Querying the Ecological Sublime: Colonial Aesthetics, Anticolonial Thought, and the “Double Fracture”

Authors

  • Tacuma Peters City University of New York

DOI:

https://doi.org/10.37536/ECOZONA.2025.16.1.5564

Keywords:

anticolonial thought, Black, ecological thought, Indegenous, sublime

Abstract

This article examines the ecological sublime in its relationship to the history of colonial aesthetics, anticolonial thought, and contemporary colonialism. It argues that, while Edmund Burke utilized the sublime in support of colonialism (including settler colonialism) in North America and colonial slavery, Samson Occom and Ottobah Cugoano developed versions of the sublime to contest British colonialism in the Americas. The history of this aesthetic contestation has not been represented in scholarship on the ecological sublime, which, this article shows, has a vexed relationship with historical and contemporary colonialism. The article argues that the ecological sublime exhibits the “double fracture” of modernity in its inadequate handling of the history of colonialism and environmentalism. It concludes by evaluating the potential of the ecological sublime for anticolonial uses by Indigenous and Black thinkers.

Downloads

Download data is not yet available.

Author Biography

Tacuma Peters, City University of New York

Tacuma Peters is an Associate Professor of Africana, Puerto Rican and Latino Studies at City University of New York, Hunter College. His teaching and research are focused on the history of political thought and contemporary political philosophy as it relates to slavery, colonialism, and decolonization. He is currently writing a monograph titled Sovereignty, Abolition, and Decolonization which examines eighteenth-century Indigenous and Black anticolonial thought.

Downloads

Published

2025-04-30

Issue

Section

Articles: Anthropocene Sublimes