El cambio climático en la literatura, la televisión y el cine de Noruega

Autores/as

  • Sissel Furuseth University of Oslo
  • Anne Gjelsvik NTNU
  • Ahmet Gürata University of Agder
  • Reinhard Hennig University of Agder
  • Julia Leyda NTNU
  • Katie Ritson Rachel Carson Center, LMU Munich

DOI:

https://doi.org/10.37536/ECOZONA.2020.11.2.3468

Palabras clave:

cambio climático, Noruega, literatura, película, televisión

Resumen

      El cambio climático y medioambiental se han convertido en un tema frecuente en la literatura, televisión y cine contemporáneos noruego, siendo Noruega el primer país con una organización de escritores comprometidos con la acción climática (“The Norwegian Writers' Climate Campaign,” fundada en 2013). En este artículo argumentamos que las obras de ficción noruegas sobre el cambio climático se basan en aspectos culturales e históricos específicos de la nación y/o de la cultura nórdica, dándoles una identidad particular. Nos centramos principalmente en cuatro de estos aspectos: (1) nociones de “lo nórdico”; (2) una conexión íntima (imaginada) entre lo noruego y la naturaleza, y por lo tanto, lo que a menudo es visto como elementos típicos de la identidad nacional noruega; (3) referencias a la “petro-cultura” noruega (dado que la economía noruega se basa en gran medida en la exportación de combustibles fósiles) y (4) una atmósfera de penumbra y melancolía en muchas de las obras, basada en las tradiciones de pintura y literatura nórdicas, y por lo general, característica del género de cine negro nórdico.

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Biografía del autor/a

Sissel Furuseth, University of Oslo

Sissel Furuseth is a professor at Department of Linguistics and Scandinavian Studies at the University of Oslo. She has published widely on Norwegian literary criticism and magazines, eco-poetry, and climate fiction, and is a member of the Oslo School of Environmental Humanities' working group.

Anne Gjelsvik, NTNU

Anne Gjelsvik, Professor of film studies at the Department of Art and Media Studies at the Norwegian University of Science and Technology, Trondheim, Norway, where she is a member of the Environmental Humanities research group. She has published a large number of books and articles on different topics within film studies, and is currently working on media and terrorism and cinematic representations of the Anthropocene.

Reinhard Hennig, University of Agder

Reinhard Hennig is an associate professor of Nordic literature at the University of Agder, Norway. He holds a PhD in Scandinavian studies from the University of Bonn, Germany, and is co-founder and coordinator of the Ecocritical Network for Scandinavian Studies (ENSCAN). His research and publications focus on environmental change in history and literature, the Anthropocene, education for sustainable development, contemporary literature from Northern Europe, and Old Norse literature and culture.

Julia Leyda, NTNU

Julia Leyda holds a Professorship in Film Studies in the Department of Art and Media Studies at the Norwegian University of Science and Technology (NTNU), Trondheim, where she teaches and conducts research in and across the disciplines including the environmental humanities, intersectional feminism, and film/television/media studies. Julia’s current research project focuses on Norwegian screen petrocultures and the climate unconscious in popular television and film.

Katie Ritson, Rachel Carson Center, LMU Munich

Katie Ritson is a scholar of German, Nordic and Comparative Literature based at the Rachel Carson Center for Environment & Society at LMU Munich. From 2016 to 2020 she served on the advisory board of European Association for the Study of Literature,  Culture, and the Environment (EASLCE) and she has been coordinator for the Ecocritical Network in Scandinavian Studies (ENSCAN) since 2019. She is the author of The Shifting Sands of the North Sea Lowlands: Literary and Historical Imaginaries (Routledge 2019). 

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Publicado

2020-10-07

Número

Sección

Artículos: Literatura, paisaje e identidad en naciones y regiones