a Ecologistas en Acción. Compagina su labor como investigador y creador con el activismo ecologista. Riechmann, a lo largo de los años, ha ido construyendo una filosofía ecosocialista, resumida en los volúmenes: Un mundo vulnerable, Todos los animales somos hermanos y Gente que no quiere viajar a Marte. Su poesía más ecologista ha sido recogida en el libro: Con los ojos abiertos. Ecopoemas 1985-2006 (Tenerife, 2007). También destacan: Resistencia de materiales (Barcelona, 2006), Un zumbido cercano (Madrid, 2003), Conversaciones entre alquimistas (Barcelona, 2007) y Rengo Wrongo (Barcelona 2008). Jorge Riechmann is Associate Professor of Moral Philosophy at the Autonomous University of Madrid and one of the most well known and respected poets committed to environmental movements. He is a member of the Greenpeace Board of Spain and member of the Spanish association “Ecologists in Action”. He combines his research and creative writing with ecological activism. Over the years, Reichmann has built an ecosocialist philosophy which can be found in his books, Un mundo vulnerable (A Vulnerable World), Todos los animales somos hermanos (All Animals are Brothers) and Gente que no quiere viajar a Marte ( People Don’t Want to Travel to Mars). Most of his ecological poetry can be found in the book Con los ojos abiertos. Ecopoemas 1985-2006 (Eyes Open. Ecopoems 1985-2006) (Tenerife, 2007). Also worth note are his books: Resistencia de materiales (Material Resistance) (Barcelona, 2006), Un zumbido cercano (A Near Buzzing) (Madrid, 2003), Conversaciones entre alquimistas (Conversations between Alchemists) (Barcelona, 2007) and Rengo Wrongo (Barcelona 2008).
Universidad de Alcalá
2010-04-26
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
application/pdf
application/pdf
https://ecozona.eu/article/view/343
10.37536/ECOZONA.2010.1.1.343
Ecozon@: European Journal of Literature, Culture and Environment; Bd. 1 Nr. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 No. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 Núm. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 No. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; V. 1 N. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
2171-9594
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10.37536/ECOZONA.2010.1.1
spa
eng
https://ecozona.eu/article/view/343/322
https://ecozona.eu/article/view/343/323
https://ecozona.eu/article/view/343/3346
Copyright (c) 2016 Ecozon@: European Journal of Literature, Culture and Environment
oai:ojs.revistas.proeditio.com:article/344
2020-03-30T10:05:11Z
ecozona:CRA
Not So Very Long Ago
Hogan, Linda
Linda Hogan Linda Hogan (1947), a successful poet, short story writer, novelist, playwright, and essayist whose tribal affiliation is Chickasaw, spent most of her childhood in Oklahoma and Colorado. She taught at the University of Minnesota, and has been an associate professor in the English Dept. at the University of Colorado in Boulder (where she obtained her MA in 1978), since 1989. She has served on the National Endowment for the Arts poetry panel for two years and has been involved in wildlife rehabilitation as a volunteer. The main focus and movement of Linda's work concerns the traditional indigenous view of and relationship to the land, animals and plants. She has won numerous awards, such as the 2002 Wordcraft Circle Writer of the Year (Creative Prose: Memoir), the Lifetime Achievement Award from the Native Writers' Circle of the Americas (1998), the prestigious Lannan Award, which may not be applied for, for outstanding achievement in poetry (1994), the Oklahoma Book Award for fiction in 1991, and the American Book Award (1986). She was one of three finalists for the Pulitzer in 1990.
Universidad de Alcalá
2010-04-26
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
application/pdf
https://ecozona.eu/article/view/344
10.37536/ECOZONA.2010.1.1.344
Ecozon@: European Journal of Literature, Culture and Environment; Bd. 1 Nr. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 No. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 Núm. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 No. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; V. 1 N. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
2171-9594
2171-9594
10.37536/ECOZONA.2010.1.1
eng
https://ecozona.eu/article/view/344/324
https://ecozona.eu/article/view/344/3347
Copyright (c) 2016 Ecozon@: European Journal of Literature, Culture and Environment
oai:ojs.revistas.proeditio.com:article/345
2020-03-30T10:04:43Z
ecozona:CRA
The Eyes of the Animals
Hogan, Linda
Linda Hogan Linda Hogan (1947), a successful poet, short story writer, novelist, playwright, and essayist whose tribal affiliation is Chickasaw, spent most of her childhood in Oklahoma and Colorado. She taught at the University of Minnesota, and has been an associate professor in the English Dept. at the University of Colorado in Boulder (where she obtained her MA in 1978), since 1989. She has served on the National Endowment for the Arts poetry panel for two years and has been involved in wildlife rehabilitation as a volunteer. The main focus and movement of Linda's work concerns the traditional indigenous view of and relationship to the land, animals and plants. She has won numerous awards, such as the 2002 Wordcraft Circle Writer of the Year (Creative Prose: Memoir), the Lifetime Achievement Award from the Native Writers' Circle of the Americas (1998), the prestigious Lannan Award, which may not be applied for, for outstanding achievement in poetry (1994), the Oklahoma Book Award for fiction in 1991, and the American Book Award (1986). She was one of three finalists for the Pulitzer in 1990.
Universidad de Alcalá
2010-04-26
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
application/pdf
https://ecozona.eu/article/view/345
10.37536/ECOZONA.2010.1.1.345
Ecozon@: European Journal of Literature, Culture and Environment; Bd. 1 Nr. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 No. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 Núm. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 No. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; V. 1 N. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
2171-9594
2171-9594
10.37536/ECOZONA.2010.1.1
eng
https://ecozona.eu/article/view/345/325
https://ecozona.eu/article/view/345/3348
Copyright (c) 2016 Ecozon@: European Journal of Literature, Culture and Environment
oai:ojs.revistas.proeditio.com:article/346
2020-03-30T10:07:32Z
ecozona:CRA
And God Created Darwin
Marrero Henríquez, José Manuel
José Manuel Marrero Henríquez José Manuel Marrero Henríquez is the author of Documentación y lirismo en la narrativa de Ignacio Aldecoa and of a number of articles on genre conventions, ethics and criticism, ecocriticism, and Spanish and Spanish American Literature. He has recently published El paisaje literario, an anthology of landscape representation in Hispanic Literatures. His research interests lie in Francisco González Díaz´s works, the literary representation of landscape, ecocriticism, and the impact of tourism and environmental policies in literary landscapes. In his academic career have played an important role the Universidad de La Laguna, Washington University in St. Louis, Trinity College (Connecticut), and The School of Criticism and Theory. José Manuel Marrero Henríquez is Professor of Literary Theory at the Universidad de Las Palmas de Gran Canaria.
Universidad de Alcalá
2010-04-25
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
application/pdf
https://ecozona.eu/article/view/346
10.37536/ECOZONA.2010.1.1.346
Ecozon@: European Journal of Literature, Culture and Environment; Bd. 1 Nr. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 No. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 Núm. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 No. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; V. 1 N. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
2171-9594
2171-9594
10.37536/ECOZONA.2010.1.1
eng
https://ecozona.eu/article/view/346/326
https://ecozona.eu/article/view/346/3349
Copyright (c) 2016 Ecozon@: European Journal of Literature, Culture and Environment
oai:ojs.revistas.proeditio.com:article/347
2020-03-30T10:04:15Z
ecozona:CRA
Among the Vultures, Alcoy
Gifford, Terry
Terry Gifford is the author of six collections of poetry, including The Unreliable Mushrooms: New and Selected Poems (Redbeck Press, 2003). Green Voices: Understanding Contemporary Nature Poetry (Manchester University Press, 1995; second edition due in 2010) was acclaimed as ‘the first comprehensive British study of contemporary ecopoetry’. Co-author of Ted Hughes: A Critical Study (Faber and Faber, 1981), his ecocritical study of Ted Hughes (2009) was recently published by Routledge. Also author of Reconnecting With John Muir: Essays in Post-Pastoral Practice (University of Georgia Press, 2006) and Pastoral (Routledge, 1999) and he is Visiting Professor at the University of Chichester, UK and Profesor Honorario at the University of Alicante, Spain.
Universidad de Alcalá
2010-04-26
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
https://ecozona.eu/article/view/347
10.37536/ECOZONA.2010.1.1.347
Ecozon@: European Journal of Literature, Culture and Environment; Bd. 1 Nr. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 No. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 Núm. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 No. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; V. 1 N. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
2171-9594
2171-9594
10.37536/ECOZONA.2010.1.1
eng
https://ecozona.eu/article/view/347/327
Copyright (c) 2016 Ecozon@: European Journal of Literature, Culture and Environment
oai:ojs.revistas.proeditio.com:article/348
2020-03-30T10:03:47Z
ecozona:CRA
Composing in Exile
Rowley, Rosemarie
Rosemarie Rowley Rosemarie Rowley was born in 1942. She received a Dublin Corporation scholarship in the fifties, has degrees in Irish and English literature (with Distinction) at Trinity College, Dublin, philosophy, and, later, psychology (National University of Ireland). While at Trinity College in the 1960s she published her first poems. After working as a teacher, in the nascent film industry in Ireland, and as a European fonctionnaire in Luxembourg, she took early retirement and began to participate in the emerging environmental movement in Ireland. She has published five books of poetry, not counting a Cold War poetry pamphlet, “Politry” and has four times won the Epic award in the Scottish International Poetry Competition. “The Sea of Affliction” (1987) counts as one of the first works in eco-feminism ( The Irish Literary Revival website). Her most recent books are “Hot Cinquefoil Star” (2002) and “In Memory of Her” (2004, 2008) both published by Rowan Tree Press, Dublin. See also http://www.rosemarierowley.ie/
Universidad de Alcalá
2010-04-26
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application/pdf
https://ecozona.eu/article/view/348
10.37536/ECOZONA.2010.1.1.348
Ecozon@: European Journal of Literature, Culture and Environment; Bd. 1 Nr. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 No. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 Núm. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 No. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; V. 1 N. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
2171-9594
2171-9594
10.37536/ECOZONA.2010.1.1
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https://ecozona.eu/article/view/348/328
Copyright (c) 2016 Ecozon@: European Journal of Literature, Culture and Environment
oai:ojs.revistas.proeditio.com:article/349
2020-03-30T09:20:50Z
ecozona:VA
Conversación portátil con Friedrich y Rothko
Batista, Agustín
Agustín Batista (1980), licenciado en Bellas Artes por la Universidad de La Laguna, Tenerife, en 2004. Actualmente vive y trabaja en Madrid. Artista plástico, diseñador gráfico, creador audiovisual y de espacios sonoros. Como pintor ha participado en varias exposiciones colectivas y cuenta con algunas individuales. Para más información: www.agustinbatista.com Augustin Batista graduated in the Arts in 2004 (University de La Laguna, Tenerife). He now lives and works in Madrid, as a visual artist, graphic designer, audio-visual artist and composer. As a painter, he has participated in numerous collective and individual exhibitions. For more details, see http://www.agustinbatista.com/
Universidad de Alcalá
2010-04-28
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
https://ecozona.eu/article/view/349
10.37536/ECOZONA.2010.1.1.349
Ecozon@: European Journal of Literature, Culture and Environment; Bd. 1 Nr. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 No. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 Núm. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 No. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; V. 1 N. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
2171-9594
2171-9594
10.37536/ECOZONA.2010.1.1
eng
https://ecozona.eu/article/view/349/329
Copyright (c) 2016 Ecozon@: European Journal of Literature, Culture and Environment
oai:ojs.revistas.proeditio.com:article/350
2020-03-30T10:07:04Z
ecozona:VA
Conversación portátil con Friédrich y Pollock
Batista, Agustín
Acrílico y collage sobre lienzo, 22 x 27 cm.2002.www.agustinbatista.com Agustín Batista (1980), licenciado en Bellas Artes por la Universidad de La Laguna, Tenerife, en 2004. Actualmente vive y trabaja en Madrid. Artista plástico, diseñador gráfico, creador audiovisual y de espacios sonoros. Como pintor ha participado en varias exposiciones colectivas y cuenta con algunas individuales. Para más información: www.agustinbatista.com Augustin Batista graduated in the Arts in 2004 (University de La Laguna, Tenerife). He now lives and works in Madrid, as a visual artist, graphic designer, audio-visual artist and composer. As a painter, he has participated in numerous collective and individual exhibitions. For more details, see http://www.agustinbatista.com/
Universidad de Alcalá
2010-04-25
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
https://ecozona.eu/article/view/350
10.37536/ECOZONA.2010.1.1.350
Ecozon@: European Journal of Literature, Culture and Environment; Bd. 1 Nr. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 No. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 Núm. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 No. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; V. 1 N. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
2171-9594
2171-9594
10.37536/ECOZONA.2010.1.1
eng
https://ecozona.eu/article/view/350/330
