“She Moves Through Deep Corridors”: Mobility and Settler Colonialism in Sharon Doubiago’s Proletarian Eco-Epic Hard Country
DOI:
https://doi.org/10.37536/ECOZONA.2020.11.1.3297Keywords:
American literature, epic poetry, mobility, social class, settler colonialismAbstract
This article analyzes Sharon Doubiago’s American long poem Hard Country (1982) from the joined perspectives of ecocriticism and mobility studies. It argues that Hard Country is a proletarian eco-epic that rethinks human-nature relations from a working-class perspective shaped by different kinds of (im)mobility. In my analysis, I show how the text revises the American epic tradition by foregrounding working-class people’s desire for meaningful relationships to place in light of histories of environmental injustice and displacement. Doubiago’s text promotes traditional place-based notions of belonging, but it also challenges ideas about what kind of sense of place can be environmentally suggestive. In doing so, it allows for the emergence of a proletarian “ecopoetics of mobility” (Gerhardt) that emphasizes the bodily experiences of Doubiago’s mobile narrator as well as U.S.-American histories and cultures of mobility. Among these cultures of mobility, settler colonialism stands out as a system of violent domination and form of environmental injustice (Whyte) that calls into question working-class people’s desire to move or settle on dispossessed indigenous lands. As such, settler colonialism poses a challenge to Doubiago’s proletarian ecopoetics of mobility, which must engage with the fact that white working-class people in the United States have always been perpetrators as well as victims of both environmental and mobility injustice.
Downloads
Downloads
Published
Issue
Section
License
Authors who publish with this journal agree to the following terms:
a) Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal (CC BY-NC for articles and CC BY-NC-ND for creative work, unless author requests otherwise.
b) Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
c) Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).