Nombrar lo desconocido, presenciar lo que no se ve: La ecocrítica mediterránea y formas de representación del otro migrante

Autores/as

  • Serenella Iovino University of North Carolina at Chapel Hill
  • Pasquale Verdicchio University of California San Diego

DOI:

https://doi.org/10.37536/ECOZONA.2020.11.2.3559

Palabras clave:

ecocrítica mediterránea, migrantes, representación artística

Resumen

      En continuidad con las exploraciones teóricas de la ecocrítica mediterránea, este ensayo explora los modos de representación de los “migrantes alterizados”. A menudo despersonalizados y reducidos a datos estadísticos, estos migrantes “invisibles” forman de hecho parte de una ecología más amplia, en la que se entrelazan los destinos de seres humanos y no humanos, planteando profundas cuestiones éticas. Esa invisibilidad se cuestiona por numerosos artistas, escritores, cineastas y pensadores que presentan la cuestión de los migrantes como centro de su trabajo, sugiriendo que la única respuesta a la deshumanización de los migrantes es la humanización de los seres no humanos atrapados en los mismos problemas generados por la violencia y las fronteras. El ensayo incluye un análisis de las obras de arte submarino de Jason deCaires Taylor y del documental Asmat, “Nombres”, del director Dagmawi Yimer.

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Biografía del autor/a

Serenella Iovino, University of North Carolina at Chapel Hill

Ecozon@'s former Creative Writing and Arts Section Editor, Serenella Iovino is Professor of Itaiian and Environmental Humanities at the University of North Carolina at Chapel Hill. A Research Fellow of the Alexander-von-Humboldt Foundation, she has published books, edited volumes, and essays in in the fields of ecocriticism and the environmental humanities. Serenella serves in the editorial boards of several international journals on environmental topics, including ISLE, Green Letters, and PAN: Philosophy Activism Nature. She is series editor of "Under the Sign of Nature" (U of Virginia Press), Cambridge Elements (Environmental Humanities) (Cambridge University Press), among other. Her recent works include Material Ecocriticism (2014, Indiana UP), Environmental Humanities: Voices from the Anthropocene (2017, Rowman & Littlefield, both co-edited with Serpil Oppermann, Indiana UP, 2014), and Italy and the Environmental Humanities (2018, U of Virginia P, co-ed. with E. Cesaretti and E. Past).  Her monograph Ecocriticism and Italy: Ecology, Resistance, and Liberation (Bloomsbury, 2016) was awarded the MLA Prize for italian Studies and the Book Prize of the American Association for Itaiian Studies. She has guest-edited Ecozon@'s Special Focus Issue on Mediterranean Ecocriticism (4.2, Autumn 2013).  Past president and co-founder of the European Association for the Study of Literature, Culture and Environment (www.easlce.eu), Serenella has been a guest lecturer in all major European states and in Extra-European countries. In 2014 she has held the “J. K. Binder Lectureship for Literature” at the University of California, San Diego.

 

Pasquale Verdicchio, University of California San Diego

Pasquale Verdicchio is Professor of Italian and Comparative Literature at the University of California San Diego, where he teaches courses in film, literature, and cultural studies. As a translator, he has published works by Vivian Lamarque, Alda Merini, and Pier Paolo Pasolini among others. His poetry, reviews, criticism, and photography have been published in journals and in book form, most recently Looters, Photographers, and Thieves: Aspects of Italian Photographic Culture in the Nineteenth and Twentieth Centuries (2011). He is also editor of the volume Ecocritical Approaches to Italian Culture and Literature: The Denatured Wild (2016) and, with Loredana Di Martino, of Encounters with the Real in Contemporary Italian Literature and Cinema (2017).

 

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Publicado

2020-09-17

Número

Vol. 11 Núm. 2 (2020): 2020 Ecocriticism: In Europe and Beyond

Sección

Artículos: Literatura, paisaje e identidad en naciones y regiones

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