Copyright (c) 2016 Ecozon@: European Journal of Literature, Culture and Environment
oai:ojs.revistas.proeditio.com:article/351
2020-03-30T10:12:44Z
ecozona:VA
Earth 100
Casas, Fernando
Fernando Casás: a note about the artist.www.fernandocasas.es Fernando Casás [Vigo, Spain, 1946], lives between Brazil – where he spent most part of his life – and Spain, where he is professor of Sculpture at the University of Vigo. He is also professor in Doctorate courses at ESAD Escola Superior Artística do Porto, Portugal. He began working and investigating with Art and Nature [Land Art, Eco Art, Earth Works] at the end of the sixties, influenced by the tropical environment. Since then he works in different, paralell and recurrent streams: a de-materialized side [like the Idiotic Projects, the capture of a fleeting moment]; the ephemeral works [like the Wanderer Project or the Earth 100 / Latex, where he makes small and intimate incursions at random in the natural environment] ; and finally what we could call the formal works, where evidenciation of the passing of time and investigation of new ways are the major concerns, and where he works with different techniques, procedures and materials, ranging from worn out raw material to new technologies, which result in works that can be seen in exhibitions, collections or public places [The Termite Cycle, Trees as Archaeology or Act / Impact]. Nowadays he is considered by art critics as a pioneer in the Art and Nature field. Among public works: Lamed Vav / The 36 Justs together with R.Morris, R.Long, Hamilton Finlay. Island of Sculptures, and Memory of the River, both in Pontevedra, Spain, 1999 and 2006.Two Stones two University Botanic Graden, Jerusalem, Israel. 2000.Amazonia / Roots. Catacumba Sculpture Park, Rio de Janeiro, Brasil. 1989.Wood. Burgo das Nacións Square, Santiago de Compostela, Spain. 1994.Big Snake. Seeff & Marks Community Center, Jerusalem, Israel. 1989.Threes as Archaeology together with R. Long, S.Armajani, U.Rükriem, D.Nash. Monegros Desert, Huesca, Spain. 2003.Ashé / The Curve of the 9 over Bayona sea, in the road that unites Galicia and Portugal. 2005.Apple trees for Carrazeda. Carrazeda de Ansiães, Portugal, 2009. Selected exhibitions:Solo Termites tunnels at Centro Cultural dos Correios. [Río de Janeiro, 2009]Intervention Blue in Tifariti Sahara Desert, during the International Encounters of Art in the Free Territories of Sahara. [Argelia, 2009].Retrospective solo exhibition in the series Great Galician Artists [Caixanova, Vigo, 2006]Naturally Artificial. [Museo Esteban Vicente, Segovia, 2006]Archaeology of the non site. [Círculo de Bellas Artes, Madrid, 2004]A wood in works: Spanish vanguards in wood. [Museo de Arte Contemporáneo Esteban Vicente, Segovia y Sala de las Alhajas, Madrid, 2000]XXIª International Beinnial of São Paulo [Säo Paulo, Brasil, 1991]Brazilian work: 1964 – 1984 [Retrospectiva en la Fundación Luís Seoane, A Coruña, 2000]Fragments of America [Convento de San Francisco de la Habana Vieja, Cuba. 1999] Possible Dimension [Museu de Arte Moderna de Säo Paulo, Brasil, 1991]Manuscripten van de Amazon Rivier [EKWC Europees Keramisch Werkcentrum, den Bosch, The Netherlands, 1994]Amazonas, Série Negra [Galería Ibeu-Copacabana y Casa de Cultura Laura Alvim, Río de Janeiro; Galeria Aquarela y Espaço Unicamp, Säo Paulo, 1988 y 1989]Camouflaged Earth [Municipal Gallery, Jerusalem, Israel y Centre Culturel Bresilien, Ginebra, Suiza, 1987]De Huid van de Witte Dame [Phillips Headquarters, Eindhoven, Holanda, 1996]Intervention for Ecology [Museu de Arte Moderna do Rio de Janeiro, Brasil, 1984). El Proyecto Errante fue llevado a Suiza, Francia, Israel, Holanda, entre otros países. Selection of books and catalogues:Wagensberg, Jorge; A.Ruiz de Samaniego et.al.: Fernando Casás: Archaeology of the non site, Hércules de Eciciones and Círculo de Bellas Artes. Madrid, 2004.Parreño, José María; Pignatari, Décio: Fernando Casás: Retrospective at Caixanova. Vigo, 2006.Duque, Félix; Katz, Renina: Brazilian Works. Fundaçäo Luís Seoane, La Coruña, 2000.Maderuelo, Javier: Natürgeist. Diputación de Huesca, 1997.Garraud, Colette; Boël, Mickey: L’Artiste Contemporain et la Nature. Parcs et paysages européens. Éditions Hazan, Paris, 2007
Universidad de Alcalá
2010-04-23
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
https://ecozona.eu/article/view/351
10.37536/ECOZONA.2010.1.1.351
Ecozon@: European Journal of Literature, Culture and Environment; Bd. 1 Nr. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 No. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 Núm. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 No. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; V. 1 N. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
2171-9594
2171-9594
10.37536/ECOZONA.2010.1.1
eng
https://ecozona.eu/article/view/351/331
Copyright (c) 2016 Ecozon@: European Journal of Literature, Culture and Environment
oai:ojs.revistas.proeditio.com:article/352
2020-03-30T10:12:15Z
ecozona:VA
Wanderer project
Casas, Fernando
Fernando Casás: a note about the artist.www.fernandocasas.es Fernando Casás [Vigo, Spain, 1946], lives between Brazil – where he spent most part of his life – and Spain, where he is professor of Sculpture at the University of Vigo. He is also professor in Doctorate courses at ESAD Escola Superior Artística do Porto, Portugal. He began working and investigating with Art and Nature [Land Art, Eco Art, Earth Works] at the end of the sixties, influenced by the tropical environment. Since then he works in different, paralell and recurrent streams: a de-materialized side [like the Idiotic Projects, the capture of a fleeting moment]; the ephemeral works [like the Wanderer Project or the Earth 100 / Latex, where he makes small and intimate incursions at random in the natural environment] ; and finally what we could call the formal works, where evidenciation of the passing of time and investigation of new ways are the major concerns, and where he works with different techniques, procedures and materials, ranging from worn out raw material to new technologies, which result in works that can be seen in exhibitions, collections or public places [The Termite Cycle, Trees as Archaeology or Act / Impact]. Nowadays he is considered by art critics as a pioneer in the Art and Nature field. Among public works: Lamed Vav / The 36 Justs together with R.Morris, R.Long, Hamilton Finlay. Island of Sculptures, and Memory of the River, both in Pontevedra, Spain, 1999 and 2006.Two Stones two University Botanic Graden, Jerusalem, Israel. 2000.Amazonia / Roots. Catacumba Sculpture Park, Rio de Janeiro, Brasil. 1989.Wood. Burgo das Nacións Square, Santiago de Compostela, Spain. 1994.Big Snake. Seeff & Marks Community Center, Jerusalem, Israel. 1989.Threes as Archaeology together with R. Long, S.Armajani, U.Rükriem, D.Nash. Monegros Desert, Huesca, Spain. 2003.Ashé / The Curve of the 9 over Bayona sea, in the road that unites Galicia and Portugal. 2005.Apple trees for Carrazeda. Carrazeda de Ansiães, Portugal, 2009. Selected exhibitions:Solo Termites tunnels at Centro Cultural dos Correios. [Río de Janeiro, 2009]Intervention Blue in Tifariti Sahara Desert, during the International Encounters of Art in the Free Territories of Sahara. [Argelia, 2009].Retrospective solo exhibition in the series Great Galician Artists [Caixanova, Vigo, 2006]Naturally Artificial. [Museo Esteban Vicente, Segovia, 2006]Archaeology of the non site. [Círculo de Bellas Artes, Madrid, 2004]A wood in works: Spanish vanguards in wood. [Museo de Arte Contemporáneo Esteban Vicente, Segovia y Sala de las Alhajas, Madrid, 2000]XXIª International Beinnial of São Paulo [Säo Paulo, Brasil, 1991]Brazilian work: 1964 – 1984 [Retrospectiva en la Fundación Luís Seoane, A Coruña, 2000]Fragments of America [Convento de San Francisco de la Habana Vieja, Cuba. 1999] Possible Dimension [Museu de Arte Moderna de Säo Paulo, Brasil, 1991]Manuscripten van de Amazon Rivier [EKWC Europees Keramisch Werkcentrum, den Bosch, The Netherlands, 1994]Amazonas, Série Negra [Galería Ibeu-Copacabana y Casa de Cultura Laura Alvim, Río de Janeiro; Galeria Aquarela y Espaço Unicamp, Säo Paulo, 1988 y 1989]Camouflaged Earth [Municipal Gallery, Jerusalem, Israel y Centre Culturel Bresilien, Ginebra, Suiza, 1987]De Huid van de Witte Dame [Phillips Headquarters, Eindhoven, Holanda, 1996]Intervention for Ecology [Museu de Arte Moderna do Rio de Janeiro, Brasil, 1984). El Proyecto Errante fue llevado a Suiza, Francia, Israel, Holanda, entre otros países
Universidad de Alcalá
2010-04-23
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
https://ecozona.eu/article/view/352
10.37536/ECOZONA.2010.1.1.352
Ecozon@: European Journal of Literature, Culture and Environment; Bd. 1 Nr. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 No. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 Núm. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 No. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; V. 1 N. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
2171-9594
2171-9594
10.37536/ECOZONA.2010.1.1
eng
https://ecozona.eu/article/view/352/332
Copyright (c) 2016 Ecozon@: European Journal of Literature, Culture and Environment
oai:ojs.revistas.proeditio.com:article/353
2020-03-30T10:03:15Z
ecozona:VA
Trees as Archaeology
Casas, Fernando
Fernando Casás: a note about the artist.www.fernandocasas.es Fernando Casás [Vigo, Spain, 1946], lives between Brazil – where he spent most part of his life – and Spain, where he is professor of Sculpture at the University of Vigo. He is also professor in Doctorate courses at ESAD Escola Superior Artística do Porto, Portugal. He began working and investigating with Art and Nature [Land Art, Eco Art, Earth Works] at the end of the sixties, influenced by the tropical environment. Since then he works in different, paralell and recurrent streams: a de-materialized side [like the Idiotic Projects, the capture of a fleeting moment]; the ephemeral works [like the Wanderer Project or the Earth 100 / Latex, where he makes small and intimate incursions at random in the natural environment] ; and finally what we could call the formal works, where evidenciation of the passing of time and investigation of new ways are the major concerns, and where he works with different techniques, procedures and materials, ranging from worn out raw material to new technologies, which result in works that can be seen in exhibitions, collections or public places [The Termite Cycle, Trees as Archaeology or Act / Impact]. Nowadays he is considered by art critics as a pioneer in the Art and Nature field. Among public works: Lamed Vav / The 36 Justs together with R.Morris, R.Long, Hamilton Finlay. Island of Sculptures, and Memory of the River, both in Pontevedra, Spain, 1999 and 2006.Two Stones two University Botanic Graden, Jerusalem, Israel. 2000.Amazonia / Roots. Catacumba Sculpture Park, Rio de Janeiro, Brasil. 1989.Wood. Burgo das Nacións Square, Santiago de Compostela, Spain. 1994.Big Snake. Seeff & Marks Community Center, Jerusalem, Israel. 1989.Threes as Archaeology together with R. Long, S.Armajani, U.Rükriem, D.Nash. Monegros Desert, Huesca, Spain. 2003.Ashé / The Curve of the 9 over Bayona sea, in the road that unites Galicia and Portugal. 2005.Apple trees for Carrazeda. Carrazeda de Ansiães, Portugal, 2009. Selected exhibitions:Solo Termites tunnels at Centro Cultural dos Correios. [Río de Janeiro, 2009]Intervention Blue in Tifariti Sahara Desert, during the International Encounters of Art in the Free Territories of Sahara. [Argelia, 2009].Retrospective solo exhibition in the series Great Galician Artists [Caixanova, Vigo, 2006]Naturally Artificial. [Museo Esteban Vicente, Segovia, 2006]Archaeology of the non site. [Círculo de Bellas Artes, Madrid, 2004]A wood in works: Spanish vanguards in wood. [Museo de Arte Contemporáneo Esteban Vicente, Segovia y Sala de las Alhajas, Madrid, 2000]XXIª International Beinnial of São Paulo [Säo Paulo, Brasil, 1991]Brazilian work: 1964 – 1984 [Retrospectiva en la Fundación Luís Seoane, A Coruña, 2000]Fragments of America [Convento de San Francisco de la Habana Vieja, Cuba. 1999] Possible Dimension [Museu de Arte Moderna de Säo Paulo, Brasil, 1991]Manuscripten van de Amazon Rivier [EKWC Europees Keramisch Werkcentrum, den Bosch, The Netherlands, 1994]Amazonas, Série Negra [Galería Ibeu-Copacabana y Casa de Cultura Laura Alvim, Río de Janeiro; Galeria Aquarela y Espaço Unicamp, Säo Paulo, 1988 y 1989]Camouflaged Earth [Municipal Gallery, Jerusalem, Israel y Centre Culturel Bresilien, Ginebra, Suiza, 1987]De Huid van de Witte Dame [Phillips Headquarters, Eindhoven, Holanda, 1996]Intervention for Ecology [Museu de Arte Moderna do Rio de Janeiro, Brasil, 1984). El Proyecto Errante fue llevado a Suiza, Francia, Israel, Holanda, entre otros países. Selection of books and catalogues:Wagensberg, Jorge; A.Ruiz de Samaniego et.al.: Fernando Casás: Archaeology of the non site, Hércules de Eciciones and Círculo de Bellas Artes. Madrid, 2004.Parreño, José María; Pignatari, Décio: Fernando Casás: Retrospective at Caixanova. Vigo, 2006.Duque, Félix; Katz, Renina: Brazilian Works. Fundaçäo Luís Seoane, La Coruña, 2000.Maderuelo, Javier: Natürgeist. Diputación de Huesca, 1997.Garraud, Colette; Boël, Mickey: L’Artiste Contemporain et la Nature. Parcs et paysages européens. Éditions Hazan, Paris, 2007.
Universidad de Alcalá
2010-04-26
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
https://ecozona.eu/article/view/353
10.37536/ECOZONA.2010.1.1.353
Ecozon@: European Journal of Literature, Culture and Environment; Bd. 1 Nr. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 No. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 Núm. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 No. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; V. 1 N. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
2171-9594
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10.37536/ECOZONA.2010.1.1
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https://ecozona.eu/article/view/353/333
Copyright (c) 2016 Ecozon@: European Journal of Literature, Culture and Environment
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2020-03-30T10:11:47Z
ecozona:BR
The Biology of Literary Affect: A Review Essay on Comeuppance. Costly Signaling, Altruistic Punishment, and Other Biological Components of Fiction by William Flesh
Wall, Thomas Carl
Review Essay by Thomas Carl WallWilliam Flesch, Comeuppance. Costly Signaling, Altruistic Punishment, and Other Biological Components of Fiction (Boston: Harvard UP, 2007), 264pp.
