“A Tough Bitch”: Lynn Margulis and the Gaian Sublime
DOI:
https://doi.org/10.37536/ECOZONA.2025.16.1.5559Keywords:
Gaia theory, Lynn Margulis, microbial evolution, planetary resilience, nonhuman agencyAbstract
This essay challenges Bruno Latour’s elegiac pronouncement of the sublime’s death in the Anthropocene, proposing instead a “Gaian sublime” emerging from Lynn Margulis’s radical reconceptualization of planetary life. Analysis of Margulis’s scientific nonfiction reveals how her work on microbial agency and symbiosis disrupts traditional sublime theory’s emphasis on human transcendence and geological spectacle. The essay traces how sublime aesthetics, from Longinus through Burke and Kant to contemporary environmental thought, has historically reinforced racial hierarchies, gender binaries, and human exceptionalism. Margulis’s perspective offers a crucial corrective by revealing Earth’s smallest inhabitants as its most profound transformers, generating sublime experience not through nature’s brute force but through recognition of life’s collaborative creativity across scales and through deep time. This reframing moves beyond both conventional sublime theory and contemporary Anthropocene discourse, demonstrating how scientific understanding might enhance rather than diminish the capacity for awe and wonder. The Gaian sublime thus emerges as both aesthetic category and mode of attention, potentially enabling more ethically attuned relationships with our living planet.
Downloads
Downloads
Published
Issue
Section
License
Authors who publish with this journal agree to the following terms:
a) Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal (CC BY-NC for articles and CC BY-NC-ND for creative work, unless author requests otherwise.
b) Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
c) Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).