CURRENT ISSUE
Focus and Scope
Ecozon@ is a journal devoted to the relatively new field of literary and cultural criticism called ecocriticism. Ecocriticism can be broadly defined as the study of the representations of nature in cultural texts, and of the relationship between humans with other earth beings and their environment as seen in cultural manifestations. Ecozon@ is one of the very few academic journals specifically devoted to ecocriticism, an exponentially growing field, akin to the more recently developing area of environmental humanities, and the only one to accept submissions in several languages.
Its principal aim is to further the study, knowledge and public awareness of the connections and relationship between literature, culture and the environment. As a virtual space, it provides a site for dialogue between researchers, theorists, creative writers and artists concerned with and by the environment and its degradation. Its pages are open to contributions on all literatures and cultures, but its special mission is to reflect the cultural, linguistic and natural richness and diversity of the European continent.
Research contributions are subject to double-blind peer review, and are accepted in five languages (English, Spanish, French, German and Italian), in order to increase visibility and broaden the participation of scholars who are not part of the English-speaking world. Ecozon@, in addition to publishing original research articles, also publishes book reviews which are peer reviewed and creative writing and visual arts which are reviewed by the editorial board. Publication is open to scholars and creators interested in ecocriticism from around the world. We recommend membership of EASLCE to our contributors and readers, but it is not a requirement for either.
Ecozon@ is currently indexed in MLA, OAI, DOAJ, ERIH PLUS, Latindex, Dialnet, EBSCO, CROSSREF, and EBUAH, the institutional repository of the University of Alcalá.
Section Policies
REGULAR SECTIONS (and current editors)
General Section
Editors
Open Submissions Indexed Peer Reviewed
Creative Writing and Arts
Editors
Open Submissions Indexed Peer Reviewed
Book Reviews
Editors
Open Submissions Indexed Peer Reviewed
THEMED SECTIONS
New Ecocritical Perspectives: European and Transnational Ecocriticism 1.1 (Inaugural Issue)
Editors
Open Submissions Indexed Peer Reviewed
Greening across Borders: the Natural Environment in a Globalized World 1.2.
Editors
Open Submissions Indexed Peer Reviewed
Literary Landscapes and the National Imaginary 2.1.
Editors
Open Submissions Indexed Peer Reviewed
Ecospirit: Religion and the Environment 2.2.
Editors
Open Submissions Indexed Peer Reviewed
Writing Catastrophes: Interdisciplinary Perspectives on the Semantics of Natural and Anthropogenic Disasters 3.1.
Editors
Open Submissions Indexed Peer Reviewed
The Invention of Eco-Futures 3.2.
Editors
Open Submissions Indexed Peer Reviewed
Green Countercultures 4.1.
Editors
Open Submissions Indexed Peer Reviewed
Mediterranean Ecocriticism 4.2.
Editors
Open Submissions Indexed Peer Reviewed
Translating Environmental Humanities 5.1.
Editors
Open Submissions Indexed Peer Reviewed
Northern Nature 5.2.
Editors
Open Submissions Indexed Peer Reviewed
European New Nature Writing 6.1.
Editors
Open Submissions Indexed Peer Reviewed
Artistic Ways of Understanding and Interacting with Nature 6.2.
Editors
Open Submissions Indexed Peer Reviewed
Animal Humanities 7.1.
Editors
Open Submissions Indexed Peer Reviewed
Urban Ecologies 7.2.
Editors
Open Submissions Indexed Peer Reviewed
South Atlantic Ecocriticism 8.1
Editors
Open Submissions Indexed Peer Reviewed
Green Computer and Video Games 8.2.
Editors
Open Submissions Indexed Peer Reviewed
Population, Ecology and the Malthusian Imagination 9.1.
Editors
Open Submissions Indexed Peer Reviewed
Mythology and Ecocriticism: A Natural Encounter 9.2.
Editors
Open Submissions Indexed Peer Reviewed
Toward an Ecopoetics of Randomness and Design 10.1.
Editors
Open Submissions Indexed Peer Reviewed
Ecological In(ter)ventions in the Francophone World 10.2.
Editors
Open Submissions Indexed Peer Reviewed
Cultures of Climate 11.1.
Editors
Open Submissions Indexed Peer Reviewed
2020 Ecocriticism: In Europe and Beyond 11.2. (Anniversary Issue)
Editors
Open Submissions Indexed Peer Reviewed
Going Green in the EFL Classroom 12.1.
Editors
Open Submissions Indexed Peer Reviewed
Eco-Georgics: From Antiquity to the Anthropocene 12.2.
Editors
Open Submissions Indexed Peer Reviewed
Hip Hop Ecologies 13.1.
Editors
Open Submissions Indexed Peer Reviewed
The Postcolonial Nonhuman 13.2.
Editors
Open Submissions Indexed Peer Reviewed
Gardening (against) the Anthropocene 14.1.