Universidad de Alcalá
2010-04-23
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Non-refereed Book Review
application/pdf
https://ecozona.eu/article/view/354
10.37536/ECOZONA.2010.1.1.354
Ecozon@: European Journal of Literature, Culture and Environment; Bd. 1 Nr. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 No. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 Núm. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 No. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; V. 1 N. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
2171-9594
2171-9594
10.37536/ECOZONA.2010.1.1
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https://ecozona.eu/article/view/354/334
Copyright (c) 2016 Ecozon@: European Journal of Literature, Culture and Environment
oai:ojs.revistas.proeditio.com:article/355
2020-03-30T10:11:19Z
ecozona:BR
Book Review of A Passion for Nature: The Life of John Muir by Donald Worster
Gifford, Terry
Book Review by Terry GiffordDonald Worster, A Passion for Nature: The Life of John Muir
Universidad de Alcalá
2010-04-23
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Non-refereed Book Review
application/pdf
https://ecozona.eu/article/view/355
10.37536/ECOZONA.2010.1.1.355
Ecozon@: European Journal of Literature, Culture and Environment; Bd. 1 Nr. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 No. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 Núm. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 No. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; V. 1 N. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
2171-9594
2171-9594
10.37536/ECOZONA.2010.1.1
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https://ecozona.eu/article/view/355/335
Copyright (c) 2016 Ecozon@: European Journal of Literature, Culture and Environment
oai:ojs.revistas.proeditio.com:article/356
2020-04-20T09:15:21Z
ecozona:CRE
Credits 1.1
Managing Editor
Credits 1.1
Universidad de Alcalá
2010-04-28
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
https://ecozona.eu/article/view/356
10.37536/ECOZONA.2010.1.1.356
Ecozon@: European Journal of Literature, Culture and Environment; Bd. 1 Nr. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 No. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 Núm. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 No. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
Ecozon@: European Journal of Literature, Culture and Environment; V. 1 N. 1 (2010): New Ecocritical Perspectives: European and Transnational Ecocriticism
2171-9594
2171-9594
10.37536/ECOZONA.2010.1.1
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https://ecozona.eu/article/view/356/336
Copyright (c) 2016 Ecozon@: European Journal of Literature, Culture and Environment
oai:ojs.revistas.proeditio.com:article/357
2020-03-30T09:32:58Z
ecozona:EDIT
Editorial, Vol. 1, No 2
Goodbody, Axel
Editorial, Vol. 1, No 2
Universidad de Alcalá
2010-11-22
info:eu-repo/semantics/article
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application/pdf
https://ecozona.eu/article/view/357
10.37536/ECOZONA.2010.1.2.357
Ecozon@: European Journal of Literature, Culture and Environment; Bd. 1 Nr. 2 (2010): Greening Across Borders
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 No. 2 (2010): Greening Across Borders
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 Núm. 2 (2010): Greening Across Borders
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 No. 2 (2010): Greening Across Borders
Ecozon@: European Journal of Literature, Culture and Environment; V. 1 N. 2 (2010): Greening Across Borders
2171-9594
2171-9594
10.37536/ECOZONA.2010.1.2
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https://ecozona.eu/article/view/357/337
Copyright (c) 2016 Ecozon@: European Journal of Literature, Culture and Environment
oai:ojs.revistas.proeditio.com:article/358
2020-03-30T10:00:05Z
ecozona:GES1.2
Guest Editor Introduction
Grewe-Volpp, Christa
Introduction to the guest editor section
Universidad de Alcalá
2010-11-06
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
https://ecozona.eu/article/view/358
10.37536/ECOZONA.2010.1.2.358
Ecozon@: European Journal of Literature, Culture and Environment; Bd. 1 Nr. 2 (2010): Greening Across Borders
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 No. 2 (2010): Greening Across Borders
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 Núm. 2 (2010): Greening Across Borders
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 No. 2 (2010): Greening Across Borders
Ecozon@: European Journal of Literature, Culture and Environment; V. 1 N. 2 (2010): Greening Across Borders
2171-9594
2171-9594
10.37536/ECOZONA.2010.1.2
eng
https://ecozona.eu/article/view/358/338
Copyright (c) 2016 Ecozon@: European Journal of Literature, Culture and Environment
oai:ojs.revistas.proeditio.com:article/359
2020-03-30T09:54:58Z
ecozona:GES1.2
Where the Ground Answers the Foot: Kerstin Ekman, Ecology, and the Sense of Place in a Globalized World
Oscarson, Christopher
Kerstin Ekman
Händelser vid vatten
space and place
ecology
Scandinavian literature
ecocriticism
Kerstin Ekman has emerged as one of the important literary voices in Northern Europe challenging facile definitions of nature and inviting readers to reconsider conceptions of the local. She accomplishes this by using ecological models in her fiction that explore how human subjects exist in interdependent relationships with their environments intertwining space with experience and memory to produce constellations of significance and meaning. The materiality of the space combines with human discourse to create a sense of place situated between immediate and the distant and between the constructed and the found.In particular, her 1993 work, Händelser vid vatten [Blackwater] explores an ecological model of ontology in which all elements are intricately interconnected in myriad ways that question, among other things, the construction of place and the role of both materiality and place in an increasingly mobile, technologically mediated, and globalized world. My purpose is to consider Ekman's model(s) of ecological interdependence in dialogue with the theoretical discussions of space and place that have emerged in recent decades, particularly within the field of ecocriticism. In Ekman's work, the decidedly human propensities for naming, narrating, manipulating, and constructing space are counterbalanced by an experience of materiality and the natural environment's ultimate ambivalence to anthropocentrism. The novel's network of competing narratives, memories, definitions, and confrontation with materiality tend to frustrate the classical modernist epistemological project by lacking clear linearity, diverging, converging, and doubling back on themselves. The effect is to focus readers' attention on how space is produced as a means of understanding the diffuse subject's being in the world as part of complex material and discursive networks as well as between the constructed and the found, the subjective and the objective, the embodied and the abstract, and the local and the global.Resumen Kerstin Ekman se ha revelado como una de las voces importantes en el norte de Europa por que ha desafiado las definiciones de naturaleza e invitado a los lectores a reconsiderar las nociones de lo local. Ekman emplea modelos ecológicos en su ficción para explorar cómo los sujetos humanos participan en relaciones interdependientes con su entorno, donde el espacio se entrelaza con la experiencia y la memoria para producir redes de importancia y significado. La materialidad de la geografía se combina con el discurso humano para crear un sentido del lugar entre lo inmediato y lo remoto, entre lo construido y lo encontrado. En particular, su obra de 1993, Händelser vid vatten [Ocurrió a orillas del río], explora un modelo ecológico de ontología en el que todos los elementos se encuentran complejamente interconectados y se combinan para cuestionar tanto el papel de la materialidad el del lugar en un mundo globalizado cada vez más móvil, tecnológicamente mediado . Este ensayo considera cómo Ekman representa la interdependencia ecológica en diálogo con los debates teóricos más recientes sobre el espacio y el lugar, especialmente dentro del campo de la ecocrítica. En la obra de Ekman, la tendencia indudablemente humana por nombrar, narrar, manipular, y construir el espacio se contrarresta con la experiencia de la materialidad y el descubrimiento de la indiferencia de la naturaleza hacia el interés humano. En la novela, la red de narraciones y memorias que compiten frustra un proyecto epistemológico estable ya que carece de una linealidad clara cuando éstas se enfrentan a una materialidad geográfica persistente. El efecto es centrar la atención del lector en cómo el espacio y el lugar se presentan como parte de la existencia en el mundo de un sujeto impreciso. El lugar, para Ekman, surge entre lo construido y lo encontrado, lo subjetivo y lo objetivo, lo incorporado y lo abstracto, y lo local y lo global.
Universidad de Alcalá
2010-11-06
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
application/pdf
application/pdf
https://ecozona.eu/article/view/359
10.37536/ECOZONA.2010.1.2.359
Ecozon@: European Journal of Literature, Culture and Environment; Bd. 1 Nr. 2 (2010): Greening Across Borders
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 No. 2 (2010): Greening Across Borders
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 Núm. 2 (2010): Greening Across Borders
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 No. 2 (2010): Greening Across Borders
Ecozon@: European Journal of Literature, Culture and Environment; V. 1 N. 2 (2010): Greening Across Borders
2171-9594
2171-9594
10.37536/ECOZONA.2010.1.2
eng
spa
https://ecozona.eu/article/view/359/339
https://ecozona.eu/article/view/359/340
https://ecozona.eu/article/view/359/341
Copyright (c) 2016 Ecozon@: European Journal of Literature, Culture and Environment
oai:ojs.revistas.proeditio.com:article/360
2020-03-30T09:54:30Z
ecozona:GES1.2
(Forced) Walks on the Wild Side: Precarious Borders in American Captivity Narratives
Starre, Alexander
Most readings of American captivity narratives have so far investigated their intercultural, psychological, and theological significances, while disregarding their ecological aspects. Despite its appropriation into US-American national literature, the captivity genre contains at its root a transcultural plot of an individual's confrontation with the environment and the unsettling forces of wilderness and animality. These personal memoirs indeed hold global value by pointing to our collective embeddedness and embodiedness.This essay surveys two early captivity narratives - the classical one by Mary Rowlandson (1682) and a lesser known text by John Gyles (1736) - alongside contemporary examples of the genre that relate the stories of American captives in Iraq and Colombia.Resumen Muchas lecturas de los relatos de cautiverio americanos hasta ahora han investigado los significados interculturales, psicológicos y teológicos sin prestar mucha atención a sus aspectos ecológicos. A pesar de su inclusión en la literatura nacional estadounidense, es esencial al género del relato de cautiverio una trama transnacional de confrontación entre el individuo y el medio ambiente rodeado de fuerzas inquietantes, de una flora desolada y una fauna feroz. Estas memorias personales tienen, efectivamente, un valor global porque indican nuestra incorporación y encarnación collectivas.Este ensayo explora dos relatos de cautiverio -el clásico de Mary Rowlandson (1682) y un texto menos conocido de John Gyles (1736)- al lado de dos ejemplos contemporáneos del género que cuentan las historias de cautivos estadounidenses en Irak y Colombia.
Universidad de Alcalá
2010-11-06
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
application/pdf
application/pdf
https://ecozona.eu/article/view/360
10.37536/ECOZONA.2010.1.2.360
Ecozon@: European Journal of Literature, Culture and Environment; Bd. 1 Nr. 2 (2010): Greening Across Borders
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 No. 2 (2010): Greening Across Borders
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 Núm. 2 (2010): Greening Across Borders
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 No. 2 (2010): Greening Across Borders
Ecozon@: European Journal of Literature, Culture and Environment; V. 1 N. 2 (2010): Greening Across Borders
2171-9594
2171-9594
10.37536/ECOZONA.2010.1.2
eng
spa
https://ecozona.eu/article/view/360/342
https://ecozona.eu/article/view/360/343
https://ecozona.eu/article/view/360/344
Copyright (c) 2016 Ecozon@: European Journal of Literature, Culture and Environment
oai:ojs.revistas.proeditio.com:article/361
2020-03-30T09:54:01Z
ecozona:GES1.2
Garbage Out: Space, Place, and Neo-imperial Anti-development in Gioconda Belli’s Waslala
DeVries, Scott
Gioconda Belli
Space
Place
Globalization
Ecocriticism
Spanish American literature
Central American literature
Central American Literature
ecocriticism
Gioconda Belli’s Waslala criticizes the concept of “anti-developmental neo-imperialism”: the novel’s fictional Central American nation's development is cancelled by a form of neo-imperial conservation that forces the preservation of rainforest to supply breathable air to oxygen-starved nations that will cut off electrical power for non-compliance. The theoretical approach engages with the idea of a global expansion of the sense of place, but I argue that the novel rejects this notion when it comes down to an “anti-developmental neo-imperialist” political ecology of forced conservationism that is as guilty of environmental injustice as the ecological practices it seeks to prevent.ResumenWaslala de Gioconda Belli critica el concepto de “neo-imperialismo anti-evolutivo”: el desarrollo de la nación ficticia centroamericana de la novela se ve cancelada por un tipo de conservación neo-imperial que obliga a conservar la selva tropical para proporcionar aire respirable a las naciones hambrientas de oxígeno que cortarán la energía eléctrica si no hay conformidad. El enfoque teórico se relaciona con la idea de una expansión global del sentido del lugar, pero yo alego que la novela rechaza esta noción cuando es cuestión de es una ecología política “neo-imperialista anti-evolutiva” de conservacionismo forzado, que es tan culpable de la injusticia medioambiental como las prácticas ecológicas que busca prevenir.
Universidad de Alcalá
2010-11-06
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
application/pdf
application/pdf
https://ecozona.eu/article/view/361
10.37536/ECOZONA.2010.1.2.361
Ecozon@: European Journal of Literature, Culture and Environment; Bd. 1 Nr. 2 (2010): Greening Across Borders
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 No. 2 (2010): Greening Across Borders
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 Núm. 2 (2010): Greening Across Borders
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 No. 2 (2010): Greening Across Borders
Ecozon@: European Journal of Literature, Culture and Environment; V. 1 N. 2 (2010): Greening Across Borders
2171-9594
2171-9594
10.37536/ECOZONA.2010.1.2
eng
spa
https://ecozona.eu/article/view/361/345
https://ecozona.eu/article/view/361/346
https://ecozona.eu/article/view/361/347
Copyright (c) 2016 Ecozon@: European Journal of Literature, Culture and Environment
oai:ojs.revistas.proeditio.com:article/362
2020-03-30T09:53:33Z
ecozona:GES1.2
The Possibilities and Potential Pitfalls of Contemporary Global Environmental(ist) Imaginaries: The Human/Nature Project and Philip Krohn’s EARTH Sticker
Edlich, Micha Gerrit Philipp
environmental art
globalization
Philip Krohn
Earthsticker
Rigo 23
Human/Nature
environment
earth art
ecocriticism
environmental art
globalization
Located at the gradually emerging juncture between the current discourses on the global and art in ecocritical scholarship, this article explores how contemporary works of art such as EARTH Sticker (2005) by the North American artist Philip Krohn and artist residency and exhibition projects such as Human/Nature: Artists Respond to a Changing Planet (2008) parse, represent, and imagine the political, socioeconomic, cultural, and especially ecological implications of globalization. EARTH Sticker and two contributions to Human/Nature, the sculptures Sapukay: Cry for Help and Teko Mbarate: Struggle for Life by the Portuguese artist and current San Francisco Bay Area resident Rigo 23, present different environmental imaginaries that challenge and simultaneously rely on the material contexts and conditions on which the increasingly globalized production of art is always predicated. As Krohn and Rigo 23 demonstrate, even art that is created in an environmentalist context (Human/Nature) or with an ostensible activist purpose (EARTH Sticker) cannot escape this double bind. To identify this dilemma is not to dismiss these works of art as self-contradictory failures, but to highlight precisely Krohn’s and Rigo 23’s important insights with regard to this embedment for other global environmental imaginaries and particularly for further ecocritical analysis. Emphasizing the material and institutional conditions, current means and sites of cultural production, and technologies for the dissemination of information, these works of art thus foreground and perform what is often erased from the equation and from critical analysis.ResumenSituado en la poco a poco emergente coyuntura entre los discursos sobre lo global y sobre el arte en la ecocrítica, este artículo examina cómo trabajos de arte contemporáneo como EARTH Sticker (2005), del artista norteamericano Philip Krohn, y residencias de artistas y proyectos de exposiciones como Human/Nature: Artists Respond to a Changing Planet (2008) analizan, representan e imaginan las implicaciones políticas, socieconómicas, culturales y especialmente las ecológicas, de la globalización. EARTH Sticker y dos contribuciones a Human/Nature, las esculturas Sapukay: Cry for Help y Teko Mbarate: Struggle for Life del artista portugués Rigo 23, actual residente del área de la bahía de San Francisco, presentan diferentes imaginarios medioambientales que desafían y al mismo tiempo dependen de los contextos y las condiciones materiales en las que se fundamenta la producción de arte, cada vez más globalizada. Como Krohn y Rigo 23 demuestran, incluso el arte creado en un contexto medioambiental (Human/Nature) o con un propósito aparentemente activista (EARTH Sticker) no puede escapar esta coyuntura. Identificar este dilema no es desestimar estas obras de arte como fallos contradictorios, sino precisamente poner de manifiesto las importantes apreciaciones de Krohn y Rigo 23 en lo referente a esta inclusión para otros imaginarios medioambientales y en particular para un mayor análisis ecocrítico. Poniendo énfasis en las condiciones materiales e institucionales, los actuales medios y sitios de producción cultural, y las tecnologías para la difusión de información, estas obras de arte ponen de relieve y representan lo que a menudo se elimina en la ecuación y en el análisis crítico.
Universidad de Alcalá
2010-11-06
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
application/pdf
application/pdf
https://ecozona.eu/article/view/362
10.37536/ECOZONA.2010.1.2.362
Ecozon@: European Journal of Literature, Culture and Environment; Bd. 1 Nr. 2 (2010): Greening Across Borders
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 No. 2 (2010): Greening Across Borders
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 Núm. 2 (2010): Greening Across Borders
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 No. 2 (2010): Greening Across Borders
Ecozon@: European Journal of Literature, Culture and Environment; V. 1 N. 2 (2010): Greening Across Borders
2171-9594
2171-9594
10.37536/ECOZONA.2010.1.2
eng
spa
https://ecozona.eu/article/view/362/348
https://ecozona.eu/article/view/362/349
https://ecozona.eu/article/view/362/350
Copyright (c) 2016 Ecozon@: European Journal of Literature, Culture and Environment
oai:ojs.revistas.proeditio.com:article/363
2020-03-30T09:53:05Z
ecozona:GS+1.2
Reflections on Literature and Environment: An Interview with Scott Slovic
Villanueva-Romero, Diana
This is an interview with Prof. Scott Slovic conducted in Reno, Nevada, in 2006. It deals with the origins of ecocriticism, its institutionalization and expansion in the world.ResumenEntrevista con el Dr. Scott Slovic realizada en Reno, Nevada en 2006. Trata de los origenes de la ecocritica, su institucionalizacion y expansion en el mundo.
