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| Issue |
Title |
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| Vol 9, No 1 (2018): Population, Ecology, and the Malthusian Imagination |
Numbers for an Alternative Anthropocene: Population Counting and Humanity’s Place Among Other Species in Daniel Keys Moran’s Tales of the Continuing Time // Cifras para un antropoceno alternativo: Recuento de población y el lugar de la humanidad entre otras especies en Tales of the Continuing Time de Daniel Keys Moran |
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Keri R Stevenson |
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| Vol 7, No 1 (2016): Animal Humanities |
Pfister's Spill? Narratives of Failure in and around Wilhelm Raabe’s 1883 Eco-novel // ¿El vertido de Pfister? Narrativas del fracaso en y en torno a la eco-novela de 1883 de Wilhelm Raabe |
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Agnes Kneitz |
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| Vol 7, No 1 (2016): Animal Humanities |
The Earth as Pinprick: Some Early Western Challenges to Anthropocentrism // La Tierra como punta de alfiler: Algunos desafíos tempranos al antropocentrismo en occidente |
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Bryan Moore |
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| Vol 7, No 2 (2016): Urban Ecologies |
Terraforming and the City // Terraformación y la ciudad |
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Chris Pak |
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| Vol 3, No 2 (2012): The Invention of Eco-Futures |
New Worlds Collide: Science Fiction's Novela de la Selva in Gioconda Belli and Santiago Páez |
Abstract
Abstract
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Vaughn Anderson |
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| Vol 3, No 2 (2012): The Invention of Eco-Futures |
Afraid of the Dark and the Light: Visceralizing Ecocide in The Road and Hell |
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Abstract
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Alexa Weik von Mossner |
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| Vol 3, No 2 (2012): The Invention of Eco-Futures |
Climate Change Futures and the Imagination of the Global in Maeva! by Dirk C. Fleck |
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Abstract
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Antonia Mehnert |
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| Vol 3, No 2 (2012): The Invention of Eco-Futures |
A Blueprint for Destruction: Eco-activism in Doctor Who during the 1970s |
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Abstract
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Dolly Jorgensen |
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| Vol 3, No 2 (2012): The Invention of Eco-Futures |
The Invention of Eco-Futures |
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Ursula K. Heise |
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| Vol 3, No 1 (2012): Writing Catastrophes: Cross-Disciplinary Perspectives on the Semantics of Natural and Anthropogenic Disasters |
Popular Science and Apocalyptic Narrative in Frank Schätzing’s The Swarm |
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Abstract
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Gabriele Dürbeck |
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| Vol 2, No 1 (2011): Literary Landscapes and the National Imaginary |
Tree of Knowledge 1, 2 and 3 |
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Marta De Menezes |
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| Vol 4, No 1 (2013): Green Countercultures |
Different Shades of Green: A Dark Green Counterculture in Ted Hughes's Crow // Diferentes tonos de verde: la contracultura verde oscuro de Crow, de Ted Hughes |
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Susanna Lidström |
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| Vol 2, No 1 (2011): Literary Landscapes and the National Imaginary |
In the Beginning there was Word 4 |
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Marta De Menezes |
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| Vol 3, No 2 (2012): The Invention of Eco-Futures |
Book Review: SueEllen Campbell, Alex Hunt, Richard Kerridge, Tom Lynch, and Ellen Wohl, The Face of the Earth: Natural Landscapes, Science, and Culture. |
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Elizabeth Dodd |
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| Vol 2, No 1 (2011): Literary Landscapes and the National Imaginary |
In the Beginning there was Word 3 |
Abstract
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Marta De Menezes |
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| Vol 3, No 2 (2012): The Invention of Eco-Futures |
Editor’s Introduction |
Abstract
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Isabel Hoving |
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| Vol 2, No 1 (2011): Literary Landscapes and the National Imaginary |
In the Beginning there was Word 1 |
Abstract
PDF
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Marta De Menezes |
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| Vol 3, No 2 (2012): The Invention of Eco-Futures |
“From a certain angle”: Ecothriller Reading and Science Fiction Reading The Swarm and The Rapture |
Abstract
Abstract
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Eric C. Otto |
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| Vol 2, No 1 (2011): Literary Landscapes and the National Imaginary |
Introduction: Marta De Menezes |
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Isabel Hoving, Marta De Menezes |
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