From the River-as-milieu to the River-as-machine: Literature and Dams in the Age of Hydraulic Modernity

Authors

DOI:

https://doi.org/10.37536/ECOZONA.2026.17.1.5898

Keywords:

hydropower dams, fluvial ecology, socio-ecological impacts, hydraulic modernity, contemporary French environmental literature

Abstract

This article analyses the transformation of the river into an energy infrastructure in contemporary French literature devoted to hydroelectric dams. Through a study of Barrage sur le Nil by Christian Jacq (1994), La Verticale du fleuve by Clara Arnaud (2023), and Mémoires sauvées de l’eau by Nina Leger (2024), it shows how these works narrate the passage from the river-as-milieu to the river-as-machine. Situated within the long history of hydraulic modernity, these texts reveal a process of separation between flow and territory that leads to increasing energy abstraction: the river becomes a resource and, ultimately, a calculable variable. The analysis highlights the fragility of this regime of flow governance, whose technical devices, rather than stabilizing ecological equilibria, displace and amplify their effects. While these works make perceptible the historical and material depth of the extractivist regime, they belong less to the time of repair than to that of fracture. Dam literature thus emerges as a privileged site for thinking through the dynamics of acceleration and the forms of infrastructural dependency characteristic of the Anthropocene.

Downloads

Download data is not yet available.

Author Biography

Charlotte Ladevèze, Centro tedesco di studi veneziani

Charlotte Ladevèze is a postdoctoral researcher at the Universität Augsburg, where she works on twentieth- and twenty-first-century French and Italian literature from a comparative perspective. She completed a joint doctoral degree between the Université de Lorraine and the Universität Augsburg with a dissertation entitled « Le Chant du monde » de Jean Giono : devenir d’un manifeste éco- et géopoétique. Her research lies at the intersection of ecopoetics and the environmental humanities and explores the relationship between literature and environments, particularly through the study of river imaginaries and hydraulic landscapes. Following a postdoctoral fellowship at the Deutsches Studienzentrum in Venice, supported by the Fritz Thyssen Foundation, she is currently preparing her habilitation project on “fluvio-graphy,” which examines the writing of rivers and waterways in the age of the Anthropocene, as well as the narratives and memories attached to landscapes transformed by hydroelectric dams.

Published

2026-04-30

Issue

Section

Articles: Sea More Blue