Universidad de Alcalá
2010-11-06
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
application/pdf
application/pdf
https://ecozona.eu/article/view/363
10.37536/ECOZONA.2010.1.2.363
Ecozon@: European Journal of Literature, Culture and Environment; Bd. 1 Nr. 2 (2010): Greening Across Borders
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 No. 2 (2010): Greening Across Borders
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 Núm. 2 (2010): Greening Across Borders
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 No. 2 (2010): Greening Across Borders
Ecozon@: European Journal of Literature, Culture and Environment; V. 1 N. 2 (2010): Greening Across Borders
2171-9594
2171-9594
10.37536/ECOZONA.2010.1.2
eng
spa
https://ecozona.eu/article/view/363/351
https://ecozona.eu/article/view/363/352
https://ecozona.eu/article/view/363/353
Copyright (c) 2016 Ecozon@: European Journal of Literature, Culture and Environment
oai:ojs.revistas.proeditio.com:article/364
2020-03-30T09:52:37Z
ecozona:GS+1.2
Call of the Wild and the Ethics of Narrative Strategies
Bartosch, Roman
Call of the Wild
London
animal motif
How can the analysis of narrative structures contribute to the understanding of what makes a text´s "environmentality" (see Buell 2005:25)? By reading Call of the Wild from a narratological perspective and against the historicist foil of its discursive context, this paper seeks to illuminate how strategies of narration lend to an eco-centred reading - even despite the text´s apparent ethical orientation. The discursive circuit thus established enables a textual negotiation of diverging ethical convictions and aspects of compassion and giving voice to an animal. Eventually, reading and interpreting texts can thus be described as an "applied ethics" (Iovino 2010: 41) the features of which this essay seeks to describe as the "ethics of narrative strategies".Resumen ¿Qué puede aportar el análisis de estructuras narrativas a la comprensión de qué es lo que produce la “medioambientalidad” de un texto? Al leer Call of the Wild desde una perspectiva narratológica y en relación al historicismo de su contexto discursivo, este artículo buscar aclarar cómo las estrategias narrativas se presentan a una lectura centrada en lo ecológico – incluso a pesar de la aparente orientación ética del texto. El recorrido discursivo así establecido permite una negociación textual de convicciones éticas divergentes y de aspectos de compasión y del hecho de dar voz a un animal. Finalmente, la lectura e interpretación de textos puede por lo tanto describirse como una “ética aplicada” (Iovino 41) cuyas características este artículo busca describir como “ética de estrategias narrativas.”
Universidad de Alcalá
2010-11-06
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
application/pdf
application/pdf
https://ecozona.eu/article/view/364
10.37536/ECOZONA.2010.1.2.364
Ecozon@: European Journal of Literature, Culture and Environment; Bd. 1 Nr. 2 (2010): Greening Across Borders
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 No. 2 (2010): Greening Across Borders
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 Núm. 2 (2010): Greening Across Borders
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 No. 2 (2010): Greening Across Borders
Ecozon@: European Journal of Literature, Culture and Environment; V. 1 N. 2 (2010): Greening Across Borders
2171-9594
2171-9594
10.37536/ECOZONA.2010.1.2
eng
spa
https://ecozona.eu/article/view/364/354
https://ecozona.eu/article/view/364/355
https://ecozona.eu/article/view/364/356
Copyright (c) 2016 Ecozon@: European Journal of Literature, Culture and Environment
oai:ojs.revistas.proeditio.com:article/365
2020-03-30T09:52:09Z
ecozona:GS+1.2
La homogeneización de la naturaleza en la obra de Gioconda Belli
White, Steven F
Belli
Gioconda
poesía nicaragüense
ecología
ResumenUn análisis ecocrítico de la obra de la nicaragüense Gioconda Belli, que nació en 1948, revela que la autora suele homogenizar el medio ambiente, tratándolo en términos genéricos como un adorno, sin el conocimiento de las cualidades específicas locales ni de sistemas cuyo ámbito abarca lo global. Según Val Plumwood en Environmental Culture: The Ecological Crisis of Reason, “este modelo promueve la insensibilidad a la diversidad maravillosa de la naturaleza, ya que las diferencias en la naturaleza sólo se cuidan si es probable que contribuyan de manera obvia al bienestar humano” (Plumwood 107). Este rasgo de su poética distingue a Belli del gran número de nicaragüenses de la población general que sí sabe nombrar a muchos miembros de su comunidad biológica, incorporarlos en sus vidas como remedios para una gran variedad de enfermedades comunes y también usarlos como figuras muy expresivas de conversaciones cotidianas. Abstract An ecocritical analysis of Nicaraguan autor Gioconda Belli’s work, who was born in 1948, reveals that the author usually homogenizes the environment, treating it in generic terms as an ornament, without the knowledge of the local specific qualities nor the systems whose scope cover the global. According to Val Plumwood in Environmental Culture: The Ecological Crisis of Reason, “the model promotes insensitivity to the marvelous diversity of nature, since differences in nature are attended to only if they are likely to contribute in some obvious way to human welfare” (Plumwood 107). This feature of her poetics distinguishes Belli from the vast number of Nicaraguans of the general population who do know to name many members of their biological community, to incorporate them into their lives as remedy for a great variety of common diseases and also to use them as very expressive figures in everyday conversation.
Universidad de Alcalá
2010-11-06
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
application/pdf
application/pdf
application/pdf
https://ecozona.eu/article/view/365
10.37536/ECOZONA.2010.1.2.365
Ecozon@: European Journal of Literature, Culture and Environment; Bd. 1 Nr. 2 (2010): Greening Across Borders
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 No. 2 (2010): Greening Across Borders
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 Núm. 2 (2010): Greening Across Borders
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 No. 2 (2010): Greening Across Borders
Ecozon@: European Journal of Literature, Culture and Environment; V. 1 N. 2 (2010): Greening Across Borders
2171-9594
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eng
spa
https://ecozona.eu/article/view/365/357
https://ecozona.eu/article/view/365/358
https://ecozona.eu/article/view/365/359
https://ecozona.eu/article/view/365/360
Copyright (c) 2016 Ecozon@: European Journal of Literature, Culture and Environment
oai:ojs.revistas.proeditio.com:article/366
2020-03-30T09:32:30Z
ecozona:CRA
Poems
Dunkerley, Hugh
Hugh Dunkerley is Senior Lecturer at the University of Chichester, where he teaches both creative and critical courses. This year, he published his third book of poetry (Hare, Cinnamon Press, 2010). He has been West Sussex Poet Laureate since 2000. In addition to his work as a much awarded poet, Dunkerley publishes scholarly articles on contemporary poetry. Since the mid nineteen-eighties, when he worked in conservation, he developed a strong interest in environmentalist issues, and in ecocriticism. He was Vice-Chair of the UK section of The Association for the Study of Literature and the Environment. In 2004, he led ASLE’s biennial conference at Chichester, entitled ‘Cross-Fertilisations: Literature, Science and Nature,’ and was co-editor of Earthographies: Ecocriticism and Culture (New Formations), a special issue of New Formations that was based on that conference. Dunkerley is also reviewing for magazines such as The London Magazine and Envoi, and runs a monthly cabaret for local writers and musicians to promote local talent. The poem “The Whale” that is published in this issue, first appeared in Hare. We are grateful for the permission to reprint it here.
Universidad de Alcalá
2010-11-22
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
https://ecozona.eu/article/view/366
10.37536/ECOZONA.2010.1.2.366
Ecozon@: European Journal of Literature, Culture and Environment; Bd. 1 Nr. 2 (2010): Greening Across Borders
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 No. 2 (2010): Greening Across Borders
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 Núm. 2 (2010): Greening Across Borders
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 No. 2 (2010): Greening Across Borders
Ecozon@: European Journal of Literature, Culture and Environment; V. 1 N. 2 (2010): Greening Across Borders
2171-9594
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10.37536/ECOZONA.2010.1.2
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https://ecozona.eu/article/view/366/361
Copyright (c) 2016 Ecozon@: European Journal of Literature, Culture and Environment
oai:ojs.revistas.proeditio.com:article/367
2020-03-30T09:32:02Z
ecozona:CRA
Poems
Gifford, Terry
Terry Gifford is the author of six collections of poetry, including The Unreliable Mushrooms: New and Selected Poems (Redbeck Press, 2003). Green Voices: Understanding Contemporary Nature Poetry (Manchester University Press, 1995; second edition due in 2010) was acclaimed as ‘the first comprehensive British study of contemporary ecopoetry’. Co-author of Ted Hughes: A Critical Study (Faber and Faber, 1981), his ecocritical study of Ted Hughes (2009) was recently published by Routledge. Also author of Reconnecting With John Muir: Essays in Post-Pastoral Practice (University of Georgia Press, 2006) and Pastoral (Routledge, 1999) and he is Visiting Professor at the University of Chichester, UK and Profesor Honorario at the University of Alicante, Spain.
Universidad de Alcalá
2010-11-22
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
https://ecozona.eu/article/view/367
10.37536/ECOZONA.2010.1.2.367
Ecozon@: European Journal of Literature, Culture and Environment; Bd. 1 Nr. 2 (2010): Greening Across Borders
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 No. 2 (2010): Greening Across Borders
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 Núm. 2 (2010): Greening Across Borders
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 No. 2 (2010): Greening Across Borders
Ecozon@: European Journal of Literature, Culture and Environment; V. 1 N. 2 (2010): Greening Across Borders
2171-9594
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10.37536/ECOZONA.2010.1.2
eng
https://ecozona.eu/article/view/367/362
Copyright (c) 2016 Ecozon@: European Journal of Literature, Culture and Environment
oai:ojs.revistas.proeditio.com:article/368
2020-03-30T09:31:34Z
ecozona:CRA
Poems
North, Christopher
Christopher North with his wife Marisa run the Almassera Vella Arts Centre in a mountain village near Alicante, Spain (www.oldolivepress.com). He facilitates poetry readings , writing workshops and 7 day residential courses in the Spring and Autumn. His pamphlet collection A Mesh of Wires (Smith Doorstop 1999) was shortlisted for the Forward Prize, he had a third place in the National (1995) and recently won the Silver Wyvern at the ‘Poetry on the Lake' Festival in Italy. His first full collection Explaining the Circumstances was published by Oversteps Books in February 2010 (www.overstepsbooks.com). A bi-lingual joint collection with the poet Terry Gifford The Other Side of Aguilar is published this year.
Universidad de Alcalá
2010-11-22
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https://ecozona.eu/article/view/368
10.37536/ECOZONA.2010.1.2.368
Ecozon@: European Journal of Literature, Culture and Environment; Bd. 1 Nr. 2 (2010): Greening Across Borders
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 No. 2 (2010): Greening Across Borders
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 Núm. 2 (2010): Greening Across Borders
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 No. 2 (2010): Greening Across Borders
Ecozon@: European Journal of Literature, Culture and Environment; V. 1 N. 2 (2010): Greening Across Borders
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https://ecozona.eu/article/view/368/363
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2020-03-30T09:51:41Z
ecozona:CRA
Paso del Norte
Morton, Carlos
Environmental Racism
Play
Carlos Morton is a leading Chicano dramatist, who has been writing and producing plays for more than four decades. Among his best-known plays are The Many Deaths of Danny Rosales (1983) and Johnny Tenorio (1992). In addition to his work for the stage, which has been widely produced, he has written for television and radio, and taught at universities in Texas, California, and Mexico (he holds a PhD from the University of Texas, Austin). When he started his career, at the end of the 1960s and the start of the 1970s, his enthusiasm was sparked by the political theatre produced by Teatro Campesino and the San Francisco Mime Troupe. His work has since adopted a wider variety of styles and themes: evoking historical events, myths, biblical stories, and contemporary political issues, such as racism and machismo, interweaving realism with fantasy. But he always addresses a Chicano audience, and exposes the oppression of Chicano and Latino people. He is currently Professor of Theater at the University of California at Santa Barbara.
Universidad de Alcalá
2010-11-06
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info:eu-repo/semantics/publishedVersion
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application/pdf
https://ecozona.eu/article/view/369
10.37536/ECOZONA.2010.1.2.369
Ecozon@: European Journal of Literature, Culture and Environment; Bd. 1 Nr. 2 (2010): Greening Across Borders
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 No. 2 (2010): Greening Across Borders
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 Núm. 2 (2010): Greening Across Borders
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 No. 2 (2010): Greening Across Borders
Ecozon@: European Journal of Literature, Culture and Environment; V. 1 N. 2 (2010): Greening Across Borders
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https://ecozona.eu/article/view/369/364
https://ecozona.eu/article/view/369/365
Copyright (c) 2016 Ecozon@: European Journal of Literature, Culture and Environment
oai:ojs.revistas.proeditio.com:article/370
2020-03-30T09:51:12Z
ecozona:VA
Drink cans
Darwell, John
Drink cans, River Petteril, From series '100 Yards, Or So'. 2003John Darwell is a much awarded, independent British photographer whose work expresses his interest in social and industrial change, concern for the environment, and the depiction of mental health. For almost three decades, his work has been exhibited and published widely, both nationally and internationally, including exhibitions in London, the USA, Mexico, South America and the Canary Islands. It is featured in a number of important collections including the National Museum of Media/Sun Life Collection in Bradford, the Victoria & Albert Museum, London and the Metropolitan Museum of Art, New York. His varied projects, that explore the external and internal landscapes of the contemporary world, include a trilogy on notorious sites marked by nuclear destruction or nuclear pollution (e.g. Hiroshima, Sellafield, Chernobyl); projects that evoke changes in the industrial landscapes (Manchester and Stockport clothing industry, Port of Liverpool, Manchester Docks); projects on the impact of foot and mouth disease in North Cumbria, the experience of depression, and the work of Kurt Schwitters. John Darwell also holds a position as a lecturer at the University of Bolton and the Cumbria Institute of the Arts. See http://www.johndarwell.com
Universidad de Alcalá
2010-11-06
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
application/pdf
https://ecozona.eu/article/view/370
10.37536/ECOZONA.2010.1.2.370
Ecozon@: European Journal of Literature, Culture and Environment; Bd. 1 Nr. 2 (2010): Greening Across Borders
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 No. 2 (2010): Greening Across Borders
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 Núm. 2 (2010): Greening Across Borders
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 No. 2 (2010): Greening Across Borders
Ecozon@: European Journal of Literature, Culture and Environment; V. 1 N. 2 (2010): Greening Across Borders
2171-9594
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eng
https://ecozona.eu/article/view/370/366
https://ecozona.eu/article/view/370/367
Copyright (c) 2016 Ecozon@: European Journal of Literature, Culture and Environment
oai:ojs.revistas.proeditio.com:article/371
2020-03-30T09:50:44Z
ecozona:VA
Mermaid's Mattress
Darwell, John
Mermaid's Mattress, River Eden. From series 'Borderland' 1993John Darwell
Universidad de Alcalá
2010-11-06
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
https://ecozona.eu/article/view/371
10.37536/ECOZONA.2010.1.2.371
Ecozon@: European Journal of Literature, Culture and Environment; Bd. 1 Nr. 2 (2010): Greening Across Borders
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 No. 2 (2010): Greening Across Borders
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 Núm. 2 (2010): Greening Across Borders
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 No. 2 (2010): Greening Across Borders
Ecozon@: European Journal of Literature, Culture and Environment; V. 1 N. 2 (2010): Greening Across Borders
2171-9594
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eng
https://ecozona.eu/article/view/371/368
Copyright (c) 2016 Ecozon@: European Journal of Literature, Culture and Environment
oai:ojs.revistas.proeditio.com:article/372
2020-03-30T09:50:16Z
ecozona:VA
Floating leaves
Darwell, John
Floating leaves. From series 'Borderland' 1993
Universidad de Alcalá
2010-11-06
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
https://ecozona.eu/article/view/372
10.37536/ECOZONA.2010.1.2.372
Ecozon@: European Journal of Literature, Culture and Environment; Bd. 1 Nr. 2 (2010): Greening Across Borders
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 No. 2 (2010): Greening Across Borders
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 Núm. 2 (2010): Greening Across Borders
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 No. 2 (2010): Greening Across Borders
Ecozon@: European Journal of Literature, Culture and Environment; V. 1 N. 2 (2010): Greening Across Borders
2171-9594
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https://ecozona.eu/article/view/372/369
Copyright (c) 2016 Ecozon@: European Journal of Literature, Culture and Environment
oai:ojs.revistas.proeditio.com:article/373
2020-03-30T09:45:10Z
ecozona:VA
Intersection of Rivers Caldew and Eden
Darwell, John
Intersection of Rivers Caldew and Eden. From series 'Borderland' 1993 John Darwell is a much awarded, independent British photographer whose work expresses his interest in social and industrial change, concern for the environment, and the depiction of mental health. For almost three decades, his work has been exhibited and published widely, both nationally and internationally, including exhibitions in London, the USA, Mexico, South America and the Canary Islands. It is featured in a number of important collections including the National Museum of Media/Sun Life Collection in Bradford, the Victoria & Albert Museum, London and the Metropolitan Museum of Art, New York. His varied projects, that explore the external and internal landscapes of the contemporary world, include a trilogy on notorious sites marked by nuclear destruction or nuclear pollution (e.g. Hiroshima, Sellafield, Chernobyl); projects that evoke changes in the industrial landscapes (Manchester and Stockport clothing industry, Port of Liverpool, Manchester Docks); projects on the impact of foot and mouth disease in North Cumbria, the experience of depression, and the work of Kurt Schwitters. John Darwell also holds a position as a lecturer at the University of Bolton and the Cumbria Institute of the Arts. See http://www.johndarwell.com
Universidad de Alcalá
2010-11-06
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
https://ecozona.eu/article/view/373
10.37536/ECOZONA.2010.1.2.373
Ecozon@: European Journal of Literature, Culture and Environment; Bd. 1 Nr. 2 (2010): Greening Across Borders
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 No. 2 (2010): Greening Across Borders
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 Núm. 2 (2010): Greening Across Borders
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 No. 2 (2010): Greening Across Borders
Ecozon@: European Journal of Literature, Culture and Environment; V. 1 N. 2 (2010): Greening Across Borders
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https://ecozona.eu/article/view/373/370
Copyright (c) 2016 Ecozon@: European Journal of Literature, Culture and Environment
oai:ojs.revistas.proeditio.com:article/374
2020-03-30T09:40:58Z
ecozona:VA
Weed patterns
Darwell, John
Weed patterns. River Petteril. From series '100 Yards, Or So'. 2003
Universidad de Alcalá
2010-11-11
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
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application/vnd.openxmlformats-officedocument.wordprocessingml.document
https://ecozona.eu/article/view/374
10.37536/ECOZONA.2010.1.2.374
Ecozon@: European Journal of Literature, Culture and Environment; Bd. 1 Nr. 2 (2010): Greening Across Borders
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 No. 2 (2010): Greening Across Borders
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 Núm. 2 (2010): Greening Across Borders
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 No. 2 (2010): Greening Across Borders
Ecozon@: European Journal of Literature, Culture and Environment; V. 1 N. 2 (2010): Greening Across Borders
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https://ecozona.eu/article/view/374/371
https://ecozona.eu/article/view/374/3350
Copyright (c) 2016 Ecozon@: European Journal of Literature, Culture and Environment
oai:ojs.revistas.proeditio.com:article/375
2020-03-30T09:44:42Z
ecozona:BR
Book Review of Words on Water: Literary and Cultural Representations by Maureen Devine and Christa Grewe-Volpp (eds.)
