“A Tough Bitch”: Lynn Margulis and the Gaian Sublime

Authors

DOI:

https://doi.org/10.37536/ECOZONA.2025.16.1.5559

Keywords:

Gaia theory, Lynn Margulis, microbial evolution, planetary resilience, nonhuman agency

Abstract

This essay challenges Bruno Latour’s elegiac pronouncement of the sublime’s death in the Anthropocene, proposing instead a “Gaian sublime” emerging from Lynn Margulis’s radical reconceptualization of planetary life. Analysis of Margulis’s scientific nonfiction reveals how her work on microbial agency and symbiosis disrupts traditional sublime theory’s emphasis on human transcendence and geological spectacle. The essay traces how sublime aesthetics, from Longinus through Burke and Kant to contemporary environmental thought, has historically reinforced racial hierarchies, gender binaries, and human exceptionalism. Margulis’s perspective offers a crucial corrective by revealing Earth’s smallest inhabitants as its most profound transformers, generating sublime experience not through nature’s brute force but through recognition of life’s collaborative creativity across scales and through deep time. This reframing moves beyond both conventional sublime theory and contemporary Anthropocene discourse, demonstrating how scientific understanding might enhance rather than diminish the capacity for awe and wonder. The Gaian sublime thus emerges as both aesthetic category and mode of attention, potentially enabling more ethically attuned relationships with our living planet.

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Author Biography

Maxime Fecteau, Université du Québec à Montréal

Maxime Fecteau is a Ph.D. candidate in Literary Studies at the Université du Québec à Montréal. His research examines the narrative, metaphorical, and autobiographical articulation of ecological knowledge in the writings of Canadian, British, and American women of science, from Rachel Carson’s Silent Spring (1962) to Suzanne Simard’s Finding the Mother Tree (2022). His book Fragments d’un enfant du millénaire, a collection of lyric essays, was published by Nota bene in 2021. His work has appeared in several anthologies and journals, including BESIDE, MuseMedusa, and Éducation relative à l’environnement.

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Published

2025-04-30

Issue

Section

Articles: Anthropocene Sublimes