Editors
Open Submissions Indexed Peer Reviewed
Contemporary Collapse: New Narratives of the End 14.2
Editors
Open Submissions Indexed Peer Reviewed
Plant Tendrils in Children's and Young Adult Literature 15.1
Editors
Open Submissions Indexed Peer Reviewed
Disruptive Encounters. Concepts of Care and Contamination Out of Control 15.2
Editors
Open Submissions Indexed Peer Reviewed
Peer Review Process
The articles found in the special focus and general sections are double blind peer reviewed by international external reviewers. Generally each article is submitted to 2 reviews and often, when in doubt, a third review is requested. Reviewers are asked to evaluate the originality of the argument, its strength, coherency and grasp of previous critical literature on the topic, the methodology used and its clarity, as well adequate referencing. The reviewing process for the first decision may take 3-4 months, and may be affected by an additional round of reviews. Final acceptance is usually notified between 6-9 months after submission. Book reviews are also peer reviewed. Reviewers are acknowledged in the Autumn issue each year.
Detailed Reviewer Guidelines can be found here.
Open Access Policy
Ecozon@ is published according to the Green Open Access scheme, in which both publication and access to full papers is free. We provide immediate open access to its content on the principle that making research freely available to the public supports a greater global exchange of knowledge.
Archiving
This journal utilizes both the LOCKSS and CLOCKSS systems to create a distributed archiving system among participating libraries and permits those libraries to create permanent archives of the journal for purposes of preservation and restoration. Moreover, the University of Alcalá institutional repository also archives the journal as well as the hosting service of Proeditio.
Publication Frequency
This journal is published twice a year, in Spring (May 1st) and Autumn (November 1st).
Publisher
Ecozon@ is published by the University of Alcalá.
Sponsors
Ecozon@ is sponsored by the European Association for the Study of Literature, Culture and Environment (EASLCE), and the Ecocritical Research Group, GIECO and Franklin Institute, both at the University of Alcalá.
The journal does not accept any advertising nor undertakes any direct marketing other than publishing CFPs for special issues and divulging related research interests.
Journal History
Ecozon@ was founded in 2010 as a joint initiative of GIECO (Ecocritical Research Group in Spain) and EASLCE (European Association for the Study of Literature, Culture and Environment) and is published by the University of Alcalá as of 2014. 2014 also marked a significant change from a small Advisory board, mostly of EASCLE members, to a large internationally reputed and interdisciplinary Advisory Board.
The founding editorial board consisted of Carmen Flys (Editor in chief), Axel Goodbody (Associate Editor), Imelda Martin and Margarita Carretero-González (Managing Editors), Isabel Hoving (Creative Writing and Arts Editor), Hannes Bergthaller (Book Review Editor) and Irene Sanz (Secretary). In our fifth year, 2014, Margarita Carretero-González and Isabel Hoving were substituted by Diana Villanueva and Serenella Iovino, respectively. At the same time, Roman Bartosch joined the team as Assistant Editor. At the end of 2016, Imelda Martin and Roman Bartosch stepped down and Lorraine Kerslake came on board as Managing editor. Ecozon@ also expanded the number of assistant editors to four, one for each language: Margot Lauwers, Louise Squire, Christopher Schliephake and Adele Tiengo. In 2018 we welcomed Damiano Benvengu as the new Creative Writing and Arts Editor as Serenella Iovino stepped down. In 2019, Hannes Bergthaller,who has been with Ecozon@ since its founding as Book Review Editor, stepped down and Astrid Bracke and M. Isabel Perez joined the board as the book review editor and assistant editor, respectively. With the Autumn Issue of 2020 Ecozon@ celebrated its tenth anniversary with a special issue of essays and a new design for the homepage. Coinciding with this anniversary, our founding Associate Editor, Axel H. Goodbody stepped down as well as Managing Editors Diana Villanueva and Lorraine Kerslake, Assistant Editor Christopher Schliephake and Book Review Editor, Astrid Bracke. Heather Sullivan joined the editorial team as Associate Editor, Gala Arias as Managing Editor, M. Isabel Perez took over as Book Review Editor with Sean Matharoo as Assistant. As of 2022, Ecozon@ has a Twitter account, run by Assistant Editor Alejandro Rivero, while Damiano Benvengu stepped down as Creative Arts Editor, substituted by Elizabeth Tavella. Recently, Giulia Disanto, Sofie Schrey, Madeleine Hugai, Vanesa Roldan, Laura op de Beke and Beatriz Lindo have joined us as Assistant Editors. In 2024 Clara Contreras joined us as Production Editor and Sara Familiar and Xiana Sotelo as Assistant Editors, while Laura op de Beke stepped down. And very importantly, in June 2024, during the EASCLE conference, Margarita Carretero, one of our founding Managing Editors, was acclaimed as the future Editor in Chief when Carmen Flys steps down in 2025.