Alves, Isabel Maria Fernandes
Book Review of Words on Water: Literary and Cultural Representations by Maureen Devine and Christa Grewe-Volpp (eds.)
Universidad de Alcalá
2010-11-06
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Non-refereed Book Review
application/pdf
https://ecozona.eu/article/view/375
10.37536/ECOZONA.2010.1.2.375
Ecozon@: European Journal of Literature, Culture and Environment; Bd. 1 Nr. 2 (2010): Greening Across Borders
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 No. 2 (2010): Greening Across Borders
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 Núm. 2 (2010): Greening Across Borders
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 No. 2 (2010): Greening Across Borders
Ecozon@: European Journal of Literature, Culture and Environment; V. 1 N. 2 (2010): Greening Across Borders
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https://ecozona.eu/article/view/375/372
Copyright (c) 2016 Ecozon@: European Journal of Literature, Culture and Environment
oai:ojs.revistas.proeditio.com:article/376
2020-03-30T09:44:14Z
ecozona:BR
Book Review of Sense of Place and Sense of Planet by Ursula K. Heise
Bartosch, Roman
Book Review of Sense of Place and Sense of Planet by Ursula K. Heise
Universidad de Alcalá
2010-11-06
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Non-refereed Book Review
application/pdf
https://ecozona.eu/article/view/376
10.37536/ECOZONA.2010.1.2.376
Ecozon@: European Journal of Literature, Culture and Environment; Bd. 1 Nr. 2 (2010): Greening Across Borders
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 No. 2 (2010): Greening Across Borders
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 Núm. 2 (2010): Greening Across Borders
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 No. 2 (2010): Greening Across Borders
Ecozon@: European Journal of Literature, Culture and Environment; V. 1 N. 2 (2010): Greening Across Borders
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https://ecozona.eu/article/view/376/373
Copyright (c) 2016 Ecozon@: European Journal of Literature, Culture and Environment
oai:ojs.revistas.proeditio.com:article/377
2020-03-30T09:41:26Z
ecozona:BR
Book Review of Ecologia Letteraria by Serenella Iovino
Carretero Gonzalez, Margarita
Book Review of Ecologia Letteraria by Serenella Iovino
Universidad de Alcalá
2010-11-07
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Non-refereed Book Review
application/pdf
https://ecozona.eu/article/view/377
10.37536/ECOZONA.2010.1.2.377
Ecozon@: European Journal of Literature, Culture and Environment; Bd. 1 Nr. 2 (2010): Greening Across Borders
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 No. 2 (2010): Greening Across Borders
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 Núm. 2 (2010): Greening Across Borders
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 No. 2 (2010): Greening Across Borders
Ecozon@: European Journal of Literature, Culture and Environment; V. 1 N. 2 (2010): Greening Across Borders
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https://ecozona.eu/article/view/377/374
Copyright (c) 2016 Ecozon@: European Journal of Literature, Culture and Environment
oai:ojs.revistas.proeditio.com:article/378
2020-03-30T09:43:46Z
ecozona:BR
Book Review of Reading and Writing the Latin American Landscape by Beatriz Rivera-Barnes & Jerry Hoeg
Book Review: Reading and Writing the Latin American Landscape by Rivera-Barnes Beatriz & Jerry Hoeg
Diego Sánchez, Jorge
Book Review of Reading and Writing the Latin American Landscape by Beatriz Rivera-Barnes & Jerry Hoeg
Universidad de Alcalá
2010-11-06
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Non-refereed Book Review
application/pdf
application/pdf
https://ecozona.eu/article/view/378
10.37536/ECOZONA.2010.1.2.378
Ecozon@: European Journal of Literature, Culture and Environment; Bd. 1 Nr. 2 (2010): Greening Across Borders
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 No. 2 (2010): Greening Across Borders
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 Núm. 2 (2010): Greening Across Borders
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 No. 2 (2010): Greening Across Borders
Ecozon@: European Journal of Literature, Culture and Environment; V. 1 N. 2 (2010): Greening Across Borders
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spa
eng
https://ecozona.eu/article/view/378/375
https://ecozona.eu/article/view/378/376
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oai:ojs.revistas.proeditio.com:article/379
2020-03-30T09:43:18Z
ecozona:BR
Book Review of The Poetics and Politics of the Desert by Catrin Gersdorf
Edlich, Micha Gerrit Philipp
Gersdorf
Catrin
desert
review
Book Review of The Poetics and Politics of the Desert by Catrin Gersdorf
Universidad de Alcalá
2010-11-06
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Non-refereed Book Review
application/pdf
https://ecozona.eu/article/view/379
10.37536/ECOZONA.2010.1.2.379
Ecozon@: European Journal of Literature, Culture and Environment; Bd. 1 Nr. 2 (2010): Greening Across Borders
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 No. 2 (2010): Greening Across Borders
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 Núm. 2 (2010): Greening Across Borders
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 No. 2 (2010): Greening Across Borders
Ecozon@: European Journal of Literature, Culture and Environment; V. 1 N. 2 (2010): Greening Across Borders
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https://ecozona.eu/article/view/379/377
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oai:ojs.revistas.proeditio.com:article/380
2020-03-30T09:42:51Z
ecozona:BR
Book Review of Ecology of Literature by Stefan Hofer
Book Review of Die Ökologie der Literatur by Stefan Hofer
Jambon, Sabine
Book Review of Die Ökologie der Literatur by Stefan Hofer
Universidad de Alcalá
2010-11-06
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Non-refereed Book Review
application/pdf
application/pdf
https://ecozona.eu/article/view/380
10.37536/ECOZONA.2010.1.2.380
Ecozon@: European Journal of Literature, Culture and Environment; Bd. 1 Nr. 2 (2010): Greening Across Borders
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 No. 2 (2010): Greening Across Borders
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 Núm. 2 (2010): Greening Across Borders
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 No. 2 (2010): Greening Across Borders
Ecozon@: European Journal of Literature, Culture and Environment; V. 1 N. 2 (2010): Greening Across Borders
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deu
eng
https://ecozona.eu/article/view/380/378
https://ecozona.eu/article/view/380/379
Copyright (c) 2016 Ecozon@: European Journal of Literature, Culture and Environment
oai:ojs.revistas.proeditio.com:article/381
2020-03-30T09:42:23Z
ecozona:BR
Book Review of Philosophical Foundations for the Practice of Ecology by William A. Reiners and Jeffrey A. Lockwood
Hall, Chris
Book Review of Philosophical Foundations for the Practice of Ecology by William A. Reiners and Jeffrey A. Lockwood
Universidad de Alcalá
2010-11-06
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Non-refereed Book Review
application/pdf
https://ecozona.eu/article/view/381
10.37536/ECOZONA.2010.1.2.381
Ecozon@: European Journal of Literature, Culture and Environment; Bd. 1 Nr. 2 (2010): Greening Across Borders
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 No. 2 (2010): Greening Across Borders
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 Núm. 2 (2010): Greening Across Borders
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 No. 2 (2010): Greening Across Borders
Ecozon@: European Journal of Literature, Culture and Environment; V. 1 N. 2 (2010): Greening Across Borders
2171-9594
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10.37536/ECOZONA.2010.1.2
eng
https://ecozona.eu/article/view/381/380
Copyright (c) 2016 Ecozon@: European Journal of Literature, Culture and Environment
oai:ojs.revistas.proeditio.com:article/382
2020-03-30T09:41:54Z
ecozona:BR
Book Review of The Balance of Nature: Ecology's Enduring Myth by John Kricher
Payne, Tonia L.
Book Review of The Balance of Nature: Ecology's Enduring Myth by John Kricher
Universidad de Alcalá
2010-11-06
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Non-refereed Book Review
application/pdf
https://ecozona.eu/article/view/382
10.37536/ECOZONA.2010.1.2.382
Ecozon@: European Journal of Literature, Culture and Environment; Bd. 1 Nr. 2 (2010): Greening Across Borders
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 No. 2 (2010): Greening Across Borders
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 Núm. 2 (2010): Greening Across Borders
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 No. 2 (2010): Greening Across Borders
Ecozon@: European Journal of Literature, Culture and Environment; V. 1 N. 2 (2010): Greening Across Borders
2171-9594
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eng
https://ecozona.eu/article/view/382/381
Copyright (c) 2016 Ecozon@: European Journal of Literature, Culture and Environment
oai:ojs.revistas.proeditio.com:article/383
2020-03-30T09:40:29Z
ecozona:BR
Book review of Beyond Environmentalism: A Philosophy of Nature by Jeffrey E. Foss
Pickard, Richard William
Environmentalism
Book review of Beyond Environmentalism. A Philosophy of Nature by Jeffrey E. Foss
Universidad de Alcalá
2010-11-13
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Non-refereed Book Review
application/pdf
https://ecozona.eu/article/view/383
10.37536/ECOZONA.2010.1.2.383
Ecozon@: European Journal of Literature, Culture and Environment; Bd. 1 Nr. 2 (2010): Greening Across Borders
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 No. 2 (2010): Greening Across Borders
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 Núm. 2 (2010): Greening Across Borders
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 No. 2 (2010): Greening Across Borders
Ecozon@: European Journal of Literature, Culture and Environment; V. 1 N. 2 (2010): Greening Across Borders
2171-9594
2171-9594
10.37536/ECOZONA.2010.1.2
eng
https://ecozona.eu/article/view/383/382
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oai:ojs.revistas.proeditio.com:article/384
2020-04-20T09:14:55Z
ecozona:CRE
Credits
Managing Editor
Credits Vol. 1.no 2
Universidad de Alcalá
2010-11-22
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
https://ecozona.eu/article/view/384
10.37536/ECOZONA.2010.1.2.384
Ecozon@: European Journal of Literature, Culture and Environment; Bd. 1 Nr. 2 (2010): Greening Across Borders
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 No. 2 (2010): Greening Across Borders
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 Núm. 2 (2010): Greening Across Borders
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 1 No. 2 (2010): Greening Across Borders
Ecozon@: European Journal of Literature, Culture and Environment; V. 1 N. 2 (2010): Greening Across Borders
2171-9594
2171-9594
10.37536/ECOZONA.2010.1.2
eng
https://ecozona.eu/article/view/384/383
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oai:ojs.revistas.proeditio.com:article/385
2020-03-30T11:11:26Z
ecozona:EDIT
Editorial, Vol. 2, No. 1
Goodbody, Axel
Editorial, Vol. 2, No.1
Universidad de Alcalá
2011-05-21
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
https://ecozona.eu/article/view/385
10.37536/ECOZONA.2011.2.1.385
Ecozon@: European Journal of Literature, Culture and Environment; Bd. 2 Nr. 1 (2011): Literary Landscapes and the National Imaginary
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 2 No. 1 (2011): Literary Landscapes and the National Imaginary
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 2 Núm. 1 (2011): Literary Landscapes and the National Imaginary
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 2 No. 1 (2011): Literary Landscapes and the National Imaginary
Ecozon@: European Journal of Literature, Culture and Environment; V. 2 N. 1 (2011): Literary Landscapes and the National Imaginary
2171-9594
2171-9594
10.37536/ECOZONA.2011.2.1
eng
https://ecozona.eu/article/view/385/384
Copyright (c) 2016 Ecozon@: European Journal of Literature, Culture and Environment
oai:ojs.revistas.proeditio.com:article/386
2020-03-30T11:10:58Z
ecozona:GES2.1
Guest Editor Introduction
Marrero Henríquez, José Manuel
Literary Landscape
National Imaginaries
Literary Landscapes and the National Imaginary
Literary Landscapes and the National Imaginary
Universidad de Alcalá
2011-05-21
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
https://ecozona.eu/article/view/386
10.37536/ECOZONA.2011.2.1.386
Ecozon@: European Journal of Literature, Culture and Environment; Bd. 2 Nr. 1 (2011): Literary Landscapes and the National Imaginary
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 2 No. 1 (2011): Literary Landscapes and the National Imaginary
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 2 Núm. 1 (2011): Literary Landscapes and the National Imaginary
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 2 No. 1 (2011): Literary Landscapes and the National Imaginary
Ecozon@: European Journal of Literature, Culture and Environment; V. 2 N. 1 (2011): Literary Landscapes and the National Imaginary
2171-9594
2171-9594
10.37536/ECOZONA.2011.2.1
eng
https://ecozona.eu/article/view/386/385
Copyright (c) 2016 Ecozon@: European Journal of Literature, Culture and Environment
oai:ojs.revistas.proeditio.com:article/387
2020-03-30T11:10:29Z
ecozona:GES2.1
Nacionalizar la naturaleza. Ciencias naturales y discursos nacionalistas en la España del regeneracionismo
Casado de Otaola, Santos
Nationalism
Spain
Geology
Regeneracionismo
Lucas Mallada
Eduardo Hernández-Pacheco
Nation and Nature
The intertwining of science and literature is a prominent feature of those nationalistic discourses, spanning the turn-of-the-century decades from approximately 1870 to 1930, that have become regarded as typical of Spanish regeneracionismo. Naturalists, such as geologist and mining engineer, Lucas Mallada, or geographer and geologist, Eduardo Hernández-Pacheco, tapped into the intellectual authority of science in order to provide new narratives of Spanish nature as the ultimate source of both national identity and national prosperity. First, if Spaniards were to have a realistic account of the opportunities and obstacles involved in their millenary relationship with a rich and diverse, but nonetheless rugged and harsh, natural environment, a full scientific survey of the Spanish territory was in order. Second, inspirations for a renewed and strengthened national identity could be derived from a re-examination of Spanish nature. In the midst of a particularly acute fin-de-siècle crisis, many intellectuals turned towards the natural landscape as a source of healing and regeneration, hoping to rejuvenate a deep, ages-old, organic relationship between the Spanish people and Iberian nature. Ciencia y literatura aparecen entrelazadas en los discursos nacionalistas que caracterizan la política y la cultura españolas del regeneracionismo, a lo largo del prolongado cambio de siglo que va desde la década de 1870 a la de 1930. Naturalistas como el geólogo e ingeniero de minas Lucas Mallada o el geógrafo y geólogo Eduardo Hernández-Pacheco recurrieron a la autoridad de la ciencia para ofrecer nuevas narrativas acerca de la naturaleza española en las que esta se presentaba como la fuente última de la identidad y la prosperidad nacionales. En primer lugar, se imponía acometer un reconocimiento científico del territorio español que proporcionase una base de conocimiento realista sobre las oportunidades y los obstáculos que los españoles hallaban en su milenaria relación con su medio natural, que si bien ofrecía riqueza y diversidad no dejaba al tiempo de ser considerablemente áspero y bravío. En segundo lugar, un retorno a la propia naturaleza prometía ser fuente de inspiración para una renovada y reforzada identidad nacional. Sumidos en una crisis finisecular que se dejó sentir en España con particular intensidad, muchos intelectuales se volvieron hacia el paisaje natural como fuente de curación y regeneración, en la esperanza de reverdecer una profunda, milenaria y orgánica relación del pueblo español con su solar natural.
