Ambivalent Entanglements: Horse-human encounters in Benedikt Erlingsson's film "Hross í oss" (2013)
DOI:
https://doi.org/10.37536/ECOZONA.2024.15.2.5367Keywords:
animal ethics, ecocriticism, interspecies communication, film narratology, horses, IcelandAbstract
For over a millennium, Icelandic horses have occupied a position between (semi-)wild animal, livestock and companion species. The film Hross í oss (2013) by director Benedikt Erlingsson explores these ambivalent entanglements. In my contribution, I show that Erlingsson's forms of visualisation correspond to the way horses communicate. He succeeds not only in assigning horses an active role within the diegetic world, but also in aligning the narrative structures of the film with them.
Horses often function as a metaphor for human conflicts simply through the practice of riding. There is a danger of reducing the existence of horses to externally determined practices of domination. Inspired by Donna Haraway's The Companion Species Manifesto and Ann-Sofie Lönngren's work on animals in literature, I address this problem by reading with care. My analysis of interspecies communication, taking into account film narratological elements, shows horse-human encounters in a different light.
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