Fake Lake Intimacies: Field Notes Toward a Mad Ecopoetics

Autori

DOI:

https://doi.org/10.37536/ECOZONA.2026.17.2.6299

Parole chiave:

Madness, Disability, Ecology, Rivers, Toxicity, Ecopoetry

Abstract

How does a river hold its memory? Do the banks feel their former textures and dimensions? Or is it fluid, washed away? What does fake or real, artificial or pristine even mean in a world deeply and violently touched by humans? This lyric essay is part of an ongoing inquiry with the Huron River, which runs through where I live on Anishinaabe land in what is colonially called Ypsilanti, Michigan in the United States. This project uses my own queer body and lived experience with madness as a site of query. How can madness and ecopoetry inform and support us (with us being the human and more-than-human world) in finding new ways to tend and be with and even love each other?

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Biografia autore

Stephanie Heit, Independent Artist

Stephanie Heit (she/her) is a queer disabled poet, dancer, teacher, and codirector of Turtle Disco, a somatic writing space on Anishinaabe territory in Ypsilanti, Michigan. Her practices explore the seams of movement, language, and mental health difference often within site-specific inquiries involving water. She is bipolar, a mad activist, a shock/psych system survivor, and a member of the Olimpias, an international disability performance collective. Her poetry collections are the award-winning book of hybrid memoir poems PSYCH MURDERS (Wayne State University Press, 2022) and The Color She Gave Gravity (Operating System, 2017). Website: https://stephanie-heit.com/

 

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Pubblicato

2026-10-31

Fascicolo

V. 17 N. 2 (2026): Eco-Crip Cultures: Disability and the Environment

Sezione

Creative Writing and Arts

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