Universidad de Alcalá
2011-05-21
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
application/pdf
https://ecozona.eu/article/view/387
10.37536/ECOZONA.2011.2.1.387
Ecozon@: European Journal of Literature, Culture and Environment; Bd. 2 Nr. 1 (2011): Literary Landscapes and the National Imaginary
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 2 No. 1 (2011): Literary Landscapes and the National Imaginary
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 2 Núm. 1 (2011): Literary Landscapes and the National Imaginary
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 2 No. 1 (2011): Literary Landscapes and the National Imaginary
Ecozon@: European Journal of Literature, Culture and Environment; V. 2 N. 1 (2011): Literary Landscapes and the National Imaginary
2171-9594
2171-9594
10.37536/ECOZONA.2011.2.1
eng
https://ecozona.eu/article/view/387/386
https://ecozona.eu/article/view/387/387
Copyright (c) 2016 Ecozon@: European Journal of Literature, Culture and Environment
oai:ojs.revistas.proeditio.com:article/388
2020-03-30T11:10:00Z
ecozona:GES2.1
Stone Metaphors about a Village: a “Stone Vessel” or “The Most Portuguese”?
Queiroz, Ana Isabel
Carrilho, João
literary landscape
national identity
neo-realism
Abstract This article focuses on the literary landscape of Monsanto. It confronts the discourse produced by the writer, Fernando Namora (1819-1989)—a pioneer of the Neo-Realistic literature in Portugal—and the literary production of other contemporary authors related with the ideological bases of “Estado Novo” (“New State”), the dictatorial regime that held the government in Portugal from 1933 to 1974. In the writings analysed, the representation of the landscapes of Monsanto entails powerful ideological messages. For Namora, the village was a “stone vessel,” a metaphor about the hard life of its inhabitants, victims of social injustices and lacking of resources. For the “Estado Novo,” that place was the symbol of the national identity (“the most Portuguese village,” as was stated in 1938). The metaphors of the stone, the strong substrata and the raw material used for shelters, stressed the value of preservation of Tradition, History, Religion and Work. Although very different, both discourses attach great value to the productive and dominated rural landscape of Monsanto, and to the human role in the transformation of its soil. At the present time, even if population has decreased drastically and agriculture has been abandoned, local authorities and tourist agents alike try to conciliate the “stone vessel” with “the most Portuguese village.” In this context, the options for the management and valorisation of the landscape of Monsanto shall be discussed. Resumen En este artículo se reflexiona sobre el paisaje literario de Monsanto, confrontando el discurso producido por el escritor Fernando Namora (1919-1989), precursor de la literatura neo-realista en Portugal, con el de otros autores contemporáneos, asociados directa o indirectamente a las bases ideológicas del “Estado Novo” (“Estado Nuevo”), el régimen dictatorial de Portugal que se extendió desde 1933 hasta 1974. En las obras analizadas, las representaciones del paisaje de Monsanto encierran poderosos mensajes ideológicos. Según Namora, el pueblo era una “nave de piedra”, metáfora de la dureza de la vida de los aldeanos, víctimas de las injusticias sociales y de la escasez de recursos. Para el “Estado Novo”, era un símbolo de la identidad nacional (“el pueblo más portugués”, tal y como quedó formulado en 1938); la metáfora de la roca, el substrato firme y la materia prima usados para el abrigo de la población, contribuían a la conservación de los valores de la Tradición, de la Historia, de la Religión y del Trabajo. Aunque distintos, ambos discursos valoran el paisaje agrícola, dominado y hecho productivo, y el rol de la población en el proceso de transformación del territorio. En la actualidad, pese al fuerte menguar de la población y al abandono de la agricultura, las autoridades locales y los agentes turísticos asumen un paisaje de referencia e intentan conciliar la “nave de piedra” con “el pueblo más portugués”. En este contexto, se debaten las opciones de gestión y valoración del paisaje de Monsanto.
Universidad de Alcalá
2011-05-21
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
application/pdf
https://ecozona.eu/article/view/388
10.37536/ECOZONA.2011.2.1.388
Ecozon@: European Journal of Literature, Culture and Environment; Bd. 2 Nr. 1 (2011): Literary Landscapes and the National Imaginary
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 2 No. 1 (2011): Literary Landscapes and the National Imaginary
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 2 Núm. 1 (2011): Literary Landscapes and the National Imaginary
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 2 No. 1 (2011): Literary Landscapes and the National Imaginary
Ecozon@: European Journal of Literature, Culture and Environment; V. 2 N. 1 (2011): Literary Landscapes and the National Imaginary
2171-9594
2171-9594
10.37536/ECOZONA.2011.2.1
eng
https://ecozona.eu/article/view/388/388
https://ecozona.eu/article/view/388/389
Copyright (c) 2016 Ecozon@: European Journal of Literature, Culture and Environment
oai:ojs.revistas.proeditio.com:article/389
2020-03-30T11:09:32Z
ecozona:GES2.1
Contemporary Ideas in a Traditional Mind-Set: The Nature Conservation Movement in Post War West-Germany (1945-1960)
Conservación de la naturaleza, conceptos de 'Heimat', y el mito de los bosques alemanes en Alemania Occidental 1945-1960
Kirchhof, Astrid Mignon
West-Germany
Heimat
forest
post-war
nature conservation
Alemania Occidental
heimat
bosque
post-guerra
conservacion de la naturaleza
In winter 1947 the Association for the Protection of the German Forest was founded to prevent the eradication of the forest across Germany after suffering wartime destruction, overuse and firewood logging. Especially the occupying forces faced harsh criticism from the German people for their widespread deforestation even though it seems that the Allied Powers used the wood resources quite responsibly. This article argues that the uproar by nature conservationists, politicians and “normal people” reflected a German sense of powerlessness, and revealed images and convictions of the forest as a national symbol that was supposedly endangered in post-war Germany. These post-war discussions referred back to the discourse of the 19th century, when German intellectuals declared the forest to be the myth of the German people and developed a notion of “Heimat” that saw a close connection between nation and nature. The post-war discussions involved many of those images and convictions. Nevertheless, the discussions were not only retrospective: they also reacted to the contemporary political situation and adapted their answers and solutions accordingly. En el invierno de 1947, se fundó la Asociación para la Protección de los Bosques Alemanes para prevenir la destrucción de los bosques en Alemania después de la guerra, la sobre-explotación y la extracción de leña. Especialmente las fuerzas de ocupación fueron duramente criticadas por el pueblo alemán por la deforestación que causaban, a pesar de que, al parecer, las autoridades alidas explotaban los recursos de madera responsablemente. El presente artículo postula que las quejas de los ambientalistas, políticos y “gente de a pie“ indicaban que el pueblo alemán se sentía impotente y sacaba a relucir imágenes e ideas de los bosques en tanto símbolos nacionales supuestamente en peligro en la Alemania de la posguerra. Estas discusiones de la posguerra reflejaban los discursos del siglo XIX con que los intelectuales alemanes elevaron los bosques a la categoría de mito representativo del pueblo alemán y desarrollaron en la idea de “Heimat” [“Patria”] una íntima conexión entre nación y naturaleza. Las discusiones de la posguerra trataron de muchas de esas imágenes e ideas decimonónicas pero no se limitaron a tener de ellas una mera visión retrospectiva, pues hicieron que respondieran a la situación política del momento y aportaran soluciones de acuerdo a la nueva coyuntura.
En el invierno de 1947, se fundó la Asociación para la Protección de los Bosques Alemanes para prevenir la destrucción de los bosques en Alemania después de la guerra, la sobre-explotación, y extracción de leña. Especialmente, las fuerzas de ocupación fueron duramente criticadas por el pueblo alemán por la deforestación que hacían por todas partes, a pesar de que, al parecer, las autoridades de los aliados explotaban los recursos de madera responsablemente. El presente artículo postula que las quejas de los ambientalistas, políticos, y ‘gente normal’ indicaban que el pueblo alemán se sentía impotente, mostrando imágenes e ideas de los bosques como símbolos nacionales, supuestamente puestos en peligro en la Alemania de la post-guerra.Estas discusiones de la post-guerra recordaban los discursos del siglo 19, cuando los intelectuales alemanes declararon que los bosques fueron el mito del pueblo alemán, desarrollándose la idea de ‘Heimat’ que implicaba una estrecha conexión entre nación y naturaleza. Las discusiones de la post-guerra trataban de muchas de esas imágenes e ideas. Sin embargo, las discusiones no solamente fueron retrospectivas: también reaccionaban a la situación política contemporánea y adaptaban sus respuestas y soluciones de acuerdo con ella.
Universidad de Alcalá
2011-05-21
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
application/pdf
https://ecozona.eu/article/view/389
10.37536/ECOZONA.2011.2.1.389
Ecozon@: European Journal of Literature, Culture and Environment; Bd. 2 Nr. 1 (2011): Literary Landscapes and the National Imaginary
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 2 No. 1 (2011): Literary Landscapes and the National Imaginary
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 2 Núm. 1 (2011): Literary Landscapes and the National Imaginary
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 2 No. 1 (2011): Literary Landscapes and the National Imaginary
Ecozon@: European Journal of Literature, Culture and Environment; V. 2 N. 1 (2011): Literary Landscapes and the National Imaginary
2171-9594
2171-9594
10.37536/ECOZONA.2011.2.1
eng
https://ecozona.eu/article/view/389/390
https://ecozona.eu/article/view/389/391
Copyright (c) 2016 Ecozon@: European Journal of Literature, Culture and Environment
oai:ojs.revistas.proeditio.com:article/390
2020-03-30T11:12:52Z
ecozona:GES2.1
The case of W.B. Yeats: Mind, Nation and Literary Landscape
Rowley, Rosemarie
Yeats
Mind
Platonism
Landscape
Nation
Occult
Eco Literature
The emergence of the nation states was one of the fruits of Romanticism, and each reborn country needed to rediscover its identity: in Ireland, identity was very much tied to the landscape and what remained of the Irish language, place-names playing a special role in the evocation of national desires. A study of these key texts of Yeats’ shows how his dedication to the life of the mind mirrored the loss of contact with the natural world. This is true of its landscapes and its mythological figures. I hope to show that in an early poem “The Song of Wandering Aengus” that in developing an antithetical self, Yeats was at significant times not only opposed to Nature intellectually and spiritually, but also emotionally. The privileging of the life of the mind over the animal self has played in his own life and in his influence what may have been a costly division. La aparición de los estados nación fue uno de los frutos del Romanticismo, y cada país que renacía necesitaba redescubrir su identidad. En Irlanda, la identidad estaba muy ligada al paisaje y a lo que quedaba de la lengua irlandesa, por ello los topónimos desempeñaron un papel especial en la evocación de deseos nacionales. Un análisis de estos textos clave de Yeats muestra cómo su dedicación a la vida de la mente reflejaba la pérdida de contacto con el mundo natural. Esto es cierto en el caso de los paisajes y las figuras mitológicas. Espero mostrar que en uno de sus primeros poemas “La canción de Aengus el Errante” al desarrollar un ser antitético, en momentos significativos Yeats estaba no sólo opuesto a la Naturaleza intelectual y espiritualmente, sino también emocionalmente. Privilegiar la vida de la mente sobre el ser animal ha jugado en su propia vida y en su influencia lo que podría haber sido una división costosa.
Universidad de Alcalá
2011-05-14
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
application/pdf
application/msword
application/msword
https://ecozona.eu/article/view/390
10.37536/ECOZONA.2011.2.1.390
Ecozon@: European Journal of Literature, Culture and Environment; Bd. 2 Nr. 1 (2011): Literary Landscapes and the National Imaginary
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 2 No. 1 (2011): Literary Landscapes and the National Imaginary
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 2 Núm. 1 (2011): Literary Landscapes and the National Imaginary
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 2 No. 1 (2011): Literary Landscapes and the National Imaginary
Ecozon@: European Journal of Literature, Culture and Environment; V. 2 N. 1 (2011): Literary Landscapes and the National Imaginary
2171-9594
2171-9594
10.37536/ECOZONA.2011.2.1
eng
https://ecozona.eu/article/view/390/392
https://ecozona.eu/article/view/390/393
https://ecozona.eu/article/view/390/3351
https://ecozona.eu/article/view/390/3352
Copyright (c) 2016 Ecozon@: European Journal of Literature, Culture and Environment
oai:ojs.revistas.proeditio.com:article/391
2020-03-30T11:09:03Z
ecozona:GES2.1
A Saga for Dinner: Landscape and Nationality in Icelandic Literature
Hennig, Reinhard
Iceland
landscape perception
nationalism
medieval literature
environmental literature / Islandia
percepción del paisaje
nacionalismo
literatura medieval
literatura ambiental
Iceland’s attempted industrialisation through an expansion of hydropower and aluminium smelters can lead to a significant reshaping of the country’s landscapes. There has been considerable resistance against such plans since the 1970s, culminating in the debate about the Kárahnjúkar project between 2001 and 2006. The book Draumalandið. Sjálfshjálparbók handa hræddri þjóð [Dreamland. A Self-Help Manual for a Frightened Nation] by the writer Andri Snær Magnason has been particularly influential. It combines ecological consciousness with an appreciation of Iceland‘s literary tradition and history. Thus it displays a view of landscape which connects nature preservation closely to cultural achievements and to national sovereignty. This perception of landscape originates from the assumption that Iceland experienced a golden age from the beginning of colonisation in the Viking age until the subordination under the Norwegian and later Danish kings in the 13th century, which led to an all-embracing degeneration. Nationalist poets such as Jónas Hallgrímsson in the 19th century based their demands for independence on Iceland‘s medieval saga literature and the country‘s landscapes. These seemed to provide evidence for a high culture in unity with nature during the time of the Commonwealth. Although the historical reliability of the sagas is doubtful, they are still used as an important argument in Draumalandið. Now the narratives as such are put in the foreground, as they can give value and meaning to the landscapes and places they describe. Thus a turn from a realistic to a more constructivist perception of landscape can be observed in contemporary Icelandic environmental literature. El intento de Islandia por industrializarse a través de la expansión hidroeléctrica y fundiciones de aluminio puede llevar a la reestructuración significativa del paisaje nacional. Existe una resistencia considerable a estos planes desde los 70`, culminando entre el 2001 y 2006 en el debate sobre el proyecto Kárahnjúkar. El libro Draumalandið. Sjálfshjálparbók handa hræddri þjóð [País de sueños. Un manual de autoayuda para una nación temerosa] del escritor Andri Snær Magnason ha sido particularmente influyente. El libro combina conciencia ecológica con una apreciación histórica y tradicional islandesa, presentando una mirada paisajística que conecta de forma cercana la preservación de la naturaleza con logros culturales y soberanía nacional. La percepción de paisaje se origina a partir del supuesto de que Islandia experimentó una edad de oro desde el comienzo de la colonización, en la época vikinga, hasta la subordinación bajo los reinos noruegos y daneses (siglo XIII), la que llevó a una envolvente degeneración. Poetas nacionalistas como Jónas Hallgrímsson (siglo XIX), basaron sus demandas independencistas en las sagas medievales y en los paisajes del país. Esto proporcionó evidencia de una cultura unida con la naturaleza durante el “Commonwealth”. Aunque la fiabilidad histórica de las sagas es dudosa, aún son usadas como un importante argumento en Draumalandið. Actualmente las narraciones como esta pueden dar valor y sentido al paisaje y los lugares que se describen. En este contexto, en la literatura ambiental islandesa contemporánea se observa la existencia de un giro desde una percepción realista del paisaje a una más constructiva.
