Crip Nature Writing? Domestic Wildness in Elisabeth Tova Bailey’s "The Sound of a Wild Snail Eating"
DOI:
https://doi.org/10.37536/ECOZONA.2026.17.2.6114Keywords:
Crip nature writing, corporeal unconscious, ableist ecologies, disabled ecologies, domestic wildnessAbstract
This article cautiously proposes the concept of “crip nature writing” as a subversive challenge to American nature writing’s troublesome legacy of ableism, or its “corporeal unconscious,” in Sarah Jaquette Ray’s terms, and its pattern of abandonment. Drawing on the eco-crip theories of Alison Kafer, Sunaura Taylor and Jaquette Ray, the essay analyzes the way Elisabeth Tova Bailey’s The Sound of a Wild Snail Eating (2010) models an investment in what Barney Nelson terms “domestic wildness” as a generative space from which she levels a subtle critique of the genre’s cult of effort and remoteness, ultimately offering an approach to nature writing that is inclusive of underrepresented places and perspectives.
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