Intimidades de lago falso: Notas de campo hacia una ecopoética loca

Autores/as

DOI:

https://doi.org/10.37536/ECOZONA.2026.17.2.6299

Palabras clave:

Locura, discapacidad, Ecología, ríos, Toxicidad, Ecopoesía

Resumen

¿Cómo conserva un río su memoria? ¿Sienten las orillas las texturas y dimensiones de antaño? ¿O es algo fluido, que se ha desvanecido? ¿Qué significan siquiera términos como falso o real, artificial o virgen en un mundo profundamente y violentamente marcado por los seres humanos? Este ensayo lírico forma parte de una investigación en curso sobre el río Huron, que discurre por el lugar donde vivo, en tierras Anishinaabe, en lo que colonialmente se denomina Ypsilanti, Míchigan, en Estados Unidos. Este proyecto utiliza mi propio cuerpo queer y mi experiencia vivida con la locura como punto de partida para la reflexión. ¿Cómo pueden la locura y la ecopoesía orientarnos y apoyarnos —siendo nosotros el mundo humano y el mundo más allá de lo humano— a la hora de encontrar nuevas formas de cuidarnos, de estar juntos e incluso de amarnos unos a otros?

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Biografía del autor/a

Stephanie Heit, Independent Artist

Stephanie Heit (she/her) is a queer disabled poet, dancer, teacher, and codirector of Turtle Disco, a somatic writing space on Anishinaabe territory in Ypsilanti, Michigan. Her practices explore the seams of movement, language, and mental health difference often within site-specific inquiries involving water. She is bipolar, a mad activist, a shock/psych system survivor, and a member of the Olimpias, an international disability performance collective. Her poetry collections are the award-winning book of hybrid memoir poems PSYCH MURDERS (Wayne State University Press, 2022) and The Color She Gave Gravity (Operating System, 2017). Website: https://stephanie-heit.com/

 

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Publicado

2026-10-31

Número

Vol. 17 Núm. 2 (2026): Eco-Crip Cultures: Disability and the Environment

Sección

Escritura creativa y arte

Licencia

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