Universidad de Alcalá
2011-05-21
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
application/pdf
application/msword
https://ecozona.eu/article/view/391
10.37536/ECOZONA.2011.2.1.391
Ecozon@: European Journal of Literature, Culture and Environment; Bd. 2 Nr. 1 (2011): Literary Landscapes and the National Imaginary
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 2 No. 1 (2011): Literary Landscapes and the National Imaginary
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 2 Núm. 1 (2011): Literary Landscapes and the National Imaginary
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 2 No. 1 (2011): Literary Landscapes and the National Imaginary
Ecozon@: European Journal of Literature, Culture and Environment; V. 2 N. 1 (2011): Literary Landscapes and the National Imaginary
2171-9594
2171-9594
10.37536/ECOZONA.2011.2.1
eng
https://ecozona.eu/article/view/391/394
https://ecozona.eu/article/view/391/395
https://ecozona.eu/article/view/391/3353
Copyright (c) 2016 Ecozon@: European Journal of Literature, Culture and Environment
oai:ojs.revistas.proeditio.com:article/392
2020-03-30T11:12:23Z
ecozona:GS2.1.
Interview with Axel Goodbody
Sanz Alonso, Irene
Interview with Axel Goodbody about ecocriticism in Europe and EASLCE. Entrevista con Axel Goodbody sobre la ecocrítica en Europa y sobre EASLCE.
Universidad de Alcalá
2011-05-16
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
application/pdf
https://ecozona.eu/article/view/392
10.37536/ECOZONA.2011.2.1.392
Ecozon@: European Journal of Literature, Culture and Environment; Bd. 2 Nr. 1 (2011): Literary Landscapes and the National Imaginary
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 2 No. 1 (2011): Literary Landscapes and the National Imaginary
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 2 Núm. 1 (2011): Literary Landscapes and the National Imaginary
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 2 No. 1 (2011): Literary Landscapes and the National Imaginary
Ecozon@: European Journal of Literature, Culture and Environment; V. 2 N. 1 (2011): Literary Landscapes and the National Imaginary
2171-9594
2171-9594
10.37536/ECOZONA.2011.2.1
eng
https://ecozona.eu/article/view/392/396
https://ecozona.eu/article/view/392/397
Copyright (c) 2016 Ecozon@: European Journal of Literature, Culture and Environment
oai:ojs.revistas.proeditio.com:article/393
2020-03-30T11:13:48Z
ecozona:GS2.1.
El discurso ambiental en Osamu Tezuka
Martí Escayol, Maria Antonia
Discurso tóxico
Japón
Manga
Osamu Tezuka
ambientalismo
cultura pop
comic
Frecuentemente se destaca el compromiso hacia la naturaleza presente en las obras del mangaka Osamu Tezuka (1928-1989), sin embargo no existe todavía un estudio exhaustivo del concepto de naturaleza en su obra. El objetivo de este trabajo es evaluar el contenido ambiental en sus cómics y en sus guiones. Nos centramos en el contenido basado en la realidad coetánea del autor y, en concreto, se analiza el discurso tóxico en la ficción realista y en la ciencia ficción, y el cambio de actitud hacia la guerra y la protección medioambiental. Ecological awareness and environmental themes are often noted in writing on the mangaka Osamu Tezuka (1928-1989), but there is still no comprehensive study of the concept of nature in his work. This paper explores environmental content in Tezuka’s work, focusing on his treatment of contemporary reality, and assessing his contribution to toxic discourse in realist fiction and science fiction, and to changing attitudes towards war and environmental protection
Universidad de Alcalá
2011-05-06
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
application/pdf
https://ecozona.eu/article/view/393
10.37536/ECOZONA.2011.2.1.393
Ecozon@: European Journal of Literature, Culture and Environment; Bd. 2 Nr. 1 (2011): Literary Landscapes and the National Imaginary
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 2 No. 1 (2011): Literary Landscapes and the National Imaginary
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 2 Núm. 1 (2011): Literary Landscapes and the National Imaginary
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 2 No. 1 (2011): Literary Landscapes and the National Imaginary
Ecozon@: European Journal of Literature, Culture and Environment; V. 2 N. 1 (2011): Literary Landscapes and the National Imaginary
2171-9594
2171-9594
10.37536/ECOZONA.2011.2.1
eng
https://ecozona.eu/article/view/393/398
https://ecozona.eu/article/view/393/399
Copyright (c) 2016 Ecozon@: European Journal of Literature, Culture and Environment
oai:ojs.revistas.proeditio.com:article/394
2020-03-30T11:13:20Z
ecozona:GS2.1.
Dislocations and Ecologies. the Disruption of the Experience of London in Peter Ackroyd, Iain Sinclair and Gilbert & George
Pogossian, Tatiana
memory – identity – ecology – dislocation - experience
London exerts attraction and repulsion upon travellers, writers and artists alike. Its past is overshadowed by the never-ending process of change, yet a close investigation helps unveiling hidden parts of a collective memory. Peter Ackroyd, Iain Sinclair and Gilbert & George have explored the memory of London through the prism of cultural studies, psychogeography or contemporary art. London: The Biography by Peter Ackroyd, Lights Out for the Territory, London Orbital by Iain Sinclair and the 20 London E 1 Pictures by Gilbert & George may serve as a basis for retrieving fragile realms of memory. We may wonder whether these realms cannot be likened to « ecology of knowledge ». If ecology designates an environment regulated by specific rules and mechanisms, what do “ecologies of knowledge” refer to in the urban context? Besides, the nature of the relationship between the experience of London and the ecology of knowledge prompts questions. Does the experience of London dislocate the artistic universes created by Peter Ackroyd, Iain Sinclair and Gilbert & George? Or do the artistic works partake in the dislocation of urban experience? ?My contention in this paper is to unveil the ways in which the polymorphism of the city is translated into writerly and iconographic codes. As the understanding of the urban ecology keeps receding, similarly the works adopt process and metamorphosis as structuring principles. ?First, the destabilising exploration of London shall be assessed by its impact upon the physical experience, and the renegotiation of concepts such as body, empiricism, and the spirit of the place. Then, the frustrating exploration of London may be analysed through literary and artistic devices that echo the dislocation in the works. Eventually, these works will lead us to consider the dis-membering of the city body as the only means to the re-membering of London. Londres ejerce atracción y repulsión entre los viajeros, artistas y escritores. Su pasado, aunque ocultado por el proceso de cambio que caracteriza la ciudad, se deja domesticar, desvelando una memoria colectiva descuidada. Peter Ackroyd, Iain Siclair y Gilbert & George han registrado la memoria de Londres a través del prisma de estudios culturales de la psicogeografía o de las artes plásticas contemporáneas. London : The Biography de Peter Ackroyd, Lights Out For the Territory, London Orbital de Iain Sinclair y los 20 London E 1 Pictures de Gilbert & George sirven de punto de partida para la exploración de trozos de memoria que van desvaneciéndose. ¿Si la ecología designa un entorno regulado por mecanismos específicos, que mecanismo regula esta ecologia urbana ? En este artículo, analizaremos la dislocación de la ciudad y su codificación textual e iconográfica. Dado que la comprensión de la ecología urbana se revela problemática, las obras adoptan a su vez el proceso y la metamorfosis como principios estructurantes. ¿Como la ecologia urbana y los universos artisticos ecologia artistica interactuan : ¿la experiencia de Londres disloca los universos artísticos de Peter Ackroyd , Iain Sinclair et Gilbert & George? ¿O sus obras participan en la dislocación de la experiencia urbana? En primer lugar, la experiencia desestabilizante de Londres se valorará a partir de su impacto sobre la experiencia física, ajustando conceptos como el cuerpo, el empirismo o el alma del lugar. Luego, la exploración de Londres se analizará con procedimientos que imitan la dislocación. Por fin, el análisis del corpus nos llevará a contemplar el desmembramiento del cuerpo de la ciudad como único medio para encontrarse con la memoria evanescente de Londres..
Universidad de Alcalá
2011-05-06
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info:eu-repo/semantics/publishedVersion
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https://ecozona.eu/article/view/394
10.37536/ECOZONA.2011.2.1.394
Ecozon@: European Journal of Literature, Culture and Environment; Bd. 2 Nr. 1 (2011): Literary Landscapes and the National Imaginary
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 2 No. 1 (2011): Literary Landscapes and the National Imaginary
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 2 Núm. 1 (2011): Literary Landscapes and the National Imaginary
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 2 No. 1 (2011): Literary Landscapes and the National Imaginary
Ecozon@: European Journal of Literature, Culture and Environment; V. 2 N. 1 (2011): Literary Landscapes and the National Imaginary
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10.37536/ECOZONA.2011.2.1
eng
https://ecozona.eu/article/view/394/400
https://ecozona.eu/article/view/394/401
https://ecozona.eu/article/view/394/3354
Copyright (c) 2016 Ecozon@: European Journal of Literature, Culture and Environment
oai:ojs.revistas.proeditio.com:article/395
2020-03-30T11:41:18Z
ecozona:CRA
Einige Miniaturen and Prose Poems
Augustin, Michael
poetry
A series of prose poems, both in German and in English translation, and three drawings by the author. Una serie de poemas en prosa, en el original alemán y su traducción al inglés, junto a tres dibujos del autor.
Universidad de Alcalá
2011-06-10
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
https://ecozona.eu/article/view/395
10.37536/ECOZONA.2011.2.1.395
Ecozon@: European Journal of Literature, Culture and Environment; Bd. 2 Nr. 1 (2011): Literary Landscapes and the National Imaginary
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 2 No. 1 (2011): Literary Landscapes and the National Imaginary
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 2 Núm. 1 (2011): Literary Landscapes and the National Imaginary
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 2 No. 1 (2011): Literary Landscapes and the National Imaginary
Ecozon@: European Journal of Literature, Culture and Environment; V. 2 N. 1 (2011): Literary Landscapes and the National Imaginary
2171-9594
2171-9594
10.37536/ECOZONA.2011.2.1
eng
https://ecozona.eu/article/view/395/402
Copyright (c) 2016 Ecozon@: European Journal of Literature, Culture and Environment
oai:ojs.revistas.proeditio.com:article/396
2020-03-30T11:38:30Z
ecozona:CRA
Three Poems
Brink, Dean Anthony
poetry
ecopoetry
antiwar poetry
Poetry
This contribution contains three poems. Two -- "Bay Landscape" and "Waste" -- are about pollution, cancer, art and loss of one's mother. The third, "To You Who Have Been Invaded by America," is an antiwar poem. Esta contribución contiene tres poemas. Dos de ellos "Bay Landscape" y "Waste" - tratan de la polución, el cáncer, el arte y la pérdida de la madre. El tercero, "To You Who Have Been Invaded by America," es un poema antibélico.
Universidad de Alcalá
2011-03-23
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
https://ecozona.eu/article/view/396
10.37536/ECOZONA.2011.2.1.396
Ecozon@: European Journal of Literature, Culture and Environment; Bd. 2 Nr. 1 (2011): Literary Landscapes and the National Imaginary
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 2 No. 1 (2011): Literary Landscapes and the National Imaginary
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 2 Núm. 1 (2011): Literary Landscapes and the National Imaginary
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 2 No. 1 (2011): Literary Landscapes and the National Imaginary
Ecozon@: European Journal of Literature, Culture and Environment; V. 2 N. 1 (2011): Literary Landscapes and the National Imaginary
2171-9594
2171-9594
10.37536/ECOZONA.2011.2.1
eng
https://ecozona.eu/article/view/396/403
Copyright (c) 2016 Ecozon@: European Journal of Literature, Culture and Environment
oai:ojs.revistas.proeditio.com:article/397
2020-03-30T11:00:50Z
ecozona:CRA
Ecopoetry
Strang, Em
Ecopoetry
Universidad de Alcalá
2011-05-21
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
https://ecozona.eu/article/view/397
10.37536/ECOZONA.2011.2.1.397
Ecozon@: European Journal of Literature, Culture and Environment; Bd. 2 Nr. 1 (2011): Literary Landscapes and the National Imaginary
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 2 No. 1 (2011): Literary Landscapes and the National Imaginary
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 2 Núm. 1 (2011): Literary Landscapes and the National Imaginary
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 2 No. 1 (2011): Literary Landscapes and the National Imaginary
Ecozon@: European Journal of Literature, Culture and Environment; V. 2 N. 1 (2011): Literary Landscapes and the National Imaginary
2171-9594
2171-9594
10.37536/ECOZONA.2011.2.1
eng
https://ecozona.eu/article/view/397/404
Copyright (c) 2016 Ecozon@: European Journal of Literature, Culture and Environment
oai:ojs.revistas.proeditio.com:article/398
2020-03-30T11:40:49Z
ecozona:VA
Introduction: Marta De Menezes
Hoving, Isabel
De Menezes, Marta
bio art
art
science
Bio art
Introduction to Marta de Menezes' work
Universidad de Alcalá
2011-06-10
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
https://ecozona.eu/article/view/398
10.37536/ECOZONA.2011.2.1.398
Ecozon@: European Journal of Literature, Culture and Environment; Bd. 2 Nr. 1 (2011): Literary Landscapes and the National Imaginary
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 2 No. 1 (2011): Literary Landscapes and the National Imaginary
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 2 Núm. 1 (2011): Literary Landscapes and the National Imaginary
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 2 No. 1 (2011): Literary Landscapes and the National Imaginary
Ecozon@: European Journal of Literature, Culture and Environment; V. 2 N. 1 (2011): Literary Landscapes and the National Imaginary
2171-9594
2171-9594
10.37536/ECOZONA.2011.2.1
eng
https://ecozona.eu/article/view/398/405
Copyright (c) 2016 Ecozon@: European Journal of Literature, Culture and Environment
oai:ojs.revistas.proeditio.com:article/399
2020-03-30T11:00:22Z
ecozona:VA
In the Beginning there was Word 1
De Menezes, Marta
bio art
art
science
bio art
In the Beginning there was Word
Universidad de Alcalá
2011-05-21
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
https://ecozona.eu/article/view/399
10.37536/ECOZONA.2011.2.1.399
Ecozon@: European Journal of Literature, Culture and Environment; Bd. 2 Nr. 1 (2011): Literary Landscapes and the National Imaginary
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 2 No. 1 (2011): Literary Landscapes and the National Imaginary
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 2 Núm. 1 (2011): Literary Landscapes and the National Imaginary
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 2 No. 1 (2011): Literary Landscapes and the National Imaginary
Ecozon@: European Journal of Literature, Culture and Environment; V. 2 N. 1 (2011): Literary Landscapes and the National Imaginary
2171-9594
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10.37536/ECOZONA.2011.2.1
eng
https://ecozona.eu/article/view/399/406
Copyright (c) 2016 Ecozon@: European Journal of Literature, Culture and Environment
oai:ojs.revistas.proeditio.com:article/400
2020-03-30T11:40:22Z
ecozona:VA
In the Beginning there was Word 2
De Menezes, Marta
bio art
bio art
In the Beginning there was Word
Universidad de Alcalá
2011-06-10
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
https://ecozona.eu/article/view/400
10.37536/ECOZONA.2011.2.1.400
Ecozon@: European Journal of Literature, Culture and Environment; Bd. 2 Nr. 1 (2011): Literary Landscapes and the National Imaginary
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 2 No. 1 (2011): Literary Landscapes and the National Imaginary
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 2 Núm. 1 (2011): Literary Landscapes and the National Imaginary
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 2 No. 1 (2011): Literary Landscapes and the National Imaginary
Ecozon@: European Journal of Literature, Culture and Environment; V. 2 N. 1 (2011): Literary Landscapes and the National Imaginary
2171-9594
2171-9594
10.37536/ECOZONA.2011.2.1
eng
https://ecozona.eu/article/view/400/407
Copyright (c) 2016 Ecozon@: European Journal of Literature, Culture and Environment
oai:ojs.revistas.proeditio.com:article/401
2020-03-30T11:39:53Z
ecozona:VA
In the Beginning there was Word 3
De Menezes, Marta
bio art
art
science
bio art
In the Beginning there was Word
Universidad de Alcalá
2011-06-10
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
https://ecozona.eu/article/view/401
10.37536/ECOZONA.2011.2.1.401
Ecozon@: European Journal of Literature, Culture and Environment; Bd. 2 Nr. 1 (2011): Literary Landscapes and the National Imaginary
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 2 No. 1 (2011): Literary Landscapes and the National Imaginary
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 2 Núm. 1 (2011): Literary Landscapes and the National Imaginary
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 2 No. 1 (2011): Literary Landscapes and the National Imaginary
Ecozon@: European Journal of Literature, Culture and Environment; V. 2 N. 1 (2011): Literary Landscapes and the National Imaginary
2171-9594
2171-9594
10.37536/ECOZONA.2011.2.1
eng
https://ecozona.eu/article/view/401/408
Copyright (c) 2016 Ecozon@: European Journal of Literature, Culture and Environment
oai:ojs.revistas.proeditio.com:article/402
2020-03-30T11:39:26Z
ecozona:VA
In the Beginning there was Word 4
De Menezes, Marta
bio art
art
science
bio art
In the Beginning there was Word
Universidad de Alcalá
2011-06-10
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
https://ecozona.eu/article/view/402
10.37536/ECOZONA.2011.2.1.402
Ecozon@: European Journal of Literature, Culture and Environment; Bd. 2 Nr. 1 (2011): Literary Landscapes and the National Imaginary
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 2 No. 1 (2011): Literary Landscapes and the National Imaginary
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 2 Núm. 1 (2011): Literary Landscapes and the National Imaginary
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 2 No. 1 (2011): Literary Landscapes and the National Imaginary
Ecozon@: European Journal of Literature, Culture and Environment; V. 2 N. 1 (2011): Literary Landscapes and the National Imaginary
2171-9594
2171-9594
10.37536/ECOZONA.2011.2.1
eng
https://ecozona.eu/article/view/402/409
Copyright (c) 2016 Ecozon@: European Journal of Literature, Culture and Environment
oai:ojs.revistas.proeditio.com:article/403
2020-03-30T11:38:58Z
ecozona:VA
Tree of Knowledge 1, 2 and 3
De Menezes, Marta
bio art
art
science
Bio art
Tree of Knowledge
Universidad de Alcalá
2011-06-10
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
https://ecozona.eu/article/view/403
10.37536/ECOZONA.2011.2.1.403
Ecozon@: European Journal of Literature, Culture and Environment; Bd. 2 Nr. 1 (2011): Literary Landscapes and the National Imaginary
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 2 No. 1 (2011): Literary Landscapes and the National Imaginary
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 2 Núm. 1 (2011): Literary Landscapes and the National Imaginary
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 2 No. 1 (2011): Literary Landscapes and the National Imaginary
Ecozon@: European Journal of Literature, Culture and Environment; V. 2 N. 1 (2011): Literary Landscapes and the National Imaginary
2171-9594
2171-9594
10.37536/ECOZONA.2011.2.1
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https://ecozona.eu/article/view/403/410
Copyright (c) 2016 Ecozon@: European Journal of Literature, Culture and Environment
oai:ojs.revistas.proeditio.com:article/404
2020-03-30T10:59:54Z
ecozona:BR
Jeremy Rifkin e la rivalutazione del percorso storico umano, verso l’era della coscienza biosferica. Recensione di The Empathic Civilization: The Race to Global Consciousness in a World in Crisis (New York: Tarcher/Penguin, 2009)
Andreozzi, Matteo
Jeremy Rifkin
Empathy
Book review of Jeremy Rifkin's The Emphatic Civilization: The Race to Global Consciousness in a World in CrisisRecensión de The Emphatic Civilization: The Race to Global Consciousness in a World in Crisis, de Jeremy Rifkin.
Universidad de Alcalá
2011-05-21
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Non-refereed Book Review
application/pdf
application/msword
https://ecozona.eu/article/view/404
10.37536/ECOZONA.2011.2.1.404
Ecozon@: European Journal of Literature, Culture and Environment; Bd. 2 Nr. 1 (2011): Literary Landscapes and the National Imaginary
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 2 No. 1 (2011): Literary Landscapes and the National Imaginary
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 2 Núm. 1 (2011): Literary Landscapes and the National Imaginary
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 2 No. 1 (2011): Literary Landscapes and the National Imaginary
Ecozon@: European Journal of Literature, Culture and Environment; V. 2 N. 1 (2011): Literary Landscapes and the National Imaginary
2171-9594
2171-9594
10.37536/ECOZONA.2011.2.1
eng
https://ecozona.eu/article/view/404/411
https://ecozona.eu/article/view/404/3355
Copyright (c) 2016 Ecozon@: European Journal of Literature, Culture and Environment
oai:ojs.revistas.proeditio.com:article/405
2020-03-30T10:59:26Z
ecozona:BR
Buchbesprechung von Nature, Technology and Cultural Change in Twentieth-Century German Literature: The Challenge of Ecocriticism, von Axel Goodbody (Houndmills, UK: Palgrave Macmillan, 2007)
Luther, Sonja
Book Review of Axel Goodbody's Nature, Technology and Cultural Change in Twentieth-Century German Literature: The Challenge of Ecocriticism. Recensión de Nature, Technology and Cultural Change in Twentieth-Century German Literature: The Challenge of Ecocriticism, de Axel Goodbody.
Universidad de Alcalá
2011-05-21
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Non-refereed Book Review
application/pdf
https://ecozona.eu/article/view/405
10.37536/ECOZONA.2011.2.1.405
Ecozon@: European Journal of Literature, Culture and Environment; Bd. 2 Nr. 1 (2011): Literary Landscapes and the National Imaginary
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 2 No. 1 (2011): Literary Landscapes and the National Imaginary
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 2 Núm. 1 (2011): Literary Landscapes and the National Imaginary
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 2 No. 1 (2011): Literary Landscapes and the National Imaginary
Ecozon@: European Journal of Literature, Culture and Environment; V. 2 N. 1 (2011): Literary Landscapes and the National Imaginary
2171-9594
2171-9594
10.37536/ECOZONA.2011.2.1
eng
https://ecozona.eu/article/view/405/412
Copyright (c) 2016 Ecozon@: European Journal of Literature, Culture and Environment
oai:ojs.revistas.proeditio.com:article/406
2020-03-30T10:58:57Z
ecozona:BR
Book Review of Graham Huggan and Helen Tiffin's Postcolonial Ecocriticism. Literature, Animals, Environment. (New York/London: Routledge, 2010).
Bartosch, Roman
Book Review of Graham Huggan and Helen Tiffin's Postcolonial Ecocriticism. Literature, Animals, Environment. Recensión de Postcolonial Ecocriticism. Literature, Animals, Environment, de Graham Huggan y Helen Tiffin.
Universidad de Alcalá
2011-05-21
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Non-refereed Book Review
application/pdf
https://ecozona.eu/article/view/406
10.37536/ECOZONA.2011.2.1.406
Ecozon@: European Journal of Literature, Culture and Environment; Bd. 2 Nr. 1 (2011): Literary Landscapes and the National Imaginary
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 2 No. 1 (2011): Literary Landscapes and the National Imaginary
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 2 Núm. 1 (2011): Literary Landscapes and the National Imaginary
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 2 No. 1 (2011): Literary Landscapes and the National Imaginary
Ecozon@: European Journal of Literature, Culture and Environment; V. 2 N. 1 (2011): Literary Landscapes and the National Imaginary
2171-9594
2171-9594
10.37536/ECOZONA.2011.2.1
eng
https://ecozona.eu/article/view/406/413
Copyright (c) 2016 Ecozon@: European Journal of Literature, Culture and Environment
oai:ojs.revistas.proeditio.com:article/407
2020-03-30T10:58:29Z
ecozona:BR
Book Review of Thomas Hallock, Ivo Kamps, and Karen L. Raber (eds.). Early Modern Ecostudies (New York and Basingstoke: Palgrave Macmillan, 2008)
Whitney, Charles
ecocriticism
Renaissance
Little Ice Age
cats
New World
exploration
settlement
promotional literature. Little Gidding
Florentine Codex
jet travel
forests
embodied mind
prosopopeia
ecophobia
climatology
Barbados
Mars
Florida
pomology
ecocriticism
early modern
England
Mexico
New England
Book Review of Early Modern Ecostudies.Recensión de Early Modern Ecostudies.
Universidad de Alcalá
2011-05-21
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Non-refereed Book Review
application/pdf
https://ecozona.eu/article/view/407
10.37536/ECOZONA.2011.2.1.407
Ecozon@: European Journal of Literature, Culture and Environment; Bd. 2 Nr. 1 (2011): Literary Landscapes and the National Imaginary
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 2 No. 1 (2011): Literary Landscapes and the National Imaginary
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 2 Núm. 1 (2011): Literary Landscapes and the National Imaginary
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 2 No. 1 (2011): Literary Landscapes and the National Imaginary
Ecozon@: European Journal of Literature, Culture and Environment; V. 2 N. 1 (2011): Literary Landscapes and the National Imaginary
2171-9594
2171-9594
10.37536/ECOZONA.2011.2.1
eng
https://ecozona.eu/article/view/407/414
Copyright (c) 2016 Ecozon@: European Journal of Literature, Culture and Environment
oai:ojs.revistas.proeditio.com:article/408
2020-03-30T10:57:32Z
ecozona:BR
Buchbesprechung von Thomas Kirchhoff und Ludwig Trepl, Hg., Vieldeutige Natur: Landschaft, Wildnis und Ökosystem als Kulturgeschichtliche Phänomene (Bielefeld: transcript, 2009)
Deetjen, Claudia
Book Review of Vieldeutige Natur: Landschaft, Wildnis und Ökosystem als Kulturgeschichtliche Phänomene. Recensión de Vieldeutige Natur: Landschaft, Wildnis und Ökosystem als Kulturgeschichtliche Phänomene.
Universidad de Alcalá
2011-05-30
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Non-refereed Book Review
application/pdf
https://ecozona.eu/article/view/408
10.37536/ECOZONA.2011.2.1.408
Ecozon@: European Journal of Literature, Culture and Environment; Bd. 2 Nr. 1 (2011): Literary Landscapes and the National Imaginary
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 2 No. 1 (2011): Literary Landscapes and the National Imaginary
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 2 Núm. 1 (2011): Literary Landscapes and the National Imaginary
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 2 No. 1 (2011): Literary Landscapes and the National Imaginary
Ecozon@: European Journal of Literature, Culture and Environment; V. 2 N. 1 (2011): Literary Landscapes and the National Imaginary
2171-9594
2171-9594
10.37536/ECOZONA.2011.2.1
eng
https://ecozona.eu/article/view/408/415
Copyright (c) 2016 Ecozon@: European Journal of Literature, Culture and Environment
oai:ojs.revistas.proeditio.com:article/409
2020-03-30T11:11:54Z
ecozona:BR
Book Review of Carmen Flys Junquera, Irene Sanz Alonso, Montserrat López Mújica and Esther Laso y León (eds.). Cultural Landscapes: Heritage and Conservation (Alcalá: Servicio de Publicaciones de la Universidad, 2010)
Mezquita, María Antonia
Book Review of C Cultural Landscapes: Heritage and ConservationRecensión de Cultural Landscapes: Heritage and Conservation
Universidad de Alcalá
2011-05-17
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Non-refereed Book Review
application/pdf
https://ecozona.eu/article/view/409
10.37536/ECOZONA.2011.2.1.409
Ecozon@: European Journal of Literature, Culture and Environment; Bd. 2 Nr. 1 (2011): Literary Landscapes and the National Imaginary
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 2 No. 1 (2011): Literary Landscapes and the National Imaginary
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 2 Núm. 1 (2011): Literary Landscapes and the National Imaginary
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 2 No. 1 (2011): Literary Landscapes and the National Imaginary
Ecozon@: European Journal of Literature, Culture and Environment; V. 2 N. 1 (2011): Literary Landscapes and the National Imaginary
2171-9594
2171-9594
10.37536/ECOZONA.2011.2.1
eng
https://ecozona.eu/article/view/409/416
Copyright (c) 2016 Ecozon@: European Journal of Literature, Culture and Environment
oai:ojs.revistas.proeditio.com:article/410
2020-03-30T10:57:04Z
ecozona:BR
Ecocriticism in Spanish: Book Review of Carmen Flys and Juan Ignacio Oliva (eds.). Ecocrítica. Nerter 15-16 (2010)
Porto Requejo, Maria Dolores
Spanish literature
Review of the thematic issue of Nerter, a Spanish literary journal, on Ecocriticism.Recensión del monográfico sobre Ecocrítica de Nerter, una revista literaria española.
Universidad de Alcalá
2011-05-30
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Non-refereed Book Review
application/pdf
https://ecozona.eu/article/view/410
10.37536/ECOZONA.2011.2.1.410
Ecozon@: European Journal of Literature, Culture and Environment; Bd. 2 Nr. 1 (2011): Literary Landscapes and the National Imaginary
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 2 No. 1 (2011): Literary Landscapes and the National Imaginary
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 2 Núm. 1 (2011): Literary Landscapes and the National Imaginary
Ecozon@: European Journal of Literature, Culture and Environment; Vol. 2 No. 1 (2011): Literary Landscapes and the National Imaginary
Ecozon@: European Journal of Literature, Culture and Environment; V. 2 N. 1 (2011): Literary Landscapes and the National Imaginary
2171-9594
2171-9594
10.37536/ECOZONA.2011.2.1
eng
https://ecozona.eu/article/view/410/417
Copyright (c) 2016 Ecozon@: European Journal of Literature, Culture and Environment
0dc6a2ce9f46e7973e60b0593310daf3